Conversations With William H Gass
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| Author | : William H. Gass |
| Publisher | : |
| Total Pages | : 196 |
| Release | : 2003 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781578065462 |
Biography -- Literary Criticism Conversations with William H. Gass captures the imagination and philosophical acumen of one of America's most important aestheticians, critical theorists, fiction writers, and essayists. From his first major novel, Omensetter's Luck (1966), to his numerous collections of essays and philosophical inquiries, to his controversial novel The Tunnel (1995), Gass (b. 1924) has proved himself a meticulous craftsman. Throughout these interviews, he reveals an aesthetic that combines ideas from sources as disparate as Ludwig Wittgenstein, Rainer Maria Rilke, Gertrude Stein, and Plato. The interviews make clear the unity behind Gass's views is by his own design. Conversations retrace his undergraduate years at Kenyon College and his subsequent philosophical investigation of metaphor at Cornell University. Gass has never strayed from his belief that metaphor is central and fundamental to thought and to aesthetics. In these interviews he reiterates time and again his belief that the ultimate understanding of the relationship of language to the world pivots on one's understanding of metaphor. In interviews, in profiles, and in his own essays, Gass does not hide from questions about his art and personal motivations, no matter how frequently they are asked, nor does he toy with his interviewers. Revealing how he never shies from an intellectual joust, this collection includes a rousing, contentious debate with John Gardner, fellow literary pundit and fiction writer. The distinction of Gass's prose is matched by the clarity and brilliance of the mind behind it. These talks allow an unobstructed view. Anyone interested in Gass's writing will delight in hearing the brutally honest voice of the mind that produced it. Theodore G. Ammon is chair of the philosophy department at Millsaps College in Jackson, Miss. His work has appeared in such publications as Romance Notes, Arachne, College Mathematics, and the Journal of Aesthetic Education.
| Author | : William H. Gass |
| Publisher | : Knopf |
| Total Pages | : 432 |
| Release | : 2010-02-10 |
| Genre | : Literary Collections |
| ISBN | : 0307498247 |
From one of the most admired essayists and novelists at work today: a new collection of essays—his first since Tests of Time, winner of the National Book Critics Circle Award for Criticism. These twenty-five essays speak to the nature and value of writing and to the books that result from a deep commitment to the word. Here is Gass on Rilke and Gertrude Stein; on friends such as Stanley Elkin, Robert Coover, and William Gaddis; and on a company of “healthy dissidents,” among them Rabelais, Elias Canetti, John Hawkes, and Gabriel García Márquez. In the title essay, Gass offers an annotated list of the fifty books that have most influenced his thinking and his work and writes about his first reaction to reading each. Among the books: Ludwig Wittgenstein’s Tractatus Logico-Philosophicus (“A lightning bolt,” Gass writes. “Philosophy was not dead after all. Philosophical ambitions were not extinguished. Philosophical beauty had not fled prose.”) . . . Ben Jonson’s The Alchemist (“A man after my own heart. He is capable of the simplest lyrical stroke, as bold and direct as a line by Matisse, but he can be complex in a manner that could cast Nabokov in the shade . . . Shakespeare may have been smarter, but he did not know as much.”) . . . Gustave Flaubert’s letters (“Here I learned—and learned—and learned.”) And after reading Malory’s Le Morte d’Arthur, Gass writes “I began to eat books like an alien worm.” In the concluding essay, “Evil,” Gass enlarges upon the themes of artistic quality and cultural values that are central to the books he has considered, many of which seek to reveal the worst in people while admiring what they do best. As Gass writes, “The true alchemists do not change lead into gold, they change the world into words.” A Temple of Texts is Gass at his most alchemical.
| Author | : William H. Gass |
| Publisher | : Penguin |
| Total Pages | : 340 |
| Release | : 1997-04-01 |
| Genre | : Fiction |
| ISBN | : 9780141180106 |
"The most important work of fiction by an American in this literary generation." -The New Republic Now celebrating the 50th anniversary of its publication, Omensetter's Luck is the masterful first novel by the author of The Tunnel, Middle C, On Being Blue, and Eyes: Novellas and Stories. Greeted as a masterpiece when it was first published in 1966, Omensetter's Luck is the quirky, impressionistic, and breathtakingly original story of an ordinary community galvanized by the presence of an extraordinary man. Set in a small Ohio town in the 1890s, it chronicles - through the voices of various participants and observers - the confrontation between Brackett Omensetter, a man of preternatural goodness, and the Reverend Jethro Furber, a preacher crazed with a propensity for violent thoughts. Omensetter's Luck meticulously brings to life a specific time and place as it illuminates timeless questions about life, love, good, and evil. This edition includes an afterword written by William Gass in 1997. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
| Author | : William H. Gass |
| Publisher | : Vintage |
| Total Pages | : 944 |
| Release | : 2018-11-06 |
| Genre | : Literary Criticism |
| ISBN | : 1101874759 |
Throughout his career, William Gass relentlessly pushed at the boundaries of language, celebrating the music of the sentence and the aesthetics of the written word. Now, the best and most important of his work is collected in one volume. There are essays on Plato, Hobbes, James, Joyce, Beckett, Stein, Gaddis, Sterne, Ford Madox Ford, Thomas Mann. There are pieces that examine the inner workings of writing. There is his masterful short fiction, from the perfectly crafted novella “In Camera” to the mythical “In the Heart of the Heart of the Country.” And there are excerpts from his novels, including his magnum opus, The Tunnel. Taken together, this collection is a peerless, essential celebration of literature—and an invaluable guide for anyone who wants to understand how great writing works.
| Author | : William H. Gass |
| Publisher | : Commonwealth Secretariat |
| Total Pages | : 676 |
| Release | : 1999 |
| Genre | : Fiction |
| ISBN | : 9781564782137 |
"Gass has produced a book that burrows inside us then wails like a beast, a book that mainlines a century's terror direct to the brain."--Voice Literary Supplement
| Author | : John Gardner |
| Publisher | : Open Road Media |
| Total Pages | : 258 |
| Release | : 2013-04-02 |
| Genre | : Literary Criticism |
| ISBN | : 1480409219 |
“Fearless, illuminating” criticism from a New York Times–bestselling author and legendary teacher, “proving . . . that true art is moral and not trivial” (Los Angeles Times). Novelist John Gardner’s thesis in On Moral Fiction is simple: “True art is by its nature moral.” It is also an audacious statement, as Gardner asserts an inherent value in life and in art. Since the book’s first publication, the passion behind Gardner’s assertion has both provoked and inspired readers. In examining the work of his peers, Gardner analyzes what has gone wrong, in his view, in modern art and literature, and how shortcomings in artistic criticism have contributed to the problem. He develops his argument by showing how artists and critics can reintroduce morality and substance to their work to improve society and cultivate our morality. On Moral Fiction is an essential read in which Gardner presents his thoughtfully developed criteria for the elements he believes are essential to art and its creation. This ebook features an illustrated biography of John Gardner, including original letters, rare photos, and never-before-seen documents from the Gardner family and the University of Rochester Archives.
| Author | : William H. Gass |
| Publisher | : Knopf |
| Total Pages | : 417 |
| Release | : 2013 |
| Genre | : Fiction |
| ISBN | : 0307701638 |
Joseph Skizzen's family fled from Austria in 1938 to London where his father disappeared, he and his family then relocated to small town Ohio and Joseph grows up to be a decent piano player with a deeply fractured sense of identity.
| Author | : William H. Gass |
| Publisher | : Knopf |
| Total Pages | : 410 |
| Release | : 2013-10-23 |
| Genre | : Literary Collections |
| ISBN | : 0804150931 |
From the author of The Tunnel comes a new collection of essays, his first in eight years, on art, writing, nature and culture. This book is by one of the most important and briliant thinkers at work today.
| Author | : William Gaddis |
| Publisher | : New York Review of Books |
| Total Pages | : 969 |
| Release | : 2020-11-24 |
| Genre | : Fiction |
| ISBN | : 1681374676 |
A postmodern masterpiece about fraud and forgery by one of the most distinctive, accomplished novelists of the last century. The Recognitions is a sweeping depiction of a world in which everything that anyone recognizes as beautiful or true or good emerges as anything but: our world. The book is a masquerade, moving from New England to New York to Madrid, from the art world to the underworld, but it centers on the story of Wyatt Gwyon, the son of a New England minister, who forsakes religion to devote himself to painting, only to despair of his inspiration. In expiation, he will paint nothing but flawless copies of his revered old masters—copies, however, that find their way into the hands of a sinister financial wizard by the name of Recktall Brown, who of course sells them as the real thing. Dismissed uncomprehendingly by reviewers on publication in 1955 and ignored by the literary world for decades after, The Recognitions is now established as one of the great American novels, immensely ambitious and entirely unique, a book of wild, Boschian inspiration and outrageous comedy that is also profoundly serious and sad.
| Author | : William H. Gass |
| Publisher | : New York Review of Books |
| Total Pages | : 113 |
| Release | : 2014-03-18 |
| Genre | : Literary Collections |
| ISBN | : 1590177320 |
On Being Blue is a book about everything blue—sex and sleaze and sadness, among other things—and about everything else. It brings us the world in a word as only William H. Gass, among contemporary American writers, can do. Gass writes: Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown and widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling.
