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| Author | : Council of Europe. Council for Cultural Co-operation |
| Publisher | : Council of Europe |
| Total Pages | : 36 |
| Release | : 1996-01-01 |
| Genre | : Political Science |
| ISBN | : 9789287130006 |
On cover: Treaties and reports
| Author | : Conseil de l'Europe. Conseil de la coopération culturelle, Council of Europe |
| Publisher | : Council of Europe |
| Total Pages | : 36 |
| Release | : 1996-01-01 |
| Genre | : Motion picture industry |
| ISBN | : 9789287129994 |
| Author | : Council of Europe. Council for Cultural Co-operation |
| Publisher | : Council of Europe |
| Total Pages | : 36 |
| Release | : 1996 |
| Genre | : Law |
| ISBN | : |
On cover: Treaties and reports
| Author | : Antoinette Tidjani Alou |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 0 |
| Release | : 2015-05-06 |
| Genre | : Social Science |
| ISBN | : 9781137488497 |
Epistemology, Fieldwork, and Anthropology provides a systematic examination of the empirical foundations of interpretations and grounded theories in anthropology. Olivier de Sardan explores the nature of the links between observed reality and the data produced during fieldwork, and between the data gathered and final interpretative statements. Olivier de Sardan's research asks how anthropologists develop a 'policy of fieldwork', what the advantages and limits of observation are, and if the dangers of over-interpretation and scientific ideologies be minimized. Exploring the space between epistemology and methodology, the book critically juxtaposes Anglo and Francophone writings about fieldwork, plausible interpretations, emicity, reflexivity, comparison, and scientific rigor.
| Author | : Nataša Durovicová |
| Publisher | : Routledge |
| Total Pages | : 681 |
| Release | : 2009-09-10 |
| Genre | : Performing Arts |
| ISBN | : 1135869979 |
SCMS Award Winner "Best Edited Collection" The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.
| Author | : UNESCO |
| Publisher | : UNESCO Publishing |
| Total Pages | : 304 |
| Release | : 2016-12-31 |
| Genre | : Cities and towns |
| ISBN | : 9231001701 |
Report presents a series of analyses and recommendations for fostering the role of culture for sustainable development. Drawing on a global survey implemented with nine regional partners and insights from scholars, NGOs and urban thinkers, the report offers a global overview of urban heritage safeguarding, conservation and management, as well as the promotion of cultural and creative industries, highlighting their role as resources for sustainable urban development. Report is intended as a policy framework document to support governments in the implementation of the 2030 Agenda for Sustainable Urban Development and the New Urban Agenda.
| Author | : Steven J. Dick |
| Publisher | : |
| Total Pages | : 486 |
| Release | : 2008 |
| Genre | : Astronautics |
| ISBN | : |
From the Publisher: Proceedings of October 2007 conference, sponsored by the NASA History Division and the National Air and Space Museum, to commemorate the 50th anniversary of the Sputnik 1 launch in October 1957 and the dawn of the space age.
| Author | : Kristin Romberg |
| Publisher | : University of California Press |
| Total Pages | : 310 |
| Release | : 2019-01-08 |
| Genre | : Art |
| ISBN | : 0520298535 |
This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement’s chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of “making revolution.” Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of “the work of art”—no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan’s Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political.
| Author | : Michaela Benson |
| Publisher | : Routledge |
| Total Pages | : 190 |
| Release | : 2016-05-06 |
| Genre | : Social Science |
| ISBN | : 131710515X |
Relatively affluent individuals from various corners of the globe are increasingly choosing to migrate, spurred on by the promise of a better and more fulfilling way of life within their destination. Despite its increasing scale, migration academics have yet to consolidate and establish lifestyle migration as a subfield of theoretical enquiry, until now. This volume offers a dynamic and holistic analysis of contemporary lifestyle migrations, exploring the expectations and aspirations which inform and drive migration alongside the realities of life within the destination. It also recognizes the structural conditions (and constraints) which frame lifestyle migration, laying the groundwork for further intellectual enquiry. Through rich empirical case studies this volume addresses this important and increasingly common form of migration in a manner that will interest scholars of mobility, migration, lifestyle and culture across the social sciences.
| Author | : Manthia Diawara |
| Publisher | : Indiana University Press |
| Total Pages | : 212 |
| Release | : 1992-04-22 |
| Genre | : History |
| ISBN | : 9780253207074 |
Manthia Diawara provides an insider's account of the history and current status of African cinema. African Cinema: Politics and Culture is the first extended study in English of Sub-Saharan cinema. Employing an interdisciplinary approach which draws on history, political science, economics, and cultural studies, Diawara discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present. The book traces the growth of African cinema through the efforts of pioneer filmmakers such as Paulin Soumanou Vieyra, Oumarou Ganda, Jean-René Débrix, Jean Rouch, and Ousmane Sembène, the Pan-African Filmmakers' Organization (FEPACI), and the Ougadougou Pan-African Film Festival (FESPACO). Diwara focuses on the production and distribution histories of key films such as Ousmane Sembène's Black Girl and Mandabi (1968) and Souleymane Cissé's Fine (1982). He also examines the role of missionary films in Africa, Débrix's ideas concerning 'magic, ' the links between Yoruba theater and Nigerian cinema, and the parallels between Hindu mythologicals in India and the Yoruba-theater - inflected films in Nigeria. Diawara also looks at film and nationalism, film and popular culture, and the importance of FESPACO. African Cinema: Politics and Culture makes a major contribution to the expanding discussion of Eurocentrism, the canon, and multi-culturalism.
