Contemporary North American Film Directors
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Author | : Yoram Allon |
Publisher | : London : Wallflower |
Total Pages | : 572 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : |
A guide to North American film directors arranged in alphabetical order.
Author | : Yoram Allon |
Publisher | : Wallflower Press |
Total Pages | : 644 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9781903364529 |
"Encompassing the careers of up to 600 directors - over 60 new to this edition - working in the US and Canada today, this volume is an invaluable reference for students, researchers and enthusiasts of film and popular culture. Each entry provides biographical information as well as insightful textual and thematic analysis of the director's work. In comprehensively covering a wide range of film-makers - from more established mainstream luminaries such as Steven Spielberg, Martin Scorsese, Ridley Scott and Kathryn Bigelow, through independent mavericks like Hal Hartley, Atom Egoyan, Jim Jarmusch and the Coen brothers, to innovative emerging talents including Marc Forster (Monster's Ball), Todd Field (In the Bedroom) and David Gordon Green (George Washington) - the shifting landscape of contemporary film-making is brought into sharp focus." Sur la 4e de couv.
Author | : David T. Johnson |
Publisher | : University of Illinois Press |
Total Pages | : 203 |
Release | : 2012-03-30 |
Genre | : Biography & Autobiography |
ISBN | : 0252036921 |
This title provides an incisive analysis of popular American filmmaker, Richard Linklater.
Author | : Marvin D'Lugo |
Publisher | : University of Illinois Press |
Total Pages | : 194 |
Release | : 2023-02-03 |
Genre | : Performing Arts |
ISBN | : 0252054717 |
Perhaps the best-known Spanish filmmaker to international audiences, Pedro Almodóvar gained the widespread attention of English-speaking critics and fans with the Oscar-nominated Women on the Verge of a Nervous Breakdown and the celebrated dark comedy Tie Me Up! Tie Me Down!. Marvin D'Lugo offers a concise, informed, and insightful commentary on a preeminent force in modern cinema. D'Lugo follows Almodóvar's career chronologically, tracing the director's works and their increasing complexity in terms of theme and the Spanish film tradition. Drawing on a wide range of critical sources, D'Lugo explores Almodóvar's use of melodrama and Hollywood genre film, his self-invention as a filmmaker, and his on-screen sexual politics. D'Lugo also discusses what he calls "geocultural positioning," that is, Almodóvar's paradoxical ability to use his marginal positions—in terms of his class, geographical origin, and identity—to develop an expressive language that is emotionally recognizable by audiences worldwide. Two fascinating interviews with the director round out the volume. An exciting consideration of an arthouse giant, Pedro Almodóvar mixes original interpretations into an analysis sure to reward film students and specialists alike.
Author | : Todd McGowan |
Publisher | : University of Illinois Press |
Total Pages | : 185 |
Release | : 2014-02-15 |
Genre | : Performing Arts |
ISBN | : 0252095405 |
Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. He is arguably the most accomplished African American filmmaker in cinematic history, and his breakthrough paved the way for the success of many other African Americans in film. In this first single-author scholarly examination of Spike Lee's oeuvre, Todd McGowan shows how Lee's films, from She's Gotta Have It through Red Hook Summer, address crucial social issues such as racism, paranoia, and economic exploitation in a formally inventive manner. McGowan argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art. McGowan contends that it is impossible to watch a Spike Lee film in the way that one watches a typical Hollywood film. By forcing observers to recognize their unconscious enjoyment of violence, paranoia, racism, sexism, and oppression, Lee's films prod spectators to see differently and to confront their own excess. In the process, his films reveal what is at stake in desire, interpersonal relations, work, and artistic creation itself.
Author | : Kathleen McHugh |
Publisher | : University of Illinois Press |
Total Pages | : 208 |
Release | : 2007-05 |
Genre | : Biography & Autobiography |
ISBN | : 0252074475 |
Author | : Lloyd Michaels |
Publisher | : University of Illinois Press |
Total Pages | : 144 |
Release | : 2009 |
Genre | : Biography & Autobiography |
ISBN | : 0252075757 |
For a director who has made only four feature films over three decades, Terrence Malick has sustained an extraordinary critical reputation as one of America’s most original and independent filmmakers. In this book, Lloyd Michaels analyzes each of Malick’s four features in depth, emphasizing both repetitive formal techniques such as voiceover and long lens cinematography as well as recurrent themes drawn from the director’s academic training in modern philosophy and American literature. Michaels explores Malick’s synthesis of the romance of mythic American experience and the aesthetics of European art film. He performs close cinematic analysis of paradigmatic moments in Malick’s films: the billboard sequence in Badlands, the opening credits in Days of Heaven, the philosophical colloquies between Witt and Welsh in The Thin Red Line, and the epilogue in The New World. This richly detailed study also includes the only two published interviews with Malick, both in 1975 following the release of his first feature film.
Author | : George Kouvaros |
Publisher | : University of Illinois Press |
Total Pages | : 186 |
Release | : 2008-05-23 |
Genre | : Performing Arts |
ISBN | : 0252075080 |
A searing study of an important American writer-director
Author | : L. Andrew Cooper |
Publisher | : University of Illinois Press |
Total Pages | : 203 |
Release | : 2012-11-13 |
Genre | : Biography & Autobiography |
ISBN | : 025203709X |
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970's suspense thriller The Bird with the Crystal Plumage to 2009's Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. This book uses controversies and theories about the films' reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento's oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, it places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock.
Author | : Rob White |
Publisher | : University of Illinois Press |
Total Pages | : 195 |
Release | : 2013-02-06 |
Genre | : Biography & Autobiography |
ISBN | : 0252037561 |
Rob Whites highly readable book, which includes a major new interview with Haynes, is the first comprehensive study of the directors work.