Count Dorsay The Dandy Of Dandies
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Last of the Dandies
Author | : Nick Foulkes |
Publisher | : Macmillan |
Total Pages | : 489 |
Release | : 2014-02-04 |
Genre | : Biography & Autobiography |
ISBN | : 1466864451 |
From his first appearance in London in 1821 until his death in Paris in 1852, Count D'Orsay dominated and scandalized the whole of European society. For three decades he was the ultimate arbiter in matters of taste, style and fashion -- what D'Orsay wore today, society would wear tomorrow. He also enthralled Society with the thirty-year soap opera of his relationship with Lady Blessington, whose daughter he married and with whose husband he was suspected of having had an affair. Bisexual, flamboyant and outrageous, D'Orsay was said to have ruined the cream of British aristocracy. He toured Europe on an enormous spending spree; paid homage to a dying Lord Byron in Italy, set up a racing course in Notting Hill and a gambling den in St James's. Nick Foulkes' Last of the Dandies is a vivid biography of an astonishingly flamboyant figure and a dazzling portrait of an era.
D'Orsay; or, The complete dandy
Author | : W. Teignmouth Shore |
Publisher | : Good Press |
Total Pages | : 162 |
Release | : 2019-12-11 |
Genre | : Fiction |
ISBN | : |
"D'Orsay; or, The Complete Dandy" authored by W. Teignmouth Shore presents an illuminating biography of Count Alfred d'Orsay, a prominent figure in the fashionable circles of 19th-century society. Shore's meticulous research and engaging prose unveil the complexities of d'Orsay's character, shedding light on his role as a cultural influencer and dandy. Through vivid descriptions of high fashion, art, and social interactions, the author paints a rich portrait of d'Orsay's life, inviting readers to explore the cultural milieu of the era. By delving into the world of dandyism and its impact on society, "D'Orsay; or, The Complete Dandy" offers readers a glimpse into a captivating period of history and an individual who embodied its essence.
Fashioning Gothic bodies
Author | : Catherine Spooner |
Publisher | : Manchester University Press |
Total Pages | : 233 |
Release | : 2017-06-01 |
Genre | : Literary Criticism |
ISBN | : 1526125595 |
This innovative book is the first to make an explicit link between constructions of the body in Gothic literature and film and historically specific fashion discourse, from the 1790s to the 1990s.
The Turning Point
Author | : Robert Douglas-Fairhurst |
Publisher | : Knopf |
Total Pages | : 369 |
Release | : 2022-03-01 |
Genre | : Biography & Autobiography |
ISBN | : 0525655948 |
A major new biography that takes an unusual and illuminating approach to the great writer—immersing us in one year of his life—from the award-winning author of Becoming Dickens and The Story of Alice. The year is 1851. It's a time of radical change in Britain, when industrial miracles and artistic innovations rub shoulders with political unrest, poverty, and disease. It is also a turbulent year in the private life of Charles Dickens, as he copes with a double bereavement and early signs that his marriage is falling apart. But this formative year will become perhaps the greatest turning point in Dickens's career, as he embraces his calling as a chronicler of ordinary people's lives and develops a new form of writing that will reveal just how interconnected the world is becoming. The Turning Point transports us into the foggy streets of Dickens's London, closely following the twists and turns of a year that would come to define him and forever alter Britain's relationship with the world. Fully illustrated, and brimming with fascinating details about the larger-than-life man who wrote Bleak House, this is the closest look yet at one of the greatest literary personalities ever to have lived.
Men in Black
Author | : John Harvey |
Publisher | : Reaktion Books |
Total Pages | : 282 |
Release | : 2013-06-01 |
Genre | : Social Science |
ISBN | : 1780230044 |
Mr. Pink: "Why can't we pick out our own color?" Joe: "I tried that once, it don't work. You get four guys fighting over who's gonna be Mr. Black." —Quentin Tarantino, Reservoir Dogs Men's clothes went black in the nineteenth century. Dickens, Ruskin and Baudelaire all asked why it was, in an age of supreme wealth and power, that men wanted to dress as if going to a funeral. The answer is in this history of the color black. Over the last 1000 years there have been successive expansions in the wearing of black—from the Church to the Court, from the Court to the merchant class. Though black as fashion was often smart and elegant, its growth as a cultural marker was fed by several currents in Europe's history—in politics, asceticism, religious warfare. Only in the nineteenth century, however, did black fully come into its own as fashion, the most telling witnesses constantly saw connections between the taste for black and the forms of constraint with which European society regimented itself. Concentrating on the general shift away from color that began around 1800, Harvey traces the transition to black from the court of Burgundy in the 15th century, through 16th-century Venice, 17th-century Spain and the Netherlands. He uses paintings from Van Eyck and Degas to Francis Bacon, religious art, period lithographs, wood engravings, costume books, newsphotos, movie stills and related sources in his compelling study of the meaning of color and clothes. Although in the twentieth century tastes have moved toward new colors, black has retained its authority as well as its associations with strength and cruelty. At the same time black is still smart, and fashion keeps returning to black. It is, perhaps, the color that has come to acquire the greatest, most significant range of meaning in history.
Beau Brummell
Author | : Ian Kelly |
Publisher | : Simon and Schuster |
Total Pages | : 474 |
Release | : 2013-07-23 |
Genre | : Biography & Autobiography |
ISBN | : 141653198X |
"If people turn to look at you in the street, you are not well dressed, but either too stiff, too tight, or too fashionable." -- Beau Brummell Long before tabloids and television, Beau Brummell was the first person famous for being famous, the male socialite of his time, the first metrosexual -- 200 years before the word was conceived. His name has become synonymous with wit, profligacy, fine tailoring, and fashion. A style pundit, Brummell was singly responsible for changing forever the way men dress -- inventing, in effect, the suit. Brummell cut a dramatic swath through British society, from his early years as a favorite of the Prince of Wales and an arbiter of taste in the Age of Elegance, to his precipitous fall into poverty, incarceration, and madness. Brummell created the blueprint for celebrity crash and burn, falling dramatically out of favor and spending his last years in a hellish asylum. For nearly two decades, Brummell ruled over the tastes and pursuits of the well heeled and influential, and for almost as long, lived in penury and exile. With vivid prose, critically acclaimed biographer Ian Kelly unlocks the glittering, turbulent world of late-eighteenth/early-nineteenth-century London -- the first truly modern metropolis: venal, fashion-and-celebrity obsessed, self-centered and self-doubting -- through the life of one of its greatest heroes and most tragic victims. Brummell personified London's West End, where a new style of masculinity and modern men's fashion were first defined. Brummell was the leading Casanova and elusive bachelor of his time, appealing to both men and women of his society. The man Lord Byron once claimed was more important than Napoleon, Brummell was the ultimate cosmopolitan man. "Toyboy" to Georgiana, Duchess of Devonshire, and leader of playboys including the eventual king of England, Brummell inspired Pushkin to write Eugene Onegin, and Byron to write Don Juan, and he influenced others from Oscar Wilde to Coco Chanel. Through love letters, historical records, and poems, Kelly reveals the man inside the suit, unlocking the scandalous behavior of London's high society while illuminating Brummell's enigmatic life in the colorful, tumultuous West End. A rare rendering of an era filled with excess, scandal, promiscuity, opulence, and luxury, Beau Brummell is the first comprehensive view of an elegant and ultimately tragic figure whose influence continues to this day.
Dandies
Author | : Susan Fillin-Yeh |
Publisher | : NYU Press |
Total Pages | : 303 |
Release | : 2001-03 |
Genre | : Design |
ISBN | : 0814726968 |
Dandies: Fashion and Finesse in Art and Culture considers the visual languages, politics, and poetics of personal appearance. Dandyism has been most closely associated with influential caucasian Western men-about-town, epitomized by the 19th century style-setting of Oscar Wilde and by Tom Wolfe's white suits. The essays collected here, however, examine the spectacle and workings of dandyism to reveal that these were not the only dandies. On the contrary, art historians, literary and cultural historians, and anthropologists identify unrecognized dandies flourishing among early 19th century Native Americans, in Soviet Latvia, in Africa, throughout the African-American diaspora, among women, and in the art world. Moving beyond historical and fictional accounts of dandies, this volume juxtaposes theoretical models with evocative images and descriptions of clothing in order to link sartorial self-construction with artistic, social, and political self-invention. Taking into consideration the vast changes in thinking about identity in the academy, Dandies provides a compelling study of dandyism's destabilizing aesthetic enterprise. Contributors: Jennifer Blessing, Susan Fillin-Yeh, Rhonda Garelick, Joe Lucchesi, Kim Miller, Robert E. Moore, Richard J. Powell, Carter Ratcliffe, and Mark Allen Svede.
Fashioning the Dandy
Author | : Olga Vainshtein |
Publisher | : Anthem Press |
Total Pages | : 252 |
Release | : 2023-09-12 |
Genre | : Design |
ISBN | : 1839984465 |
The book explores the dandy as a cultural type across Europe and Russia from the eighteenth century through the present day. Olga Vainshtein offers a unique view on dandyism as a cultural tradition, based not merely on fashionable attire, but also as a particular lifestyle with specific standards of behaviour, bodily practices and conceptual approaches to dress. The dandy is described as the prototypical hero of the modern cult of celebrities. From clubbing manners, the techniques of virtual aristocratism, urban flâneurs and the correct way to examine people, Vainshtein walks us through optical duels and the techniques of visual assessment at social gatherings. Readers will learn about strategies of subversive behaviour found in practical jokes, the fine art of noble scandal, dry wit, bare-faced impudence and mocking politeness. Looking at dandyism as a nineteenth-century literary movement, Vainshtein examines representation of dandies in fiction. Finally, a large section is devoted to Russian and Soviet dandyism and the dandies of today.