Consuming Painting
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| Author | : Allison Deutsch |
| Publisher | : Penn State Press |
| Total Pages | : 217 |
| Release | : 2021-02-26 |
| Genre | : Art |
| ISBN | : 0271089954 |
In Consuming Painting, Allison Deutsch challenges the pervasive view that Impressionism was above all about visual experience. Focusing on the language of food and consumption as they were used by such prominent critics as Baudelaire and Zola, she writes new histories for familiar works by Manet, Monet, Caillebotte, and Pissarro and creates fresh possibilities for experiencing and interpreting them. Examining the culinary metaphors that the most influential critics used to express their attraction or disgust toward painting, Deutsch rethinks French modern-life painting in relation to the visceral reactions that these works evoked in their earliest publics. Writers posed viewing as analogous to ingestion and used comparisons to food to describe the appearance of paint and the painter’s process. The food metaphors they chose were aligned with specific female types, such as red meat for sexualized female flesh, confections for fashionably made-up women, and hearty vegetables for agricultural laborers. These culinary figures of speech, Deutsch argues, provide important insights into both the fabrication of the feminine and the construction of masculinity in nineteenth-century France. Consuming Painting exposes the social politics at stake in the deeply gendered metaphors of sense and sensation. Original and convincing, Consuming Painting upends traditional narratives of the sensory reception of modern painting. This trailblazing book is essential reading for specialists in nineteenth-century art and criticism, gender studies, and modernism.
| Author | : Allison Deutsch |
| Publisher | : Penn State Press |
| Total Pages | : 412 |
| Release | : 2021-02-26 |
| Genre | : Art |
| ISBN | : 0271089938 |
In Consuming Painting, Allison Deutsch challenges the pervasive view that Impressionism was above all about visual experience. Focusing on the language of food and consumption as they were used by such prominent critics as Baudelaire and Zola, she writes new histories for familiar works by Manet, Monet, Caillebotte, and Pissarro and creates fresh possibilities for experiencing and interpreting them. Examining the culinary metaphors that the most influential critics used to express their attraction or disgust toward painting, Deutsch rethinks French modern-life painting in relation to the visceral reactions that these works evoked in their earliest publics. Writers posed viewing as analogous to ingestion and used comparisons to food to describe the appearance of paint and the painter’s process. The food metaphors they chose were aligned with specific female types, such as red meat for sexualized female flesh, confections for fashionably made-up women, and hearty vegetables for agricultural laborers. These culinary figures of speech, Deutsch argues, provide important insights into both the fabrication of the feminine and the construction of masculinity in nineteenth-century France. Consuming Painting exposes the social politics at stake in the deeply gendered metaphors of sense and sensation. Original and convincing, Consuming Painting upends traditional narratives of the sensory reception of modern painting. This trailblazing book is essential reading for specialists in nineteenth-century art and criticism, gender studies, and modernism.
| Author | : Fran Lloyd |
| Publisher | : Reaktion Books |
| Total Pages | : 232 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9781861891471 |
Fran Lloyd focuses on the resurgence in the imaging of sex and consumerism in contemporary Japanese art and the connections they establish with the wider historical, social and political conditions within Japanese culture.
| Author | : Ann Bermingham |
| Publisher | : Routledge |
| Total Pages | : 661 |
| Release | : 2013-09-13 |
| Genre | : History |
| ISBN | : 1134808402 |
Culture does not become ""culture"" until it is consumed. This is the radical new interpretation of early modern social history presented in The Consumption of Culture 1600-1800. 21 US and 4 european contributors, from a wide range of historically oriented fields (historians of society, politics, ideas, science, literature and the arts), explore topics such as the formation of a culture consuming public, the development of a literary canon, the role of consumption in the formation of the modern state, elite and popular forms of cultural consumtpion and the place of women as consumers of cultur.
| Author | : Ann Bermingham |
| Publisher | : Psychology Press |
| Total Pages | : 668 |
| Release | : 1995 |
| Genre | : |
| ISBN | : 9780415159975 |
| Author | : James R. Kirkpatrick |
| Publisher | : Taylor & Francis |
| Total Pages | : 139 |
| Release | : 2022-10-13 |
| Genre | : Psychology |
| ISBN | : 1000713547 |
Medical Crises in Eating Disorders provides medical clinicians as well as others with an acute awareness of the critical and potentially lethal medical outcomes they may have to face when managing those with eating disorders. This book shares multiple blended patient stories that cover a wide range of medical crises and present a realistic clinical-like experience. The reader will gain insight into the most threatening medical risks described in medical terms and many of the behaviors utilized by those with eating disorders that lead to most of the critical, including lethal, medical risks. Non-eating disorder causes of risk are also discussed throughout the book. Examples of electrocardiogram images, echocardiogram reports, and blood and urine results in addition to hospital chart vital records and excerpts from official coroner’s documents help augment the learning experience. This innovative book is a necessary reference for those who manage the medical concerns of those with eating disorders, including critical care physicians, internists, pediatricians, psychiatrists, and family physicians. As well, psychologists, counselors, dietitians, nurse practitioners, and social workers will benefit from an increased awareness of critical medical risks.
| Author | : Titia Hulst |
| Publisher | : Univ of California Press |
| Total Pages | : 432 |
| Release | : 2023-04-28 |
| Genre | : Art |
| ISBN | : 0520340779 |
This is the first sourcebook to trace the emergence and evolution of art markets in the Western economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art's inherent commercial dimension and show how artists, dealers, and collectors have interacted over time, from the city-states of Quattrocento Italy to the high-stakes markets of postmillennial New York and Beijing. This approach casts a startling new light on the traditional concerns of art history and aesthetics, revealing much that is provocative, profound, and occasionally even comic. This volume's unique historical perspective makes it appropriate for use in college courses and postgraduate and professional programs, as well as for professionals working in art-related environments such as museums, galleries, and auction houses. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2017. This is the first sourcebook to trace the emergence and evolution of art markets in the Western economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compellin
| Author | : Sophie Raux |
| Publisher | : BRILL |
| Total Pages | : 389 |
| Release | : 2018-02-19 |
| Genre | : Art |
| ISBN | : 9004358811 |
Lotteries, Art Markets, and Visual Culture examines lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of a growing entrepreneurial sensibility based on speculation and a sense of risk, they lay behind many innovations. This study looks at their actors, networks and strategies. It considers the objects at stake, their value, and the forms of visual communication intended to boost an appetite for ownership. Ultimately, it contemplates how the lottery culture impacted notions of Fortune and Vanitas in the visual arts.
| Author | : Walter Santagata |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 117 |
| Release | : 2010-08-25 |
| Genre | : Political Science |
| ISBN | : 3642133584 |
“Where are your factories that produce culture? Where are your painters, your composers, your architects, your writers, your filmmakers?” The book opens with Leonardo da Vinci and Qin Shi Huang asking embarrassed contemporary policy makers these questions. The first part of the book is therefore devoted to elaborating a model for producing culture. The model takes into account both the role played by creativity in the production of culture in a technologically advanced knowledge society. The second part of the book examines a selection of strategic sectors: fashion, material culture districts, gastronomy, creative industries, entertainment, contemporary art, museums. Special attention is paid to the role collective intellectual property rights play in increasing the quality of culture-based goods and services. In the conclusion policy makers in both developed and developing countries are urged to adopt policies that can foster creativity and promote culture.
| Author | : Daniel A. Siedell |
| Publisher | : Baker Academic |
| Total Pages | : 192 |
| Release | : 2008-10-01 |
| Genre | : Religion |
| ISBN | : 1441201858 |
Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique Martínez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture.
