Corrected Slogans
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| Author | : Lucy Ives |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9780984734627 |
Corrected Slogans represents a vital discourse on conceptual practices in contemporary art and poetry. In conjunction with the exhibition “Postscript: Writing After Conceptual Art” organized by the Museum of Contemporary Art in Denver, the online magazine Triple Canopy hosted a series of public conversations between some of the most innovative artists and poets working today. The symposium “Poems for America” asked how conceptual strategies of writing have transformed conventional notions of expression. “Automatic Reading,” a seminar-style roundtable, focused on reading as a creative practice, and the book as a material object and social signifier. Corrected Slogans features annotated transcripts of these events, which include contributions from Erica Baum, Franklin Bruno, Corina Copp, Michael Corris, Jim Fletcher, Aaron Kunin, Margaret Lee, K. Silem Mohammad, Ken Okiishi, R. H. Quaytman, Katie Raissian, Ariana Reines, Mónica de la Torre, Gretchen Wagner, and Matvei Yankelevich, along with new essays, artworks, and poetry. More than merely documenting discussions, however, Corrected Slogans activates the book as a site of creative production, enacting an expanded notion of publishing as a mode of critical inquiry.
| Author | : Brett F Lauer |
| Publisher | : Penguin |
| Total Pages | : 306 |
| Release | : 2015-03-10 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 1101615389 |
One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. Editors Brett Fletcher Lauer and Lynn Melnick have crafted a book that is a must-read for those wanting to know the future of poetry. With an introduction from award-winning poet, editor, and translator Carolyn Forché, Please Excuse This Poem has the power to change the way you look at the world. It is The Best American Nonrequired Reading—in poetry form.
| Author | : Andrea Andersson |
| Publisher | : University of Toronto Press |
| Total Pages | : 429 |
| Release | : 2018-01-01 |
| Genre | : Art |
| ISBN | : 1442649844 |
Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves
| Author | : Simon Reynolds |
| Publisher | : Penguin |
| Total Pages | : 433 |
| Release | : 2006-02-17 |
| Genre | : Music |
| ISBN | : 1101201053 |
A landmark history of post-punk, the basis of the documentary film directed by Nikolaos Katranis Renowned music journalist Simon Reynolds celebrates the futurist spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style and continued into the early eighties with the video-savvy synth-pop of groups such as Human League, Depeche Mode, and Soft Cell, whose success coincided with the rise of MTV. Full of insight and anecdotes and populated by charismatic characters, Rip It Up and Start Again re-creates the idealism, urgency, and excitement of one of the most important and challenging periods in the history of popular music.
| Author | : Seth Kim-Cohen |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 225 |
| Release | : 2023-06-15 |
| Genre | : Music |
| ISBN | : |
No Boomeresque celebration of the "music that defined an era," Rock and Roll vs. Modern Life is instead a deeply critical analysis of rock and roll as a chaotic, caterwauling project to upend the foundational presumptions of postwar values. What we have here is the closest thing yet to a unified field theory of rock and roll. In seminal performances, films, and recordings, Iggy Pop, James Brown, Patti Smith, the Last Poets, and the Sex Pistols disrupt the implicit ontologies of modernism and late-stage capitalism. With its comrades, conceptual art, Black power, and poststructuralism, rock and roll strips back the linoleum surface of modern life to reveal a feral sensibility unwilling to be boxed up for clean consumption.
| Author | : Charles Harrison |
| Publisher | : MIT Press |
| Total Pages | : 350 |
| Release | : 2003-09-12 |
| Genre | : Art |
| ISBN | : 9780262582414 |
Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.
| Author | : Rob Young |
| Publisher | : Black Dog Publishing |
| Total Pages | : 202 |
| Release | : 2006 |
| Genre | : Music |
| ISBN | : 9781904772477 |
"Run with punk's revolutionary zeal, Rough Trade cast its net wide in its search for musical innovation, from French and Northern Irish punk rock to classic Jamaican dub. The label released many of the most important and enduring records of the 1980s by artists including: The Smiths, Scritti Politti, The Pop Group, The Raincoats, Galaxie 500, The Go-Betweens, Aztec Camera, Robert Wyatt, The Fall, Arthur Russell, Ivor Cutler and Linton Kwesi Johnson. Rough Trade looks back on three fascinating decades of innovation, noise and change, taking in ups and downs, twists and turns and some of the best music ever committed to vinyl."--BOOK JACKET.
| Author | : Neil Taylor |
| Publisher | : Orion |
| Total Pages | : 537 |
| Release | : 2010-07-22 |
| Genre | : Music |
| ISBN | : 1409112217 |
The official story of 25 years of the legendary Rough Trade Records. Rough Trade is practically a byword for the history of independent music over the last thirty years. DOCUMENT AND EYEWITNESS: AN INTIMATE HISTORY OF ROUGH TRADE tells the story from the inside of a phenomenally influential record label, through the voices of Geoff Travis, Jarvis Cocker, Robert Wyatt, Green Gartside and many many more. From the early records of Cabaret Voltaire, Kleenex and the Swell Maps, through to groundbreaking releases by The Fall, The Smiths and Scritti Pollitti, on through the collapse of the independent collective and the rebirth of Rough Trade at the turn of the century, this is the definitive, essential account for any serious music fan.
| Author | : C. Schmidt |
| Publisher | : Springer |
| Total Pages | : 391 |
| Release | : 2014-06-05 |
| Genre | : Literary Criticism |
| ISBN | : 1137402792 |
Modernist debates about waste - both aesthetic and economic - often express biases against gender and sexual errancy. The Poetics of Waste looks at writers and artists who resist this ideology and respond by developing an excessive poetics.
| Author | : John A. Walker |
| Publisher | : Taylor & Francis |
| Total Pages | : 223 |
| Release | : 2023-05-31 |
| Genre | : Music |
| ISBN | : 1000948498 |
This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group’s look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs – between the visual arts and groups, musicians and movements.
