Contemporary Australian Printmaking
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Author | : Nick Morley |
Publisher | : The Crowood Press |
Total Pages | : 491 |
Release | : 2016-06-30 |
Genre | : Art |
ISBN | : 1785001469 |
Linocut is used to stunning effect by artists, illustrators and designers because of its strong graphic qualities, accessibility and versatility. Whether you are printing by hand on your kitchen table or on a press in a print studio, this book gets you started and goes on to explore the myriad creative applications of linocut. It encourages you to experiment with different approaches to image making and explores new ways of thinking about how linocut can be used. Nick Morley shares his experience and specialist knowledge to make this practical guide an essential companion for everyone interested in this addictive and absorbing medium. Detailed information on which tools to buy, where to find the best materials, and how to set up your working space backed up with clear, step-by-step instructions and over 300 colour illustrations make this an essential guide to the vibrant and exciting art of linocut.
Author | : Ruth Pelzer-Montada |
Publisher | : Manchester University Press |
Total Pages | : 388 |
Release | : 2018-07-23 |
Genre | : Art |
ISBN | : 1526125765 |
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.
Author | : Western Australian Art Gallery |
Publisher | : |
Total Pages | : 132 |
Release | : 1978 |
Genre | : Art |
ISBN | : |
Author | : Roberta Rice Treseder |
Publisher | : Pomegranate Communications |
Total Pages | : 0 |
Release | : 2009 |
Genre | : California |
ISBN | : 9780764948039 |
William Seltzer Rice (American, 1873-1963) was a young artist of twenty-seven when he stepped off a train in Stockton, California, in 1900; he had left his home in Pennsylvania to take the job of assistant art supervisor for the Stockton public schools. California became not only his lifelong home but also his muse, inspiring a prolific career in art. Rice soon moved to the San Francisco Bay Area, where the region's Arts and Crafts movement was flowering. He was talented in several mediums, but block printing ultimately became his favorite, for it gave him the opportunity to combine draftsmanship, carving, and printing. California's flora, fauna, and landscapes-from the Sierra Nevada to the Pacific-were the subjects that fed his creativity. William S. Rice: California Block Prints is the first book published on the artist's work and presents more than sixty of his color block prints dating from 1910 to 1935. Among the prints featured are scenes from Yosemite, Mt. Shasta, Monterey, Carmel, the San Francisco Bay Area, Lake Tahoe, and other California landmarks. An essay by Roberta Rice Treseder, Rice's daughter, recounts his life and achievements, with special emphasis on his block printing methods and materials. William S. Rice's works are in many private and public collections, including the Smithsonian American Art Museum, the Oakland Museum of California, the Achenbach Foundation for Graphic Arts, the New York Public Library, and the Worcester Art Museum.
Author | : Andrea Przygonski |
Publisher | : Little Sparrow |
Total Pages | : 36 |
Release | : 2022-04 |
Genre | : |
ISBN | : 9780994264053 |
Author | : Sasha Grishin |
Publisher | : Craftsman House (AU) |
Total Pages | : 342 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Closely examines the work of contemporary Australian printmakers, listed alphabetically - Includes Davida Allen - Rick Amor - Yvonne Boag.
Author | : Sasha Grishin |
Publisher | : Macmillan Education AU |
Total Pages | : 166 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781876832599 |
Grahame Kings life as an artist began with his mastery of the new art of colour reproduction as a photolithographic colour etcher in Melbourne in the 1930s. At the same time, study at the National Gallery Art School with George Bell assisted his development as a painter. After war service and travels abroad, King returned to Melbourne with his wife, the sculptor Inge King. The two held a number of joint exhibitions of paintings and sculptures in Australia throughout the 1950s and then, from c.1962 Grahame King turned his attention, increasingly, towards the art of lithography becoming a master in this field of printmaking. He has also devoted himself to promoting the art of lithography and printmaking generally through the Print Council of Australia. He is often called Australias patron saint of printmaking. The book examines his seven decades working as an artist in Melbourne and is lavishly illustrated with colour reproductions throughout.
Author | : Dianne Longley |
Publisher | : |
Total Pages | : 112 |
Release | : 1998 |
Genre | : Printing plates, Photopolymer |
ISBN | : 9780646273921 |
This guide to a safe and simple print-making technique is designed for both beginners and experienced practitioners. Provides information about materials and equipment, print preparation, inking and printing and health and safety. Aspects of the process are illustrated with fine art prints. Includes a brief history of printmaking, a glossary, a list of suppliers, a bibliography and an index.
Author | : Eileen Chanin |
Publisher | : Fine Art Publishing |
Total Pages | : 200 |
Release | : 1990 |
Genre | : Antiques & Collectibles |
ISBN | : |
Contemporary Australian painting.
Author | : Simone Murray |
Publisher | : Routledge |
Total Pages | : 338 |
Release | : 2020-10-11 |
Genre | : Language Arts & Disciplines |
ISBN | : 1000178293 |
Introduction to Contemporary Print Culture examines the role of the book in the modern world. It considers the book’s deeply intertwined relationships with other media through ownership structures, copyright and adaptation, the constantly shifting roles of authors, publishers and readers in the digital ecosystem and the merging of print and digital technologies in contemporary understandings of the book object. Divided into three parts, the book first introduces students to various theories and methods for understanding print culture, demonstrating how the study of the book has grown out of longstanding academic disciplines. The second part surveys key sectors of the contemporary book world – from independent and alternative publishers to editors, booksellers, readers and libraries – focusing on topical debates. In the final part, digital technologies take centre stage as eBook regimes and mass-digitisation projects are examined for what they reveal about information power and access in the twenty-first century. This book provides a fascinating and informative introduction for students of all levels in publishing studies, book history, literature and English, media, communication and cultural studies, cultural sociology, librarianship and archival studies and digital humanities.