Outsider Art
Author | : Vera L. Zolberg |
Publisher | : |
Total Pages | : 218 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9780521581110 |
Explores post-modernist dissolution of artistic hierarchies and evolution of different art forms
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Author | : Vera L. Zolberg |
Publisher | : |
Total Pages | : 218 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9780521581110 |
Explores post-modernist dissolution of artistic hierarchies and evolution of different art forms
Author | : Amy Newman |
Publisher | : |
Total Pages | : 592 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
""Artforum "radically transformed the rules of the game. . . . This lively book, in which gossip becomes oral history, records how and why. . . . Newman should be commended."-"Artforum" "Newman's book [makes] the activities of a handful of magazine editors and art critics seem totally fascinating . . . [It] provides an incredible amount of information about the evolution of American art, perhaps even more than can be found in the pages of Artforum itself."-"Art in America" "[I]ncisive and absorbing . . . An absolutely indispensable resource for anyone studying the field."?Irving Sandler, "American Art of the Sixties" "An accurate, honest, evenhanded -portrait of an extraordinary era in the words of the key players at the most important journal. . . . A great read."-Chuck Close, artist
Author | : Jeremy MacClancy |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2020-08-27 |
Genre | : Art |
ISBN | : 1000325644 |
Art is a major political weapon of our times. Today, peoples around the world use art to boost their own identity and to attack the ways others represent them. At a time of increasing intercultural exchange, art has become a primary means through which groups reinforce their challenged sense of culture.This pioneering book breaks with the tradition of the anthropology of art as the depoliticized study of aesthetics in exotic settings. Transcending artificial distinctions between the West and the Rest, it examines the increasingly significant relations among art, identity and politics in the modern world.Among the themes investigated by the contributors: - how African painters undermine racist stereotypes yet remain dominated by the Western art market - the role of anthropology museums in the perpetuation of the Western market in 'tribal art' - the internal and external political disputes underlying the 'repatriation' of cultural property.
Author | : Vea Vecchi |
Publisher | : Routledge |
Total Pages | : 453 |
Release | : 2010-04-05 |
Genre | : Education |
ISBN | : 1136992219 |
This book explores the contribution of and art and creativity to early education, and examines the role of the atelier (an arts workshop in a school) and atelierista (an educator with an arts background) in the pioneering pre-schools of Reggio Emilia. It does so through the unique experience of Vea Vecchi, one of the first atelieristas to be appointed in Reggio Emilia in 1970. Part memoir, part conversation and part reflection, the book provides a unique insider perspective on the pedagogical work of this extraordinary local project, which continues to be a source of inspiration to early childhood practitioners and policy makers worldwide. Vea’s writing, full of beautiful examples, draws the reader in as she explains the history of the atelier and the evolving role of the atelierista. Key themes of the book include: • processes of learning and knowledge construction • the theory of the hundred languages of childhood and the role of poetic languages • the importance of organisation, ways of working and tools, in particular pedagogical documentation • the vital contribution of the physical environment • the relationship between the atelier, the atelierista, the school and its teachers This enlightening book is essential reading for students, practitioners, policy makers and researchers in early childhood education, and also for all those in other fields of education interested in the relationship between the arts and learning.
Author | : Rongbin Han |
Publisher | : Columbia University Press |
Total Pages | : 255 |
Release | : 2018-04-10 |
Genre | : Political Science |
ISBN | : 0231545657 |
The Internet was supposed to be an antidote to authoritarianism. It can enable citizens to express themselves freely and organize outside state control. Yet while online activity has helped challenge authoritarian rule in some cases, other regimes have endured: no movement comparable to the Arab Spring has arisen in China. In Contesting Cyberspace in China, Rongbin Han offers a powerful counterintuitive explanation for the survival of the world’s largest authoritarian regime in the digital age. Han reveals the complex internal dynamics of online expression in China, showing how the state, service providers, and netizens negotiate the limits of discourse. He finds that state censorship has conditioned online expression, yet has failed to bring it under control. However, Han also finds that freer expression may work to the advantage of the regime because its critics are not the only ones empowered: the Internet has proved less threatening than expected due to the multiplicity of beliefs, identities, and values online. State-sponsored and spontaneous pro-government commenters have turned out to be a major presence on the Chinese internet, denigrating dissenters and barraging oppositional voices. Han explores the recruitment, training, and behavior of hired commenters, the “fifty-cent army,” as well as group identity formation among nationalistic Internet posters who see themselves as patriots defending China against online saboteurs. Drawing on a rich set of data collected through interviews, participant observation, and long-term online ethnography, as well as official reports and state directives, Contesting Cyberspace in China interrogates our assumptions about authoritarian resilience and the democratizing power of the Internet.
Author | : Anne Ring Petersen |
Publisher | : Taylor & Francis |
Total Pages | : 261 |
Release | : 2023-11-16 |
Genre | : Art |
ISBN | : 1003810810 |
This is the first book to develop a postmigrant analytical perspective for the study of art, concentrating on how postmigration reopens the study of contemporary art and migration. The book introduces art historians and other scholars with a methodological interest in cultural analysis to the innovative concept of postmigration, offering a comprehensive introduction to the various meanings and uses of the term as well as translating it methodologically to an art historical context. The book analyses art projects from Denmark, Germany and Great Britain, which address some of the current challenges to European societies of immigration, and by drawing on theory from fields such as migration studies, transcultural studies and feminist, postcolonial and political theory, as well as re-engaging established concepts such as imagination, commemoration, belonging, identity, racialization, community, public space and participation. The book will be of interest to scholars working in art history, art and politics, migration studies, and transcultural studies.
Author | : Helle Bundgaard |
Publisher | : Routledge |
Total Pages | : 270 |
Release | : 2013-11-05 |
Genre | : Social Science |
ISBN | : 1136806253 |
This beautifully illustrated book explores the opinions of artists, critics and others involved with arts or crafts, arguing for a theory that considers the different discursive formations and related strategic practices of an art world. Focusing on Orissan patta paintings in India the author examines the local, regional and national discourses involved. In so doing, the text demonstrates that, while painters' local discourses are characterised by pragmatism, the discourses of regional and especially national elites are concerned with the exegesis of local paintings and their association with the great Sanskrit tradition A central theme of the study focuses on the awards given for skill in craft making and their changing significance as they pass from national and regional elites to local painters. It is shown how certain key actions by local painters result from a clash between local discourses on the one hand and regional and national discourses on the other.
Author | : Ken Turner |
Publisher | : BRILL |
Total Pages | : 654 |
Release | : 2012-11-02 |
Genre | : Language Arts & Disciplines |
ISBN | : 9004253203 |
This is a collection of invited papers that honours Professor Jacob Mey on the occasion of his eightieth birthday. Professor Mey is, and has for a long time been, at once one of the most respected, enterprising, industrious, scholarly and, now, avuncular members of the numerous linguistics communities in which he has worked. He has made, over a distinguished working life, significant contributions to all of the sub-disciplines of linguistics, from phonetics, through phonology, morphology, syntax, semantics and especially pragmatics. He has sought to make connections between these sub-disciplines and broader areas of thought. These connections have resulted in ground breaking advances in, for example, Japanese sociolinguistics, pragmatics and artificial intelligence, Marxist linguistics, pragmatics and therapy, pragmatics and machine-processed information, gender and language, literary pragmatics and societal pragmatics. The collection ends with an in-depth discussion between Professor Mey and one of the editors in which Professor Mey speaks fully and frankly about his life in language and language in life.
Author | : Ben Burt |
Publisher | : A&C Black |
Total Pages | : 269 |
Release | : 2013-04-25 |
Genre | : Social Science |
ISBN | : 1847889433 |
Essential reading for anthropology of art students, World Art analyses our understanding of the word 'art', questioning conventional Western assumptions from an anthropological perspective, drawing comparisons with other cultures.
Author | : Pedram Khosronejad |
Publisher | : Bloomsbury Publishing |
Total Pages | : 304 |
Release | : 2011-11-30 |
Genre | : Art |
ISBN | : 0857720651 |
Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions.