Cotton Tenants
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Author | : James Agee |
Publisher | : Melville House |
Total Pages | : 223 |
Release | : 2013-06-04 |
Genre | : History |
ISBN | : 1612192130 |
A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s editors shelved the story because of the unconventional style that marked Famous Men, and for years the original report was presumed lost. But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”
Author | : James Agee |
Publisher | : Melville House Publishing |
Total Pages | : 223 |
Release | : 2013 |
Genre | : Business & Economics |
ISBN | : 1612192122 |
In the summer of 1936, James Agee set out with photographer Walker Evans on an assignment for Fortune magazine. Their mission was to explore the plight of sharecroppers during the Great Depression. The journey fostered an extraordinary collaboration and a watershed literary event when the resulting report was turned into a book, Let Us Now Praise Famous Men, published in 1941. Agee's original dispatch, accompanied by 25 of Walker Evans' historic photos, is an unsparing record of place and of three families who worked the land at a desperate time.
Author | : Neil Foley |
Publisher | : Univ of California Press |
Total Pages | : 370 |
Release | : 1998-01-02 |
Genre | : History |
ISBN | : 9780520918528 |
In a book that fundamentally challenges our understanding of race in the United States, Neil Foley unravels the complex history of ethnicity in the cotton culture of central Texas. This engrossing narrative, spanning the period from the Civil War through the collapse of tenant farming in the early 1940s, bridges the intellectual chasm between African American and Southern history on one hand and Chicano and Southwestern history on the other. The White Scourge describes a unique borderlands region, where the cultures of the South, West, and Mexico overlap, to provide a deeper understanding of the process of identity formation and to challenge the binary opposition between "black" and "white" that often dominates discussions of American race relations. In Texas, which by 1890 had become the nation's leading cotton-producing state, the presence of Mexican sharecroppers and farm workers complicated the black-white dyad that shaped rural labor relations in the South. With the transformation of agrarian society into corporate agribusiness, white racial identity began to fracture along class lines, further complicating categories of identity. Foley explores the "fringe of whiteness," an ethno-racial borderlands comprising Mexicans, African Americans, and poor whites, to trace shifting ideologies and power relations. By showing how many different ethnic groups are defined in relation to "whiteness," Foley redefines white racial identity as not simply a pinnacle of status but the complex racial, social, and economic matrix in which power and privilege are shared. Foley skillfully weaves archival material with oral history interviews, providing a richly detailed view of everyday life in the Texas cotton culture. Addressing the ways in which historical categories affect the lives of ordinary people, The White Scourge tells the broader story of racial identity in America; at the same time it paints an evocative picture of a unique American region. This truly multiracial narrative touches on many issues central to our understanding of American history: labor and the role of unions, gender roles and their relation to ethnicity, the demise of agrarian whiteness, and the Mexican-American experience.
Author | : Donald Grubbs |
Publisher | : University of Arkansas Press |
Total Pages | : 237 |
Release | : 2000-07-01 |
Genre | : History |
ISBN | : 1557285225 |
The Southern Tenant Farmers' Union was founded in eastern Arkansas in 1934 to protest the New Deal's enrichment of Southern cotton barons at the expense of suffering sharecroppers, both black and white. Their courageous struggle, in the face of determined and often violent resistance from their landlords, is the subject of this thorough study from Donald H. Grubbs, which was published to critical acclaim in 1971. Cry from the Cotton was the first full-scale look at the STFU and its leaders. It discloses that, although the union operated under noticeable socialist party sponsorship in its infancy, it drew much more upon the native Southern evangelical and populist traditions, much as the civil rights movement would do twenty-five years later. Grubbs convincingly demonstrates that while the STFU failed to gain immediate social justice for its members, it resulted in the formation of the Farm Security Administration, which even today continues to aid the rural poor, and it played a large part in forcing the formation of the La Follette Civil Liberties Committee, whose spotlight on management terrorism helped the CIO toward success. The volume stands as a classic on labor issues and class struggle and still echoes with the haunting plea of the dispossessed for equity.
Author | : Keith Joseph Volanto |
Publisher | : Texas A&M University Press |
Total Pages | : 232 |
Release | : 2005 |
Genre | : Business & Economics |
ISBN | : 9781585444021 |
Cotton growing-Government policy-Texas-Historly 2. Cotton trade-government policy-Texas-History. 3. New Deal1933-1939-Texas. 4. United States.
Author | : Charles C. Bolton |
Publisher | : Duke University Press |
Total Pages | : 276 |
Release | : 1994 |
Genre | : History |
ISBN | : 9780822314684 |
Bolton (history, U. of Southern Mississippi) illuminates the social complexity surrounding the lives of a group consistently dismissed as rednecks, crackers, and white trash: landless white tenants and laborers in the era of slavery. A short epilogue looks at their lives today. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR
Author | : James C. Giesen |
Publisher | : University of Chicago Press |
Total Pages | : 238 |
Release | : 2012-08-01 |
Genre | : History |
ISBN | : 0226292851 |
Between the 1890s and the early 1920s, the boll weevil slowly ate its way across the Cotton South from Texas to the Atlantic Ocean. At the turn of the century, some Texas counties were reporting crop losses of over 70 percent, as were areas of Louisiana, Arkansas, and Mississippi. By the time the boll weevil reached the limits of the cotton belt, it had destroyed much of the region’s chief cash crop—tens of billions of pounds of cotton, worth nearly a trillion dollars. As staggering as these numbers may seem, James C. Giesen demonstrates that it was the very idea of the boll weevil and the struggle over its meanings that most profoundly changed the South—as different groups, from policymakers to blues singers, projected onto this natural disaster the consequences they feared and the outcomes they sought. Giesen asks how the myth of the boll weevil’s lasting impact helped obscure the real problems of the region—those caused not by insects, but by landowning patterns, antiquated credit systems, white supremacist ideology, and declining soil fertility. Boll Weevil Blues brings together these cultural, environmental, and agricultural narratives in a novel and important way that allows us to reconsider the making of the modern American South.
Author | : Rachel Louise Snyder |
Publisher | : W. W. Norton & Company |
Total Pages | : 368 |
Release | : 2009-04-20 |
Genre | : Business & Economics |
ISBN | : 0393065103 |
“A fascinating chronicle of the $55-billion-a-year global denim industry.” —David Futrelle, Los Angeles Times Rachel Louise Snyder reports from the far reaches of the multi-billion-dollar denim industry in search of the people who make your clothes. From a cotton picker in Azerbaijan to a Cambodian seamstress, a denim maker in Italy to a fashion designer in New York, Snyder captures the human, environmental, and political forces at work in a complex and often absurd world. Neither polemic nor prescription, Fugitive Denim captures what it means to work in the twenty-first century.
Author | : Donald Holley |
Publisher | : University of Arkansas Press |
Total Pages | : 309 |
Release | : 2000-07-01 |
Genre | : History |
ISBN | : 1682261069 |
In The Second Great Emancipation, Donald Holley uses statistical and narrative analysis to demonstrate that farm mechanization occurred in the Delta region of Arkansas, Louisiana, and Mississippi after the region’s population of farm laborers moved away for new opportunities. Rather than pushing labor off the land, Holley argues, the mechanical cotton picker enabled the continuation of cotton cultivation in the post-plantation era, opening the door for the civil rights movement, while ushering a period of prosperity into the South.
Author | : Leslie Jamison |
Publisher | : Little, Brown |
Total Pages | : 242 |
Release | : 2019-09-24 |
Genre | : Literary Collections |
ISBN | : 0316259667 |
From the "astounding" (Entertainment Weekly), "spectacularly evocative" (The Atlantic), and "brilliant" (Los Angeles Times) author of the New York Times bestsellers The Recovering and The Empathy Exams comes a return to the essay form in this expansive book. With the virtuosic synthesis of memoir, criticism, and journalism for which Leslie Jamison has been so widely acclaimed, the fourteen essays in Make It Scream, Make It Burn explore the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; the haunted landscape of the Sri Lankan Civil War; and an entire museum dedicated to the relics of broken relationships. Jamison follows these examinations to more personal reckonings -- with elusive men and ruptured romances, with marriage and maternity -- in essays about eloping in Las Vegas, becoming a stepmother, and giving birth. Often compared to Joan Didion and Susan Sontag, and widely considered one of the defining voices of her generation, Jamison interrogates her own life with the same nuance and rigor she brings to her subjects. The result is a provocative reminder of the joy and sustenance that can be found in the unlikeliest of circumstances. Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay One of the fall's most anticipated books: Time, Entertainment Weekly, O, Oprah Magazine, Boston Globe, Newsweek, Esquire, Seattle Times, Baltimore Sun, BuzzFeed, BookPage, The Millions, Marie Claire, Good Housekeeping, Minneapolis Star Tribune, Lit Hub, Women's Day, AV Club, Nylon, Bustle, Goop, Goodreads, Book Riot, Yahoo! Lifestyle, Pacific Standard, The Week, and Romper.