Conspiracy Films
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Author | : Barna William Donovan |
Publisher | : McFarland |
Total Pages | : 285 |
Release | : 2014-01-10 |
Genre | : Social Science |
ISBN | : 0786486155 |
For many years, conspiracy theories have been among the most popular story elements in Hollywood films. According to the "conspiracy culture," Government, Big Business, the Church, even aliens--all of which, bundled together, comprise the ubiquitous "Them"--are concealing some of the biggest secrets in American and world history. From The Manchurian Candidate (1962) to JFK (1991), The Matrix (1999) to The Da Vinci Code (2006), this decade-by-decade history explores our fascination with paranoia. The work paints a vivid picture of several of the more prevalent conspiracy theories and the entertainment they have inspired, not only in theatrical films but also in such television series as The X-Files, Lost and V.
Author | : Chris Mullin |
Publisher | : Serpent's Tail |
Total Pages | : 240 |
Release | : 2010 |
Genre | : Conspiracies |
ISBN | : 9781846687402 |
The classic political thriller that foretold the rise of Corbyn, from the acclaimed author of A View from the Foothills
Author | : Oliver Stone |
Publisher | : Hal Leonard Corporation |
Total Pages | : 676 |
Release | : 1992 |
Genre | : Performing Arts |
ISBN | : 9781557831279 |
Provides the complete script for JFK, which details the investigation into President Kennedy's assassination, and includes reponses and comments about the film, and official reports and documentation
Author | : Salvador Jiménez Murguía |
Publisher | : Rowman & Littlefield |
Total Pages | : 825 |
Release | : 2018-04-12 |
Genre | : Performing Arts |
ISBN | : 1442269065 |
Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history.
Author | : James Combs |
Publisher | : Routledge |
Total Pages | : 196 |
Release | : 2013-12-17 |
Genre | : Performing Arts |
ISBN | : 1317929039 |
Essays here explore the relationship between politics and explicitly political feature films from the beginning of the movie industry to World War I, and for each decade through to the 1980's. The included filmography is particularly useful. Originally published in 1990, the method of inquiry put forward in this text is nonetheless extendable to the decades following its publication.
Author | : Zachary Ingle |
Publisher | : Rowman & Littlefield |
Total Pages | : 329 |
Release | : 2022-02-15 |
Genre | : Comics & Graphic Novels |
ISBN | : 1538114518 |
A fascinating exploration of the most significant superhero films and television shows in history, from the classic serial Adventures of Captain Marvel to the Disney+ hit show WandaVision. In The 100 Greatest Superhero Films and TV Shows, Zachary Ingle and David M. Sutera celebrate over eighty years of superhero cinema and television. Featuring blockbusters such as Black Panther and The Dark Knight, Ingle and Sutera also include lesser-known yet critically acclaimed shows like The Boys, cult films such as The Toxic Avenger, and foreign series like Astro Boy to provide a well-rounded perspective of the genre. All one hundred selections are evaluated based on qualities such as plot and character development, adherence to the original source materials, technological innovations, and social impact. The entries cover both live-action and animated films and TV series, and almost a third of the entries are not associated with Marvel or DC—a testament to the genre’s variety in its eighty-year history. The 100 Greatest Superhero Films and TV Shows includes an analysis of the superhero’s evolution and its relevance to the feminist movement, auteur theory, convergence culture, critical race theory, and more. Featuring more than 80 photographs alongside the authors’ selections, the diverse entries are sure to inspire debate and entertain all fans of superhero movies and television shows.
Author | : Patrick Jagoda |
Publisher | : University of Chicago Press |
Total Pages | : 329 |
Release | : 2016-03-22 |
Genre | : Art |
ISBN | : 022634651X |
Even as "network" has become a contemporary keyword, its overuse has limited its analytic usefulness. In the enthusiasm that orbits the concept, the network is too easily taken up as a term that we should already know. Patrick Jagoda claims that we do not, in fact, know networks, in part because of their very ubiquity and variety. His book shows how a range of popular aesthetic forms mediate our experience of networks and yield up greater insight into this critical concept. Each chapter of "Network Aesthetics" considers how a different contemporary genre makes sense of decentralized network structure, from fiction, film, and television to popular videogames such as Introversion's "Uplink," experimental games such as Jason Rohrer's "Between," and emergent transmedia storytelling forms such as "Alternate Reality Games." Jagoda wants to show that network aesthetics, in all of these cases, are not simply the quality of a genre; more substantively, they are a critical corollary to an era in which interconnection has become a key cultural framework. "Network Aesthetics" cuts through the cliches of sublime interconnection and illuminates the ordinary, lived aspects of networked life.
Author | : Matthew C. Ehrlich |
Publisher | : University of Illinois Press |
Total Pages | : 210 |
Release | : 2010-10-01 |
Genre | : Performing Arts |
ISBN | : 0252091086 |
From cynical portrayals like The Front Page to the nuanced complexity of All the President’s Men, and The Insider, movies about journalists and journalism have been a go-to film genre since the medium's early days. Often depicted as disrespectful, hard-drinking, scandal-mongering misfits, journalists also receive Hollywood's frequent respect as an essential part of American life. Matthew C. Ehrlich tells the story of how Hollywood has treated American journalism. Ehrlich argues that films have relentlessly played off the image of the journalist as someone who sees through lies and hypocrisy, sticks up for the little guy, and serves democracy. He also delves into the genre's always-evolving myths and dualisms to analyze the tensions—hero and oppressor, objectivity and subjectivity, truth and falsehood—that allow journalism films to examine conflicts in society at large.
Author | : Seth Friedman |
Publisher | : SUNY Press |
Total Pages | : 280 |
Release | : 2017-08-16 |
Genre | : Language Arts & Disciplines |
ISBN | : 1438465912 |
Identifies a new genremisdirection filmsand explains its appeal to contemporary producers and audiences. Are You Watching Closely? is the first book to explore the recent spate of misdirection films, a previously unidentified Hollywood genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Beautiful Mind (2001), and Inception (2010), were both commercial and critical successes. Seth Friedman examines this genre in its sociocultural, industrial, and technological contexts to explain why it has become more attractive to producers and audiences. The recent popularity of misdirection films, Friedman argues, is linked to new technologies that enable repeat viewings and online discussion, which makes it enticing to an industry that depends increasingly on the aftermarket, as well as to historically specific cultural developments. That is, in addition to being well suited for shifting industrial and technological conditions, these films are appealing because they suggest that it remains possible to know what actually occurred and who was really responsible for events at a time when it is also becoming increasingly recognized that truth is relative. Are You Watching Closely? shows how Hollywoods effective strategies for these changing circumstances put it at the forefront of a storytelling trend that has increasingly become important across media. Through close analyses of how misdirection films have been designed, marketed, and received in relation to their contexts, Friedman demonstrates the ways in which they epitomize a kind of narrative experimentation that has become a crucial facet of twenty-first-century audiovisual storytelling.
Author | : Peter Knight |
Publisher | : NYU Press |
Total Pages | : 286 |
Release | : 2002-02 |
Genre | : History |
ISBN | : 0814747361 |
An intriguing interrogation of America’s long-running obsession with conspiracy theories Why are Americans today so fascinated by Area 51? How did rumors that the AIDS virus originated as a weapon of biowarfare emerge? Why does the Kennedy assassination provoke heated debate over fifty years after the fact, and why did Donald Trump’s birther theories only serve to increase his popularity with voters? The origins of these ideas reveal important facets of American culture and politics. Placing conspiracy thinking at the center of American history, and challenging the knee-jerk dismissal of conspiratorial thought as deluded and often dangerous, Conspiracy Nation provides a wide-ranging survey of conspiracy theories in contemporary America. In the 19th century, inflammatory rhetoric about slave revolts, the well-publicized specter of the black rapist, and the formation of the Ku Klux Klan all worked as conspiracy theories to legitimate an emerging sense of national consciousness based on an ideology of white supremacy – one that still persists today. In our contemporary world, panicked responses to increasing multiculturalism and globalization yield new notions of victimhood and new theories about conspiratorial plans for global domination. Offering up a provocative array of examples, ranging from alien abduction to the novels of DeLillo and Pynchon to Tupac Shakur's "paranoid style," Conspiracy Nation documents and unearths the workings of conspiracy in the contemporary moment. Contributors: Clare Birchall, Jack Bratich, Bridget Brown, Jodi Dean, Ingrid Walker Fields, Douglas Kellner, Peter Knight, Fran Mason, John A. McClure, Timothy Melley, Eithne Quinn, and Skip Willman