Conservation Of Contemporary Art
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Author | : . Chiantore |
Publisher | : Getty Publications - (Yale) |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Art, Modern |
ISBN | : 9781606061046 |
This is a thorough investigation of the material and philosophical aspects of conserving contemporary art. Since the advent of the avant-garde in the early 20th century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of these materials but also a greater awareness of the artist's intellectual universe. Conserving Contemporary Art is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.
Author | : Lydia Beerkens |
Publisher | : |
Total Pages | : 160 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9789490322328 |
In order to preserve and maintain contemporary artworks, we need authentic, content-related and technical information which we can obtain by interviewing the artists who produced them. The SBMK (Foundation for the Conservation of Contemporary Art) and RCE (Cultural Heritage Agency of the Netherlands) worked together for years to develop guidelines and good practices. In 2012 a book will be published: "The Artist Interview". For conservation and presentation of contemporary art. Guidelines and practice. This handbook provides a scenario including tips and checklists for conducting artist interviews, as well as ten sample interviews that give an insight in the (im)possibilities of an artist interview as a tool.
Author | : Marina Pugliese |
Publisher | : Getty Publications |
Total Pages | : 294 |
Release | : 2013 |
Genre | : Art |
ISBN | : 1606061348 |
This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.
Author | : Klaas Jan van den Berg |
Publisher | : Springer Nature |
Total Pages | : 611 |
Release | : 2020-02-17 |
Genre | : Technology & Engineering |
ISBN | : 3030192547 |
Artists’ oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists’ intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics. This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project ‘Cleaning of Modern Oil Paints’. It is also a follow-up on ‘Issues in Contemporary Oil Paint’ (Springer, 2014). The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists’ materials and techniques; the artists’ voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display. The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.
Author | : Hafthor Yngvason |
Publisher | : |
Total Pages | : 176 |
Release | : 2002 |
Genre | : Art |
ISBN | : |
While the public art field has grown rapidly, little attention has been paid to preservation. This collection of papers based on presentations delivered at a conference held in Massachusetts in 2001 addresses theoretical questions of permanence and public participation along with specific concerns, such as funding and legal responsibilities.
Author | : Matthew Hayes |
Publisher | : Getty Publications |
Total Pages | : 210 |
Release | : 2021-07-13 |
Genre | : Art |
ISBN | : 160606696X |
This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.
Author | : |
Publisher | : Getty Publications |
Total Pages | : 332 |
Release | : 2007 |
Genre | : Museum conservation methods |
ISBN | : 089236906X |
Paint formulations and historyAnalysis and characterizationTreatmentsCleaning issuesBehavior and propertiesPosters.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
Genre | : Art, Modern |
ISBN | : 9781606069127 |
"This is the first book to provide a comprehensive overview of the conservation of biological materials used in contemporary art"--
Author | : IJsbrand M. C. Hummelen |
Publisher | : Archetype Publications |
Total Pages | : 452 |
Release | : 2005 |
Genre | : Antiques & Collectibles |
ISBN | : |
Presenting the conservation challenges related to different media and materials of considerable art-historical value, the studies in this volume include symposium papers by art historians, physicists, philosophers, artists, conservators and critics, on topics such as accidental damage, working with artists, packing and transport, and installation.
Author | : |
Publisher | : National Academies Press |
Total Pages | : 254 |
Release | : 2005-01-01 |
Genre | : Technology & Engineering |
ISBN | : 0309096251 |
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.