Conversaciones Con Jesus Soto
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Author | : Ariel Jiménez |
Publisher | : |
Total Pages | : 184 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
"Soto's first encounters with painting, his efforts to create an independent artistic practice that could speak to us of the world, of space, and of time beyond pictorial representation, made him a witness to and an extraordinary participant in some of the most fascinating artistic adventures of the Latin American twentieth century. At the same time, they demonstrate his deep and vital connection with the long history of Western art."--BOOK JACKET.
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2013 |
Genre | : Artists |
ISBN | : 9780988205543 |
Author | : Patrick Frank |
Publisher | : Yale University Press |
Total Pages | : 283 |
Release | : 2008-10-01 |
Genre | : Art |
ISBN | : 0300133332 |
This important and welcome volume is the first English-language anthology of writings on Latin American modern art of the twentieth century. The book includes some fifty seminal essays and documents—including statements, interviews, and manifestoes by artists—that encompass the broad diversity of this emerging field. Many of these materials are difficult to access and some are translated here for the first time. Together the selections explore the breadth and depth of Latin American modern art as well as its distinctive evolution apart from American and European art history. Included in this collection are fascinating ideas and insights on the impact of the avant-garde in the 1920s, the Mexican mural movement, Surrealism and other fantasy-based styles, modern architecture, geometric and optical art, concrete and neo-concrete art, and political conceptualism. For students and scholars of Latin American art, the volume offers an invaluable collection of primary and secondary sources.
Author | : Horea Avram |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 256 |
Release | : 2018-07-27 |
Genre | : Art |
ISBN | : 1527514951 |
The book comprises a series of contributions by international scholars and practitioners from different backgrounds researching in the fields of contemporary visual culture and performance studies. This collection addresses the issue of corporeality as a discursive field (which asks for a “poetics”), and the possible ways in which technology affects and is affected by the body in the context of recent artistic and theoretical developments. The common denominator of the contributions here is their focus on the relationship between body and image expressed as the connection between reality and fiction, presence and absence, private and public, physical and virtual. The essays cover a wide range of topics within a framework that integrates and emphasises recent artistic practices and current academic debates in the fields of performance studies, visual arts, new aesthetics, perception theories, phenomenology, and media theory. The book addresses these recent trends by articulating issues including the relationship between immediate experience and mediated image; performing the image; the body as fictional territory; performative idioms and technological expression; corporeality, presence and memory; interactivity as a catalyst for multimediality and remediation; visuality, performativity and expanded spectatorship; and the tensions between public space and intimacy in (social) media environments. The main strength of this volume is the fact that it provides the reader with a fresh, insightful and transdiciplinary perspective on the body–image relationship, an issue widely debated today, especially in the context of global artistic and technological transformations.
Author | : Ariel Jiménez |
Publisher | : The Museum of Modern Art |
Total Pages | : 396 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9780870707100 |
Alfredo Boulton (1908-1995) was Venezuela's foremost cultural and aesthetic observer of the 20th century. An art critic, cultural historian and photographer, he was highly influential in the development of modernist art and discourse, and of cultural self-definition, in Venezuela and the surrounding region. Boulton's diverse contributions serve as a point of departure in this remarkable selection of art-historical and critical texts by many of the prominent Latin American thinkers of this period, figures whose works and ideas helped to shape the face of contemporary Venezuela. Through the manifestos, correspondences and critical writings of these notable voices of the day, this anthology traces Venezuela's struggle toward modernity and toward a successful, autonomous identify on the international cultural scene. In addition to historical writings, the volume includes newly written critical and explanatory essays by contemporary scholars, providing context and insight to these significant texts that have become constant reference points for generations of artists, critics and art historians.
Author | : Gabriel Pérez-Barreiro |
Publisher | : Blanton Museum of Art |
Total Pages | : 362 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Author | : Paul Hackett |
Publisher | : Psychology Press |
Total Pages | : 166 |
Release | : 2014-01-10 |
Genre | : Psychology |
ISBN | : 113501986X |
Over the past decade, the integration of psychology and fine art has sparked growing academic interest among researchers of these disciplines. The author, both a psychologist and artist, offers up a unique merger and perspective of these fields. Through the production of fine art, which is directly informed by neuroscientific and optical processes, this volume aims to fill a gap in the literature and understanding of the creation and perception of the grid image created as a work of art. The grid image is employed (for reasons discussed in the text) to illustrate more general processes associated with the integration of vision, visual distortion, and painting. Existing at the intersection of perceptual neuroscience, psychology, fine art and art history, this volume concerns the act of painting and the process of looking. More specifically, the book examines vision and the effects of visual impairment and how these can be interpreted through painting within a theoretical framework of visual neuroscience.
Author | : Pablo Bachelet |
Publisher | : |
Total Pages | : 368 |
Release | : 2004 |
Genre | : Biography & Autobiography |
ISBN | : |
Gustavo Cisneros is one of the most successful business leaders in the history of Latin America. He took the major company built by his father, Diego Cisneros, and transformed it into a diversified, international powerhouse. Indeed, he was perhaps the first entrepreneur to see the potential of the U.S. Hispanic market, and he cofounded Univision, which would become the leading Spanish-language media company in the United States. In his book, Pablo Bachelet narrates an engaging tale about the growth of an influential and complex entrepreneurial organization and the evolution of its leader. Bachelet captures the exhilaration of life on the fast track of international business transactions and provides the reader with an insider's view of the launch of new business ventures. What emerges is a portrait of Cisneros as a man who is willing to take risks, yet understands the need to proceed with caution; as someone who has enjoyed great success, yet also tasted failure; as a captain of industry for whom every business venture provides an opportunity to innovate and create. These traits are illustrated through a succession of stories that include, among others, Cisneros' dazzling effect on the soft-drink business in Latin America. Under his family's stewardship, Pepsi controlled an 82 percent share of the market in Venezuela, one of the few countries in the world where Pepsi was winning the famed "Cola Wars." Then, virtually overnight, all that changed: With the successful implementation of "Operation Swan," Cisneros repainted and relabeled his Pepsi plants with the famed red and white Coca-Cola logo. The secret agreement instantly gave Cisneros and Coca-Cola a 94 percent share of the soft-drink market in Venezuela and left Pepsi in the dust. In chapters such as those describing Cisneros' attempts to establish an integrated platform for satellite TV in Latin America, and his dealings with Rupert Murdoch, Emilio Azcarraga, and other media barons, Bachelet reveals some of the secrets to Cisneros' highly effective management style. In his foreword to the book, Carlos Fuentes dubs Gustavo Cisneros "The Pioneer"-El Adelantado"-and Bachelet's account succeeds in illustrating a career of risks being rewarded and errors being acknowledged. He shows Cisneros advancing from traditional mass-consumption businesses to media and telecommunications, and reveals his relentless quest to integrate and grow his businesses. Gustavo Cisneros: Pioneer is an engrossing tale of how personal traits and business acumen have combined to create unprecedented success. Book jacket.
Author | : |
Publisher | : |
Total Pages | : 590 |
Release | : 2008 |
Genre | : Art, Colombian |
ISBN | : |
Author | : Jesús Rafael Soto |
Publisher | : |
Total Pages | : 176 |
Release | : 2005 |
Genre | : Art and technology |
ISBN | : |