Contemporary Perspectives On Architectural Organicism
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| Author | : Gary Huafan He |
| Publisher | : Taylor & Francis |
| Total Pages | : 298 |
| Release | : 2023-06-07 |
| Genre | : Architecture |
| ISBN | : 1000888932 |
This project is born out of similar questions and discussions on the topic of organicism emergent from two critical strands regarding the discourse of organic self-generation: one dealing with the problem of stopping in the design processes in history, and the other with the organic legacy of style in the nineteenth century as a preeminent form of aesthetic ideology. The epistemologies of self-generation outlined by enlightenment and critical philosophy provided the model for the discursive formations of modern urban planning and architecture. The form of the organism was thought to calibrate modernism’s infinite extension. The architectural organicism of today does not take on the language of the biological sciences, as they did in the nineteenth and twentieth centuries, but rather the image of complex systems, be they computational/informational, geo/ecological, or even ontological/aesthetic ‘networks’. What is retained from the modernity of yesterday is the ideology of endless self-generation. Revisiting such a topic feels relevant now, in a time when the idea of endless generation is rendered more suspect than ever, amid an ever increasing speed and complexity of artificial intelligence (AI) networks. The essays collected in this book offer a variety of critiques of the modernist idea of endless growth in the fields of architecture, literature, philosophy, and the history of science. They range in scope from theoretical and speculative to analytic and critical and from studies of the history of modernity to reflections of our contemporary world. Far from advocating a return to the romantic forms of nineteenth-century naturphilosophie, this project focuses on probing organicism for new forms of critique and emergent subjectivities in a contemporary, 'post'-pandemic constellation of neo-naturalism in design, climate change, complex systems, and information networks. This book will be of interest to a broad range of researchers and professionals in architecture and art history, historians of science, visual artists, and scholars in the humanities more generally.
| Author | : Bohang Chen |
| Publisher | : Springer Nature |
| Total Pages | : 308 |
| Release | : |
| Genre | : |
| ISBN | : 3031706900 |
| Author | : Antoine Picon |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 364 |
| Release | : 2003-05 |
| Genre | : Architecture |
| ISBN | : 9781568983653 |
Since antiquity, the sciences have served as a source of images and metaphors for architecture and have had a direct influence on the shaping of built space. In recent years, architects have been looking again at science as a source of inspiration in the production of their designs and constructions. This volume evaluates the interconnections between the sciences and architecture from both historical and contemporary perspectives. Architecture and the Sciences shows how scientific paradigms have migrated to architecture through the appropriation of organic and mechanical models. Conversely, architecture has provided images for scientific and technological discourse. Accordingly, this volume investigates the status of the exchanges between the two domains.Contents include: Alessandra Ponte, Desert Testing; Martin Bressani, Violet-le-Duc's Optic; Georges Teyssot, Norm and Type: Variations on a Theme; Reinhold Martin, Organicism's Other; Catherine Ingraham, Why All These Birds? Birds in the Sky, Birds in the Hand; Antoine Picon, Architecture, Science, Technology and the Virtual Realm; and Felicity Scott, Encounters with the Face of America.
| Author | : Thorsten Botz-Bornstein |
| Publisher | : Berghahn Books |
| Total Pages | : 227 |
| Release | : 2017-06-01 |
| Genre | : Performing Arts |
| ISBN | : 1785335677 |
The “organic” is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Béla Tarr, the renowned Hungarian filmmaker and pioneer of the “slow cinema” movement. Through a wholly original analysis of the long take and other signature features of Tarr’s work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries.
| Author | : Chao He Chen |
| Publisher | : Trans Tech Publications Ltd |
| Total Pages | : 2810 |
| Release | : 2014-07-04 |
| Genre | : Technology & Engineering |
| ISBN | : 3038265497 |
Selected, peer reviewed papers from the 4th International Conference on Civil Engineering, Architechture and Building Materials (CEABM 2014), May 24-25, 2014, Haikou, China
| Author | : Barry Bergdoll |
| Publisher | : Moma |
| Total Pages | : 256 |
| Release | : 2017 |
| Genre | : Architecture, American |
| ISBN | : 9781633450264 |
Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
| Author | : Derek Thomas |
| Publisher | : Routledge |
| Total Pages | : 226 |
| Release | : 2007-06-01 |
| Genre | : Architecture |
| ISBN | : 1136428674 |
This well illustrated text forms a critical appraisal of the place and direction of architecture and urban design in a new world order at the start of the 21st century. The book defines architectural and environmental goals for the New Age by analysing recent contemporary work for its responsiveness to important social and environmental issues and comparing it to successful precedents in architecture. It argues that this new sustainable approach to architecture should be recognised as a new development of mainstream architectural history. This practical guide illustrates current social and natural resource issues to aid architects in their approach to future design. Environmental economics is presented as a potential bridge over the divide between the expectations of the business sector and the concerns of environmental lobbies. Through examples and case studies, an accessible analysis of carefully researched data, drawn from primary sources over four continents, allows the author to outline the current urgency for architects and urban designers to respond with real commitment to current and future changing contexts. This book expresses a holistic vision and proposes a value system in response to the diagnosis. It includes: sound architectural and environmental ethics; end user involvement in the design process and technological advances aimed at sustainable resource use. Includes international case studies from Europe, North America, the Developing world including South Africa, South America and Central Asia.
| Author | : Jean-Nicolas-Louis Durand |
| Publisher | : Getty Publications |
| Total Pages | : 363 |
| Release | : 2000-01-01 |
| Genre | : Architecture |
| ISBN | : 0892365803 |
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.
| Author | : Frank Lloyd Wright |
| Publisher | : |
| Total Pages | : 356 |
| Release | : 1960 |
| Genre | : Architecture |
| ISBN | : |
"Frank Lloyd Wright: Writings and Buildings" presents through Wright's own words and works a survey of his achievement as a major figure of twentieth-century architecture. The text is complemented by more than 150 illustrations (a rich abundance of drawings, photographs, plans, and sketches) and the first complete list of Wright's executed buildings from 1893-1959, keyed to a map of the United States. Frank Lloyd wright has received recognition on a scale unparalleled in the history of architecture. Rebel and prophet, profound innovator, impatient with the sterile timidities and commercialization around him, he was yet an ardent conservative of traditional democracy, dedicated, in writing and building, to what he himself called "the sovereignty of the individual." In nearly seventy years of unceasing practice, Wright built nearly 500 structures and designed projects for as many more. He wrote a dozen books, slumberous magazine articles, and was immersed in a number of major architectural projects at the time of his death in 1959. -- From publisher's description.
| Author | : Anthony Alofsin |
| Publisher | : University of Chicago Press |
| Total Pages | : 339 |
| Release | : 2006 |
| Genre | : Architecture |
| ISBN | : 0226015076 |
The canonical inventors of International Style have long dominated studies of modern European architecture. But in this text, Anthony Alofsin broadens this scope by exploring the rich yet overlooked architecture of the late Austro-Hungarian Empire and its successor states.
