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| Author | : Lou Prendergast |
| Publisher | : BRILL |
| Total Pages | : 266 |
| Release | : 2021-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 9004467920 |
Theatre practitioners, artists, academics, yogis and anyone interested in how the notion of Self-realisation augmented arts-making methodologies will find many interesting themes in this multi-layered performance research project, which includes the scripts of three publicly presented, critically acclaimed theatrical productions.
| Author | : Lou Prendergast |
| Publisher | : Consciousness, Literature and |
| Total Pages | : 210 |
| Release | : 2021 |
| Genre | : Drama |
| ISBN | : 9789004467910 |
"In Conscious Theatre Practice: Yoga, Meditation, and Performance, Lou Prendergast charts a theatre research project in which the notion of Self-realisation and related contemplative practices, including Bikram Yoga and Vipassana meditation, are applied to performance. Coining the term 'Conscious Theatre Practice', Prendergast presents the scripts of three publicly presented theatrical performances, examined under the 'three C's' research model: Conscious Craft (writing, directing, performance; Conscious Casting; Conscious Collaborations. The findings of this autobiographical project fed into a working manifesto for socially engaged theatre company, Black Star Projects. Along the way, the research engages with methodological frameworks that include practice-as-research, autoethnography, phenomenology and psychophysical processes, as well immersive yoga and meditation practice; while race, class and gender inequalities underpin the themes of the productions"--
| Author | : Daniel Meyer-Dinkgräfe |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 350 |
| Release | : 2009-12-14 |
| Genre | : Performing Arts |
| ISBN | : 1443817953 |
The essays collected in this volume were initially presented at the Third International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, May 16-18, 2009. The conference was organised on the basis of the success of its predecessors in 2005 and 2007, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen twenty-one volumes in print, with another twelve in press or in the process of being written. The 2009 conference and the book series highlight the continuing growth of interest within the interdisciplinary field of consciousness studies, and in the distinct disciplines of theatre studies, literary studies, film studies, fine arts and music in the relationship between the object of these disciplines and human consciousness. Fifty-six delegates from twenty-one countries across the world attended the May 2009 conference in Lincoln; their range of disciplines and approaches is reflected well in this book.
| Author | : Daniel Meyer-Dinkgräfe |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 280 |
| Release | : 2014-06-26 |
| Genre | : Performing Arts |
| ISBN | : 1443862479 |
The essays collected in this volume were initially presented at the Fifth International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, June 15–17, 2013. The conference was organised on the basis of the success of its predecessors in 2005, 2007, 2009 and 2011, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen 34 volumes in print, with another 12 in press or in the process of being written. The 2013 conference and the book series highlight the continuing growth of interest within the interdisciplinary field of consciousness studies, and in the distinct disciplines of theatre studies, literary studies, film studies, fine arts and music in the relationship between the object of these disciplines and human consciousness. 35 delegates from 12 countries across the world attended the June 2013 conference in Lincoln; their range of disciplines and approaches is reflected well in this book.
| Author | : Megan Alrutz |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 328 |
| Release | : 2011-11-29 |
| Genre | : Performing Arts |
| ISBN | : 0230364101 |
Through a collection of original essays and case studies, this innovative book explores theory as an accessible, although complex, tool for theatre practitioners and students. These chapters invite readers to (re)imagine theory as a site of possibility or framework that can shape theatre making, emerge from practice, and foster new ways of seeing, creating, and reflecting. Focusing on the productive tensions and issues that surround creative practice and intellectual processes, the contributing authors present central concepts and questions that frame the role of theory in the theatre. Ultimately, this diverse and exciting collection offers inspiring ideas, raises new questions, and introduces ways to build theoretically-minded, dynamic production work.
| Author | : Elaine Aston |
| Publisher | : Routledge |
| Total Pages | : 234 |
| Release | : 2005-07-05 |
| Genre | : Art |
| ISBN | : 1134771517 |
A practical guide to theatre-making designed to take the reader through the stages of making feminist theatre. Organised into three instructive parts; Women in the Workshop, Dramatic Texts, Feminist Contexts & Gender and Devising Projects.
| Author | : Arya Madhavan |
| Publisher | : BRILL |
| Total Pages | : 212 |
| Release | : 2010-01-01 |
| Genre | : History |
| ISBN | : 9042027991 |
This book explores the training methods, performance and aesthetics of Kudiyattam, the oldest existing theatre from in the world. It brings together for the first time a comprehensive analysis of the psycho-physical techniques employed by the actors in Kerala of this temple theatre form. The book offers an in-depth analysis of pakarnnattam, a unique acting technique that helps the actor to perform multiple characters in a single dramatic situation. This multiple transformational acting technique is highly relevant to enhance the actor’s abilities such as imagination, spontaneity and improvisation. The book employs a range of theoretical models developed from performance studies, gender theories, consciousness studies, Indian aesthetic and philosophical theories to investigate the actor’s body in training and performance. Most significantly, for the first time, the book offers some extra-ordinary insights into the links between the actor’s breathing and consciousness. It covers a range of topics: Hatha Yoga breathing techniques, eye training, hand gestures, movement techniques, voice training and rasa acting.
| Author | : Hazel Barnes |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 562 |
| Release | : 2022-01-27 |
| Genre | : Performing Arts |
| ISBN | : 1527578879 |
This book, based on components of Drama for Life, addresses the subject of “innovative methods for applied drama and theatre practice in African contexts”. It does so by providing chapters that share the rich, multilayered, and reflexive work that has taken place at Drama for Life from 2008 to the present day. It invites the reader to learn from the experiences of Drama for Life as shared by the authors, understand the role it has played and continues to play in advocating for, and extending the work of, Applied Drama and Theatre practice, and engage in critical, dialogical spaces to examine and interrogate current debates and practices in the field of Applied Drama and Theatre. The volume is invaluable for anyone interested in the extensive body of work generated by Drama for Life and its innovative approaches to learning and teaching, as well as performing arts practitioners, artists, teachers, people in community development and service work, and anyone involved in researching Applied Drama and Theatre practice, particularly in an African context, but also globally.
| Author | : Kevin Page |
| Publisher | : Routledge |
| Total Pages | : 421 |
| Release | : 2018-05-20 |
| Genre | : Performing Arts |
| ISBN | : 1351382195 |
Advanced Consciousness Training for Actors: Meditation Techniques for the Performing Artist explores theories and techniques for deepening the individual actor’s capacity to concentrate and focus attention. Going well beyond the common exercises found in actor training programs, these practices utilize consciousness expanding "technologies" derived from both Eastern and Western traditions of meditation and mindfulness training as well as more recent discoveries from the fields of psychology and neuroscience. This book reviews the scientific literature of consciousness studies and mindfulness research to discover techniques for focusing attention, expanding self-awareness, and increasing levels of mental concentration; all foundational skills of the performing artist in any medium.
| Author | : Bernard J. Baars |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 210 |
| Release | : 1997 |
| Genre | : Family & Relationships |
| ISBN | : 0195102657 |
Topics like hypnosis, absorbed states of mind, adaptation to trauma, and the human propensity to project expectations on uncertainty, all fit into the expanded theater metaphor.
