Contemporary Hispanic Crime Fiction
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| Author | : G. Close |
| Publisher | : Springer |
| Total Pages | : 240 |
| Release | : 2016-04-30 |
| Genre | : Social Science |
| ISBN | : 0230614639 |
This study examines representations of the cityscape and of a so-called "new urban violence" in both detective-centered and detectiveless crime fiction produced in Spanish America and Spain during recent decades. It documents the emergence and permutations of this production as an index not only of local perceptions of contemporary urban experience and of a contemporary urban "ecology of fear," but also as a transnational index of the globalization of literary forms and markets. It centers on the inscription of urban space in novels set in the metropolitan centers of the Hispanic World: Mexico City, Bogota, Buenos Aires, and Barcelona.
| Author | : Renée W. Craig-Odders |
| Publisher | : McFarland |
| Total Pages | : 237 |
| Release | : 2006-03-20 |
| Genre | : Literary Criticism |
| ISBN | : 0786424265 |
The image of the hard-boiled private investigator from gritty pulp fiction, a terse and mysterious figure, has become increasingly universal as the detective novel crosses more and more borders. A booming genre in Latin America, Spain and other Hispanic cultures, detective fiction has transcended the limitations of its influences. Hispanic authors relatively new to the genre have published novels and series popular with the public, while a number of well-known writers have adapted the genre to reflect the concurrent globalization of modern society and the crimes within it. This volume presents a compilation of 11 critical essays on genero negro--contemporary detective fiction in the Hispanic and Luso-Brazilian canon. Surveying the last twenty years, the text analyzes emerging trends in this rapidly evolving genre, as well as the mutations and innovations taking place within the style. The first section of the book is dedicated to the detective fiction of Spain and Portugal. The second section surveys works from Latin America and the United States, where topics touch on universal subjects like crime, identity and feminism.
| Author | : Nancy Vosburg |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 179 |
| Release | : 2017-11-06 |
| Genre | : Social Science |
| ISBN | : 1527505200 |
Crime fiction written by women in Spain and Latin America since the late 1980s has been successful in shifting attention to crimes often overlooked by their male counterparts, such as rape and sexual battery, domestic violence, child pornography, pederasty, and incest. In the twenty-first century, social, economic, and political issues, including institutional corruption, class inequality, criminalized oppression of immigrant women, crass capitalist market forces, and mediatized political and religious bodies, have at their core a gendered dimension. The conventions of the original noir, or novela negra, genre have evolved, such that some women authors challenge the noir formulas by foregrounding gender concerns while others imagine new models of crime fiction that depart drastically from the old paradigms. This volume, highlighting such evolution in the crime fiction genre, will be of interest to students, teachers, and scholars of crime fiction in Latin America and Spain, to those interested in crime fiction by women, and to readers familiar with the sub-genres of crime fiction, which include noir, the thriller, the police procedural, and the “cozy” novel.
| Author | : Inmaculada Pertusa-Seva |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 284 |
| Release | : 2020-09-23 |
| Genre | : Literary Criticism |
| ISBN | : 1527559963 |
With its focus on recent detective series featuring female investigators, this collection analyzes the authors’ treatment of current social, political and economic problems in Spain and beyond, in addition to exploring interrelations between gender, globalization, the environment and technology. The contributions here reveal the varied ways in which the use of a series allows for a deeper consideration of such issues, in addition to permitting the more extensive development of the protagonist investigator and her reactions to, and methods of, dealing with personal and professional challenges of the twenty-first century. In these stories, the authors employ strategies that break with long-standing conventions, developing crime fiction in unexpected ways, incorporating elements of science fiction, the supernatural, and the historical novel, as well as varied geographical settings (small towns, provincial cities, and rural communities) beyond the urban environment, all of which contributes to the reinvigoration of the genre.
| Author | : Susan Baker Sotelo |
| Publisher | : McFarland |
| Total Pages | : 236 |
| Release | : 2015-03-10 |
| Genre | : Literary Criticism |
| ISBN | : 0786482370 |
In his 1985 novel Partners in Crime, writer Rolando Hinojosa introduced homicide investigator Rafe Buenrostro, the first Chicano protagonist in one of the most enduring genres of modern literature. Since that time, Chicano writers have embraced the detective novel, successfully diversifying and refining a traditional Anglo American and British genre. The 21 whodunits of Hinojosa, Rudolfo Anaya, Lucha Corpi, Michael Nava and Manuel Ramos are closely studied in this groundbreaking work. The models, both contemporary and Romantic, of this relatively new Chicano genre are first discussed. Next come detailed analysis and reviews of such novels as Shaman Winter, Partners in Crime, Cactus Blood and 18 others, focusing on how each writer departs from contemporary detective genre formula, uniquely rendering a particular regional or cultural variation of what it means to be Chicano. It is this departure from the norm that defines these writings and distinguishes them from the Anglo American and British whodunit. Interviews with the writers conclude the work.
| Author | : Bill Phillips |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 178 |
| Release | : 2019-04-23 |
| Genre | : Literary Criticism |
| ISBN | : 152753359X |
Behind every crime novel there is a family. The author’s, the hero’s (or the heroine’s), and that of the villains themselves. Some families organise themselves into crime syndicates, controlling drugs, prostitution and illegal gambling. Others are simply dysfunctional, tearing themselves apart, fathers against sons, mothers against daughters, sisters against brothers, husbands against wives. Not everyone escapes alive. However, families do not exist in a vacuum. They are an important part of our society—for many, one of its most essential building blocks. That being said, society itself can impinge disastrously on personal relationships. War, that greatest of crimes, leaves children bereft of parents. Generations of children are stolen by cynical, racist administrators in supposedly civilised countries. Religion requires its followers to flourish and multiply, while abandoning all—including family—for their faith. All of these issues and more are explored in this collection of essays about crime fiction and the family.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 360 |
| Release | : 2009-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 904202917X |
Investigating Identities: Questions of Identity in Contemporary International Crime Fiction is one of the relatively few books to date which adopts a comparative approach to the study of the genre. This collection of twenty essays by international scholars, examining crime fiction production from over a dozen countries, confirms that a comparative approach can both shed light on processes of adaptation and appropriation of the genre within specific national, regional or local contexts, and also uncover similarities between the works of authors from very different areas. Contributors explore discourse concerning national and historical memory, language, race, ethnicity, culture and gender, and examine how identity is affirmed and challenged in the crime genre today. They reveal a growing tendency towards hybridization and postmodern experimentation, and increasing engagement with philosophical enquiry into the epistemological dimensions of investigation. Throughout, the notion of stable identities is subject to scrutiny. While each essay in itself is a valuable addition to existing criticism on the genre, all the chapters mutually inform and complement each other in fascinating and often unexpected ways. This volume makes an important contribution to the growing field of crime fiction studies and to ongoing debates on questions of identity. It will therefore be of special interest to students and scholars of the crime genre, identity studies and comparative literature. It will also appeal to all who enjoy reading contemporary crime fiction.
| Author | : Giulana Pieri |
| Publisher | : University of Wales Press |
| Total Pages | : 299 |
| Release | : 2011-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 1783164816 |
The present volume is the first study in the English language to focus specifically on Italian crime fiction, weaving together a historical perspective and a thematic approach, with a particular focus on the representation of space, especially city space, gender, and the tradition of impegno, the social and political engagement which characterised the Italian cultural and literary scene in the postwar period. The 8 chapters in this volume explore the distinctive features of the Italian tradition from the 1930s to the present, by focusing on a wide range of detective and crime novels by selected Italian writers, some of whom have an established international reputation, such as C. E. Gadda, L. Sciascia and U. Eco, whilst others may be relatively unknown, such as the new generation of crime writers of the Bologna school and Italian women crime writers. Each chapter examines a specific period, movement or group of writers, as well as engaging with broader debates over the contribution crime fiction makes more generally to contemporary Italian and European culture. The editor and contributors of this volume argue strongly in favour of reinstating crime fiction within the canon of Italian modern literature by presenting this once marginalised literary genre as a body of works which, when viewed without the artificial distinction between high and popular literature, shows a remarkable insight into Italy’s postwar history, tracking its societal and political troubles and changes as well as often also engaging with metaphorical and philosophical notions of right or wrong, evil, redemption, and the search of the self.
| Author | : Shelley Godsland |
| Publisher | : |
| Total Pages | : 250 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : |
Focuses on women's crime writing from Spain and offers an approach to Spanish crime fiction, combining literary criticism with sociological and criminological theory. This multidisciplinary study analyses how female authors use crime and detective genres to analyse the role and position of their countrywomen.
| Author | : Maarit Piipponen |
| Publisher | : Springer Nature |
| Total Pages | : 305 |
| Release | : 2020-10-27 |
| Genre | : Literary Criticism |
| ISBN | : 3030534138 |
Focusing on contemporary crime narratives from different parts of the world, this collection of essays explores the mobility of crimes, criminals and investigators across social, cultural and national borders. The essays argue that such border crossings reflect on recent sociocultural transformations and geopolitical anxieties to create an image of networked and interconnected societies where crime is not easily contained. The book further analyses crime texts’ wider sociocultural and affective significance by examining the global mobility of the genre itself across cultures, languages and media. Underlining the global reach and mobility of the crime genre, the collection analyses types and representations of mobility in literary and visual crime narratives, inviting comparisons between texts, crimes and mobilities in a geographically diverse context. The collection ultimately understands mobility as an object of study and a critical lens through which transformations in our globalised world can be examined.
