Contemporary African Cinema
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| Author | : Valérie Orlando |
| Publisher | : Rutgers University Press |
| Total Pages | : 189 |
| Release | : 2017-04-15 |
| Genre | : Art |
| ISBN | : 0813579589 |
New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.
| Author | : Olivier Barlet |
| Publisher | : MSU Press |
| Total Pages | : 452 |
| Release | : 2016-08-01 |
| Genre | : Art |
| ISBN | : 1609174976 |
African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.
| Author | : Josef Gugler |
| Publisher | : James Currey Publishers |
| Total Pages | : 220 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780852555613 |
The directors and films studied here set out to re-image Africa - and offer Western viewers the opportunity to re-imagine the continent and its people. Two additional, very successful films on Africa, one from Hollywood, the other from apartheid South Africa, serve to highlight African directors' altogether different perspectives. The interpretation considers the financial and technical difficulties of African film production, the intended audiences, the constraints on distribution, and critical reception. The films featured cover a wide range of topics, from new perspectives on Africa prior to the intrusion of the West, to the struggle against colonialism and white minority rule, to post-colonial issues of authoritarian rule, neo-colonialism, corruption, inequality and the condition of the peasantry, with the position of women a recurrent theme. The discussions are accompanied by reproductions of posters, of photos of the directors during the shooting, and film frames illustrating key elements in the analysis. Introductions to the thematic topics provide the historical, cultural, political, and economic context of the films. Four of the films are based on novels, two more on a play or an epic, and the transformation involved in bringing the written page, or the griot's recitation, to the screen receives special attention. Throughout, the discussion extends to other African films and literary works. North America: Indiana U Press
| Author | : Olivier Barlet |
| Publisher | : MSU Press |
| Total Pages | : 420 |
| Release | : 2016-08-01 |
| Genre | : Art |
| ISBN | : 1628952709 |
African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.
| Author | : Sharon A. Russell |
| Publisher | : Greenwood |
| Total Pages | : 0 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : 0313296219 |
Intended as a guide to the filmmakers and films of the African cinema. Provides the framework for understanding the history and development of African film with respect to its situation in world cinema.
| Author | : Lizelle Bisschoff |
| Publisher | : Routledge |
| Total Pages | : 408 |
| Release | : 2017-07-05 |
| Genre | : Foreign Language Study |
| ISBN | : 1351577387 |
Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts. However, various conservation projects since the turn of the century have now begun to make many of these films available to critics and audiences in a way that was unimaginable just a decade ago. In this accessible and lively collection of essays, Lizelle Bisschoff and David Murphy draw together the best scholarship on the diverse and fragmented strands of African film history. Their volume recovers over 30 'lost' African classic films from 1920-2010 in order to provide a more complex genealogy and begin to trace new histories of African filmmaking: from 1920s Egyptian melodramas through lost gems from apartheid South Africa to neglected works by great Francophone directors, the full diversity of African cinema will be revealed.
| Author | : Kenneth W. Harrow |
| Publisher | : John Wiley & Sons |
| Total Pages | : 516 |
| Release | : 2018-09-17 |
| Genre | : Performing Arts |
| ISBN | : 1119100054 |
An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.
| Author | : Nwachukwu Frank Ukadike |
| Publisher | : Univ of California Press |
| Total Pages | : 390 |
| Release | : 2023-09-01 |
| Genre | : Performing Arts |
| ISBN | : 9780520912366 |
From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa. Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties. Clearly written and accessible to specialist and general reader alike, Black African Cinema's analysis of key films and issues—the most comprehensive in English—is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.
| Author | : Paulo de Medeiros |
| Publisher | : Routledge |
| Total Pages | : 237 |
| Release | : 2020-12-13 |
| Genre | : Social Science |
| ISBN | : 042964891X |
Offering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema. The collection brings together 11 chapters by recognized scholars, who analyze a variety of films and videos from Angola, Cape Verde, Guiné-Bissau, and Mozambique. It also includes an interview with Pedro Pimenta, one of the most distinguished African film festival organizers. Drawing on various theoretical perspectives, the volume strives to reverse the relative invisibility that has afflicted these cinemas, arguing that most, if not all, Lusophone films are transnational in all aspects of production, acting, and reception. The initial three chapters sketch broad, comparative overviews and suggest theoretical approaches, while the ensuing chapters focus on specific case studies and discuss a number of key issues such as the convergence of film with politics, the question of gender and violence, as well as the revisiting of the period immediately following independence. Attention is given to fiction, documentary films and recent, short, alternative video productions that are overlooked by more traditional channels. The book stresses the need to pay attention to the significance of African film, and Lusophone African film in particular, within the developing field of world cinema. Bringing together general overviews, historical considerations, detailed case studies, and focused theoretical reflections, this book is a significant volume for students and researchers in film studies, especially African, Lusophone cultural studies, and world cinema.
| Author | : Anjali Prabhu |
| Publisher | : John Wiley & Sons |
| Total Pages | : 288 |
| Release | : 2014-06-23 |
| Genre | : Performing Arts |
| ISBN | : 1405193034 |
Analyzing art house films from the African continent and the African diaspora, this book showcases a new generation of auteurs with African origins from political, aesthetic, and spectatorship perspectives. Focuses on art house cinema and discusses commercial African cinema Enlarges our understanding of African film to include thematic and aesthetic influence Highlights aesthetic and political aspects including racial identity, women’s issues, and diaspora Heavily illustrated with over 90 film stills Features selected stills integral to the filmic analysis in full color Moves beyond Western-oriented analytical paradigms
