Constructing Walking Jazz Bass Lines Book Ii Walking Bass Lines Rhythm Changes In 12 Keys Bass Tab Edition
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Author | : Steven Mooney |
Publisher | : Waterfall Publishing House |
Total Pages | : 116 |
Release | : 2010-09 |
Genre | : Music |
ISBN | : 0982957009 |
Constructing Walking Jazz Bass Lines Book I -The Blues in 12 Keys is a complete guide demonstrating the devices used to construct walking bass lines in the jazz tradition. Part 1 demonstrates the techniques used by professional jazz bassists to provide forward motion into bass lines, while providing a strong harmonic and rhythmic foundation. Part I includes triads, 7th chords, voice leading, playing over the bar line, chord substitutions, pedal points, harmonic anticipation and chromatic approach notes. The exercises are designed to give the Electric Bassist strong jazz bass lines in the bottom register of the instrument. As an added bonus for the Electric Bassist Part 1 provides a complete study of the Blues in F whilst in the first and open positions. This is an excellent technique builder. Part 2 expands on the lessons and techniques used in Part 1 providing the bassist with the previous devices used in professional level bass lines in all 12 keys. Included is over 150 choruses of Jazz Blues lines in all 12 keys using the whole register of the instrument. There are many advanced principles applied in the following bass lines whilst never losing sight of the functioning principle of the bass in the jazz idiom. To provide a strong foundation of rhythm and harmony for the music being played & providing support for the melody and or soloist.
Author | : Hal Leonard Publishing Corporation |
Publisher | : Hal Leonard Corporation |
Total Pages | : 72 |
Release | : 1995 |
Genre | : Music |
ISBN | : 9780793542048 |
Author | : Jay Hungerford |
Publisher | : Mel Bay Publications |
Total Pages | : 97 |
Release | : 2015-12-28 |
Genre | : Music |
ISBN | : 1610657888 |
The bass has been called "the most important instrument in any band." the bass player must create interesting lines under the chord changes, keep the "time flow" or "pulse" steady, and keep the form of the song together. This book is designed to help bassists create beginning to advanced walking patterns (smooth-sounding lines) that can be used in jazz, blues, R&B, gospel, Latin and country music. By explaining the basics of intervals, chords, and scales the author builds a framework for understanding bass line patterns. Then the book presents one- and two-measure patterns that can be used in playing the blues, rhythm changes, the II-V-I progression, and 20 popular jazz standards. the book is written in standard notation with chord symbols. the CD gives you the opportunity to play with one of the finest rhythm sections around. It is in stereo, with the bass and drums on the left and piano and drums on the right. Since the examples in the book are presented both with sample bass lines and as chord progressions only, you can either follow along with the bass or practice your own lines with the CD as your accompaniment.Also available in Japanese from ATN, Inc.
Author | : Steven Mooney |
Publisher | : Steven Mooney |
Total Pages | : 216 |
Release | : 2011-04 |
Genre | : Music |
ISBN | : 9781937187156 |
Standard Lines Book III in the Constructing Walking Jazz Bass Lines series for the Electric Bassist is a comprehensive guide demonstrating the devices used to construct walking jazz bass lines in the jazz standard tradition. Book III covers 24 standard jazz chord progressions with 110 choruses of professional jazz bass lines as an example. Part I outlines the Modes and the chord scale relationships and the fundamental knowledge required to be able to build the diatonic triads and 7th chords in any key. Examples are given in the " 2 " feel and " 4 " feel walking bass style enabling the bassist to develop a strong rhythmic and harmonic foundation. More advanced bass line construction examples including voice leading and mode substitutions and mode applications related to specific jazz chord progressions are also outlined. Part II outlines the Symmetric Scales as well as the Modes of the Melodic Minor Scale related to the Minor II V I progression. Provided are written examples of the Symmetric Scales and the chord scale relationships and how to apply the use of the Symmetric Scales over popular jazz chord progressions. The Minor II V I is outlined and compared to the Major II V I outlining the differences with the suggested scale uses applied to common jazz chord progressions. Part III outlines the use of the BeBop Scales and their use in the jazz walking bass tradition, providing suggested uses of the Be Bop scales related to popular jazz chord progressions. Part IV outlines the previous lesson devices and concepts with examples of professional level bass lines over standard jazz chord progressions. All information builds in a stepwise progression enabling the bassist to apply the techniques in all 12 keys.
Author | : Ariane Cap |
Publisher | : CapCat Music Media |
Total Pages | : 186 |
Release | : 2018-12-22 |
Genre | : Music |
ISBN | : 0996727639 |
Music Theory for the Bass Player is a comprehensive and immediately applicable guide to making you a well-grounded groover, informed bandmate and all-around more creative musician. Included with this book are 89 videos that are incorporated in this ebook. This is a workbook, so have your bass and a pen ready to fill out the engaging Test Your Understanding questions! Have you always wanted to learn music theory but felt it was too overwhelming a task? Perhaps all the books seem to be geared toward pianists or classical players? Do you know lots of songs, but don't know how the chords are put together or how they work with the melody? If so, this is the book for you! • Starting with intervals as music's basic building blocks, you will explore scales and their modes, chords and the basics of harmony. • Packed with fretboard diagrams, musical examples and exercises, more than 180 pages of vital information are peppered with mind-bending quizzes, effective mnemonics, and compelling learning approaches. • Extensive and detailed photo demonstrations show why relaxed posture and optimized fingering are vital for good tone, timing and chops. • You can even work your way through the book without being able to read music (reading music is of course a vital skill, yet, the author believes it should not be tackled at the same time as the study of music theory, as they are different skills with a different practicing requirement. Reading becomes much easier once theory is mastered and learning theory on the fretboard using diagrams and patterns as illustrations, music theory is very accessible, immediately usable and fun. This is the definitive resource for the enthusiastic bassist! p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica; min-height: 16.0px} This book and the 89 free videos stand on their own and form a thorough source for studying music theory for the bass player. If you'd like to take it a step further, the author also offers a corresponding 20 week course; this online course works with the materials in this book and practices music theory application in grooves, fills and solos. Information is on the author's blog.
Author | : Steven Mooney |
Publisher | : Steven Mooney |
Total Pages | : 172 |
Release | : 2010-10 |
Genre | : Music |
ISBN | : 9780982957035 |
Rhythm Changes like the " Blues " is an essential part of the Jazz musicians vocabulary. Book II in the Constructing Walking Jazz Bass Lines series Rhythm Changes in 12 Keys provides various insights into how the Rhythm Changes song form may be approached by the Jazz Bassist. Part I outlines the Rhythm Changes form and provides examples of how to construct walking jazz bass lines using voice leading, chromatic passing tones, pedal points, tri-tone substitutions, and harmonic anticipation. Part II provides an in-depth look at the Rhythm Changes A sections and shows the common chord substitutions used by the bebop musicians when improvising. Part III provides an in-depth look at the Bridge or B section providing various chord substitutions used when improvising and walking bass lines. Part IV outlines Rhythm Changes in 12 keys using all the previous lesson topics and bass line examples outlined in the book. Included are over 100 choruses of professional jazz bass lines in all 12 keys. Suitable for the beginning to advanced electric bassist.
Author | : Ed Fuqua |
Publisher | : "O'Reilly Media, Inc." |
Total Pages | : 103 |
Release | : 2011-01-12 |
Genre | : Music |
ISBN | : 1457101483 |
This book gives you all the basic principles underlying solid walking bass lines. Comprehensive, easy to understand, with page after page of great transcriptions of the author's walking lines on the accompanying CD. The CD of NY professional jazz players can also be used as a swinging play-along CD. Endorsed by Eddie Gomez, Jimmy Haslip, John Goldsby, etc.
Author | : John E. Lawrence |
Publisher | : Mel Bay Publications |
Total Pages | : 37 |
Release | : 2011-03-11 |
Genre | : Music |
ISBN | : 1610656172 |
This book teaches guitarists how to play chords and bass lines simultaneously while providing insight to bass line construction. Includes exercises to enhance the playing of chord changes and bass lines, plus bass solos that illustrate specific styles including walking blues, jazz swing, and bossa nova. Exercises include: Constructing Walking Bass Solos Root - 5th; Root - 5th - Leading Tone; What Is a ii-V-I Chord Progression?; the Major Walk; Root - 5th and Octave; Slow Blues Line; 12-Bar Blues Progression No. 1; 12-Bar Blues Progression No. 2; 12-Bar Blues Progression No. 3; Putting It All Together; and New Bossa. 40 pages Written in notation and tablature.
Author | : Jim Stinnett |
Publisher | : |
Total Pages | : |
Release | : 2018-08 |
Genre | : |
ISBN | : 9781939806062 |
Author | : Pat Martino |
Publisher | : Hal Leonard Publishing Corporation |
Total Pages | : 0 |
Release | : 1989-05 |
Genre | : Music |
ISBN | : 9781423460893 |
(Stylistic Method). Legendary guitarist Pat Martino shares his personal formula for chord conversions with you. This uniquely simple system allows you to think melody, not theory. Amply illustrated with some of Pat's favorite lines.