Cosmopolitan Ambassadors
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| Author | : Lee Davidson |
| Publisher | : Vernon Press |
| Total Pages | : 264 |
| Release | : 2019-05-03 |
| Genre | : Political Science |
| ISBN | : 1622735560 |
How are museums working internationally through exhibitions? What motivates this work? What are the benefits and challenges? What factors contribute to success? What impact does this work have for audiences and other stakeholders? What contributions are they making to cultural diplomacy, intercultural dialogue and understanding? Cosmopolitan Ambassadors first considers the current state of knowledge about international exhibitions and proposes an interdisciplinary analytical framework encompassing museum studies, visitor studies, cultural diplomacy and international cultural relations, cosmopolitanism and intercultural studies. It then presents a comprehensive empirical analysis of an exhibition exchange involving two exhibitions that crossed five countries and three continents, connecting six high profile cultural institutions and spanning almost a decade from initial conception to completion. A detailed comparison of both the intercultural production of international exhibitions by museum partnerships and by the interpretive acts and meaning-making of visitors, reveals the many complexities, challenges, tensions and rewards of international exhibitions and their intersection with cultural diplomacy. Key themes include the realities of international collaboration, its purposes, processes and challenges; the politics of cultural (self-)representation and Indigenous museology; implications for exhibition design, interpretation, and marketing; intercultural competency and museum practice; audience reception and meaning-making; cultural diplomacy in practice and perceptions of its value. This first-ever empirically-grounded, theoretical analysis provides the basis of a new model of museums as polycentral: as places that might produce a kaleidoscopic vision of multiple centres and help to dissolve cultural boundaries by encouraging dialogue, negotiation and the search for intercultural understandings. Guidelines for practice include recommendations for successful international museum partnerships, exhibition development and maximizing the potential of museum diplomacy.
| Author | : Lee Davidson |
| Publisher | : Vernon Press |
| Total Pages | : 264 |
| Release | : 2019-02-28 |
| Genre | : Art |
| ISBN | : 1622731743 |
How are museums working internationally through exhibitions? What motivates this work? What are the benefits and challenges? What factors contribute to success? What impact does this work have for audiences and other stakeholders? What contributions are they making to cultural diplomacy, intercultural dialogue and understanding? Cosmopolitan Ambassadors first considers the current state of knowledge about international exhibitions and proposes an interdisciplinary analytical framework encompassing museum studies, visitor studies, cultural diplomacy and international cultural relations, cosmopolitanism and intercultural studies. It then presents a comprehensive empirical analysis of an exhibition exchange involving two exhibitions that crossed five countries and three continents, connecting six high profile cultural institutions and spanning almost a decade from initial conception to completion. A detailed comparison of both the intercultural production of international exhibitions by museum partnerships and by the interpretive acts and meaning-making of visitors, reveals the many complexities, challenges, tensions and rewards of international exhibitions and their intersection with cultural diplomacy. Key themes include the realities of international collaboration, its purposes, processes and challenges; the politics of cultural (self-)representation and Indigenous museology; implications for exhibition design, interpretation, and marketing; intercultural competency and museum practice; audience reception and meaning-making; cultural diplomacy in practice and perceptions of its value. This first-ever empirically-grounded, theoretical analysis provides the basis of a new model of museums as polycentral: as places that might produce a kaleidoscopic vision of multiple centres and help to dissolve cultural boundaries by encouraging dialogue, negotiation and the search for intercultural understandings. Guidelines for practice include recommendations for successful international museum partnerships, exhibition development and maximizing the potential of museum diplomacy.
| Author | : Kira Huju |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2023-09-21 |
| Genre | : Political Science |
| ISBN | : 0198874936 |
Cosmopolitan Elites narrates the birth, everyday life, and fracturing of a Western-dominated global order from its margins. It offers a critical sociological examination of the elite Indian Foreign Service and its members, many of whom were present at the founding of this order. Kira Huju explores how these diplomats set out to remake the service in the name of a radically anti-colonial global subaltern, but often ended up seeking status within its hierarchies through social mimicry of its most powerful actors. This is a book about the struggles of belonging: it revisits what it takes to be a recognized member of international society and asks what the experience of historically marginalized actors inside the diplomatic club can tell us about the evident woes of global order today. In interrogating how Indian diplomats learned to live under a Westernized world order, it also offers a sociologically grounded reading of what might happen in spaces like India as the world transitions past Western domination. An awkward balancing act animates the order-making of India's cosmopolitan diplomats: despite a genuine desire to strive toward a postcolonial world founded on diversity, difference, and the symbolic representation of a global subaltern, there is a strong sense of a lingering caricature-like notion of a white, European-dominated homogenous club, to which Indian diplomats feel a deep-rooted and colonially embedded desire to belong. Cosmopolitanism operates inside this balancing act not as an international ethic upholding an equal, tolerant, or liberal global order, but rather as an elite aesthetic which presumes cultural compliance, diplomatic accommodation, and social assimilation into Western mores. Based on 85 interviews with Indian diplomats, politicians, and foreign policy experts, as well as archival work in New Delhi, the book asks what the experience of historically marginalized actors inside the diplomatic club tells us about the social hierarchies of race, class, religion, gender, and caste under global order.
| Author | : Aleysia K. Whitmore |
| Publisher | : Oxford University Press |
| Total Pages | : 265 |
| Release | : 2020-05-07 |
| Genre | : Music |
| ISBN | : 0190083972 |
In the mid-20th century, African musicians took up Cuban music as their own and claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. World Music and the Black Atlantic follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. World Music and the Black Atlantic examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. World Music and the Black Atlantic offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange.
| Author | : Kirsten Silva Gruesz |
| Publisher | : Princeton University Press |
| Total Pages | : 319 |
| Release | : 2020-11-10 |
| Genre | : Literary Criticism |
| ISBN | : 0691221308 |
This polished literary history argues forcefully that Latinos are not newcomers in the United States by documenting a vast network of Spanish-language cultural activity in the nineteenth century. Juxtaposing poems and essays by both powerful and peripheral writers, Kirsten Silva Gruesz proposes a major revision of the nineteenth-century U.S. canon and its historical contexts. Drawing on previously unpublished archival materials and building on an innovative interpretation of poetry's cultural role, Ambassadors of Culture brings together scattered writings from the borderlands of California and the Southwest as well as the cosmopolitan exile centers of New York, New Orleans, and San Francisco. It reads these productions in light of broader patterns of relations between the U.S. and Latin America, moving from the fraternal rhetoric of the Monroe Doctrine through the expansionist crisis of 1848 to the proto-imperialist 1880s. It shows how ''ambassadors of culture'' such as Whitman, Longfellow, and Bryant propagated ideas about Latin America and Latinos through their translations, travel writings, and poems. In addition to these well-known figures and their counterparts in the work of nation-building in Cuba, Mexico, and Central and South America, this book also introduces unremembered women writers and local poets writing in both Spanish and English. In telling the almost forgotten early history of travels and translations between U.S. and Latin American writers, Gruesz shows that Anglo and Latino traditions in the New World were, from the beginning, deeply intertwined and mutually necessary.
| Author | : Gregory Castle |
| Publisher | : Cambridge University Press |
| Total Pages | : 549 |
| Release | : 2015-06-25 |
| Genre | : Literary Criticism |
| ISBN | : 1107034957 |
A History of the Modernist Novel reassesses the modernist canon and produces a wealth of new comparative analyses that radically revise the novel's history. It also considers the novel's global reach while suggesting that the epoch of modernism is not yet finished.
| Author | : Sarah E.K. Smith |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 259 |
| Release | : 2023-09-05 |
| Genre | : Business & Economics |
| ISBN | : 1538137224 |
Museum diplomacy has come to new prominence in the contemporary moment. Museums have increasingly global agendas, advancing diverse international partnerships across the world. Moreover, they hold the potential to advance cross-cultural education and foster mutual understanding at a moment when we are beset by global challenges. Acknowledging the troubled histories of these institutions and their contested status, Museum Diplomacy: How Cultural Institutions Shape Global Engagement recognizes the pivotal contributions of museums’ global work, while also grappling with the significant issues, questions and possibilities that these activities raise. The collection features examinations of museum diplomacy by fifteen leading scholars and museum practitioners. These texts address global case studies that speak to museum practices related to objects, collections, and people, and charting foundational concepts and ideas. Taken as a whole, the book provides contemporary examples, grounded in historic context, along with provocations and explorations of best practices, providing points for reflection along with guidance for practitioners and scholars alike. Through these wide-ranging contributions, Museum Diplomacy also contributes a new understanding of cultural diplomacy that recognizes the vital diplomatic work of curators, museum administrators, and other museum professionals, as well as how these practitioners exert their own agency in ways that may or may not align with broader government and institutional agendas. Ultimately, Museum Diplomacy calls on the sector to rethink their perceptions of cultural diplomacy and embrace an expansive understanding of the diplomatic practitioner.
| Author | : Alexander Brown |
| Publisher | : Routledge |
| Total Pages | : 260 |
| Release | : 2021-09-27 |
| Genre | : Philosophy |
| ISBN | : 1000441229 |
Working in the tradition of analytic philosophy, Alexander Brown argues that many different forms of political communication (or anti-communication) that often infuriate the public can also be ethically or morally objectionable. These forms include question dodging, offering scripted answers, stonewalling, not listening, disseminating propaganda, pandering, being insincere, giving false denials, issuing revisionist interpretations, refusing to take responsibility, never apologising, boasting, and gaslighting. Brown invokes a host of normative reasons including those having to do with epistemic arrogance, interference in autonomy, and violating the right to be heard. This is not to say that, all things considered, politicians should never engage in dubious political communication. Sometimes these are necessary evils. Brown argues, however, that further moral inquiry is needed to show why they are evils, and to determine when the use of these rhetorical tactics can be excessive, unreasonable, or out of place. Key Features: • Identifies and conceptualises forms of dubious political communication • Develops an ethical evaluation of political communication • Considers possible justifications for the use of dubious political communication • Makes practical recommendations on how to regulate unethical political communication
| Author | : Da Kong |
| Publisher | : Routledge |
| Total Pages | : 175 |
| Release | : 2021-03-31 |
| Genre | : Art |
| ISBN | : 1000374696 |
Museums, International Exhibitions and China’s Cultural Diplomacy examines the role museums and, more specifically, international exhibitions, have played in shaping China’s international image to date. Drawing on theories and methods from museum studies and international relations, the book evaluates the contribution international exhibitions make to China’s cultural diplomacy strategy. Considering their impact on the country’s international image, Kong also probes the mechanisms and processes involved, examining in detail the policy of, and international activities promoted by, the Chinese government. The book also analyses the motives of the Chinese and overseas museums that host these exhibitions. Taking some major exhibitions that were on show in the UK during the 21st century as a representative case study, the book reveals the mechanisms by which these exhibitions were developed and shared overseas. Questioning who really shapes the image of China, Kong challenges Western assumptions and looks ahead to consider whether, moving forward, the Chinese government and museums could work together in a mutually beneficial way. Museums, International Exhibitions and China’s Cultural Diplomacy contributes to the growing literature on museums and diplomacy. As such, it will be of interest to academics and students engaged in the study of museums and heritage, international relations, culture, politics, China and wider Asia.
| Author | : Hsuan L. Hsu |
| Publisher | : Cambridge University Press |
| Total Pages | : 271 |
| Release | : 2010-05-06 |
| Genre | : Literary Criticism |
| ISBN | : 0521197066 |
This book examines how literature represents different kinds of spaces, from the single-family home to the globe. It focuses on how nineteenth-century authors drew on literary tools including rhetoric, setting, and point of view to mediate between individuals and different spaces, and re-examines how local spaces were incorporated into global networks.
