Contemporary American Drama

Contemporary American Drama
Author: Annette Saddik
Publisher: Edinburgh University Press
Total Pages: 248
Release: 2007-09-13
Genre: Literary Criticism
ISBN: 074863066X

This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality.

Staging Masculinity

Staging Masculinity
Author: Carla J. McDonough
Publisher: McFarland
Total Pages: 193
Release: 2006-07-05
Genre: Performing Arts
ISBN: 0786427361

The men in plays such as Arthur Miller's Death of a Salesman or Sam Shephard's True West are often presented as universal; little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights, including Miller, Shepard, Eugene O'Neill, David Mamet, and August Wilson, stage masculinity in their works. It becomes apparent that male playwrights return often to the issues of troubled manhood, usually masked in other issues such as war, business or family. The plays indicate both the attractiveness of the model of traditional masculinity and the illusive nature of this image, which all too often fractures and fails the characters who pursue it. O'Neill's play The Hairy Ape and the character Yank receive much attention.

Modern American Drama, 1945-2000

Modern American Drama, 1945-2000
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
Total Pages: 476
Release: 2000-12-21
Genre: Drama
ISBN: 9780521794107

New edition of Modern American Drama completes the survey and comes up to 2000.

Creating the Self in the Contemporary American Theatre

Creating the Self in the Contemporary American Theatre
Author: Robert J. Andreach
Publisher: SIU Press
Total Pages: 262
Release: 1998
Genre: Drama
ISBN: 9780809321780

"Exploring the theatre from the 1960s to the present, Robert J. Andreach shows the various ways in which the contemporary American theatre creates a personal, theatrical, and national self." "Andreach argues that the contemporary American theatre creates multiple selves that reflect and give voice to the many communities within our multicultural society. These selves are fragmented and enclaved, however, which makes necessary a counter movement that seeks, through interaction among the various parts, to heal the divisions within, between, and among them." --Book Jacket.

The Other American Drama

The Other American Drama
Author: Marc Robinson
Publisher:
Total Pages: 0
Release: 1997
Genre: American drama
ISBN: 9780801856303

This collection of essays provides an alternative to the accepted account of the development of American drama. Copyright © Libri GmbH. All rights reserved.

Contemporary Armenian American Drama

Contemporary Armenian American Drama
Author: Nishan Parlakian
Publisher: Columbia University Press
Total Pages: 432
Release: 2005-01-19
Genre: Literary Criticism
ISBN: 9780231508506

Although ancestral voices have inspired many Armenian American writers of poetry and fiction in the twentieth century, their expression through drama has been limited. The first of its kind, this anthology is a collection of plays by notable Armenian Americans. Written in English largely by artists of Armenian extraction during the latter part of the twentieth century, the plays reflect the outrage of the Armenian Genocide, the forced transplantation that created the Armenian Diaspora, and the desire to maintain the newly established democratic homeland. Including a range of authors from William Saroyan to more contemporary voices, this anthology represents the writers that have stimulated cutting-edge contemporary drama from the mid-twentieth century to the present. The collection includes farce, comedy, tragicomedy, and tragedy (and sometimes blends of all of these). The plays reflect the shared experiences of Armenian family life in Armenia, Turkey, and America. The themes include the joy of freedom to practice their faith and ethnic customs, the turmoil of acculturation, and the feared loss of identity through assimilation. The editor has provided headnotes for each play and an extensive introduction tracing the history of Armenian American drama in the United States.