Conservation of Stained Glass in America
Author | : Julie L. Sloan |
Publisher | : |
Total Pages | : 276 |
Release | : 1995 |
Genre | : Antiques & Collectibles |
ISBN | : |
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Author | : Julie L. Sloan |
Publisher | : |
Total Pages | : 276 |
Release | : 1995 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : Barbara Butts |
Publisher | : Getty Publications |
Total Pages | : 346 |
Release | : 2001-03-01 |
Genre | : Art |
ISBN | : 089236579X |
The names Albrecht Dürer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, Dürer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily gifted draftsmen and the equally talented glass painters who rendered their compositions in glass. Included are discussions of both monumental church windows and smaller-scale stained-glass panels made for cloisters, civic buildings, residences, and private chapels. The subjects of these rarely seen drawings and panels range from religious topics to secular themes, including love, planets, hunts, and battles. Focusing on stained glass produced in Germany and Switzerland from about 1495 to 1530, Painting on Light includes drawings by Dürer, Holbein, Albrecht Altdorfer, Hans Baldung Grien, Jörg Breu the Elder, Hans Burgkmair, Urs Graf, Hans von Kulmbach, Hans Leu the Younger, Niklaus Manuel Deutsch, Hans Schäufelein, Hans Weiditz, and others. This informative book is published in conjunction with an exhibition at the Getty Museum from July 11 through September 24, 2000, and from November 7, 2000, to January 4, 2001, at the Saint Louis Art Museum.
Author | : José Custódio Vieira da Silva |
Publisher | : Scala Books |
Total Pages | : 132 |
Release | : 2007 |
Genre | : Architecture |
ISBN | : |
Architecture.
Author | : Sandra Davison |
Publisher | : Routledge |
Total Pages | : 392 |
Release | : 2008-05-09 |
Genre | : Antiques & Collectibles |
ISBN | : 1136415513 |
Conservation and Restoration of Glass is an in-depth guide to the materials and practices required for the care and preservation of glass objects. It provides thorough coverage of both theoretical and practical aspects of glass conservation. This new edition of Newton and Davison's original book, Conservation of Glass, includes sections on the nature of glass, the historical development and technology of glassmaking, and the deterioration of glass. Professional conservators will welcome the inclusion of recommendations for examination and documentation. Incorporating treatment of both excavated glass and historic and decorative glass, the book provides the knowledge required by conservators and restorers and is invaluable for anyone with glass objects in their care.
Author | : Victoria Finlay |
Publisher | : Getty Publications |
Total Pages | : 122 |
Release | : 2014-11-01 |
Genre | : Art |
ISBN | : 1606064290 |
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
Author | : Joe Porcelli |
Publisher | : Sterling Publishing Company Incorporated |
Total Pages | : 144 |
Release | : 2000 |
Genre | : Art |
ISBN | : 1586630148 |
Enter a dazzling world where light and color combine to create a fantasyland in glass. Beginning with the earliest examples of this most beautiful art form, trace its development from masterpieces in renowned cathedrals such as Chartres and Canterbury on through the art deco wonders of Tiffany, and discover how modern innovations revolutionized glassmaking techniques.
Author | : Max Schweidler |
Publisher | : Getty Publications |
Total Pages | : 320 |
Release | : 2006 |
Genre | : Antiques & Collectibles |
ISBN | : 9780892368358 |
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Author | : Valerie Dorge |
Publisher | : Getty Publications |
Total Pages | : 549 |
Release | : 1998-08-27 |
Genre | : Art |
ISBN | : 0892365013 |
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Author | : Stephen J. Kelley |
Publisher | : ASTM International |
Total Pages | : 445 |
Release | : 1996 |
Genre | : Historic buildings |
ISBN | : 0803120060 |
Collects some 30 papers dealing with philosophical, methodological, and technical standards in building preservation. The first section of papers present a general view of preservation. The second section offers papers which discuss the different approaches to preservation practice. The third sectio