Conflict And Whores
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Author | : Rachel S. Harris |
Publisher | : Wayne State University Press |
Total Pages | : 395 |
Release | : 2017-10-16 |
Genre | : Performing Arts |
ISBN | : 0814339689 |
Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues. This section demonstrates how feminists use film (and work within the film industry) in order to position women in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have affected the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera and in the stories they tell. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
Author | : Caron E. Gentry |
Publisher | : Zed Books Ltd. |
Total Pages | : 203 |
Release | : 2015-08-15 |
Genre | : Social Science |
ISBN | : 1783602104 |
Beyond Mothers, Monsters, Whores takes the suggestion in Mothers, Monsters, Whores that it is important to see genderings in characterizations of violent women, and to use critique of those genderings to retheorize individual violence in global politics. It begins by demonstrating the interdependence of the personal and international levels of global politics in violent women's lives, but then shows that this interdependence is inaccurately depicted in gender-subordinating narratives of women's violence. Such narratives, the authors argue, are not only normatively problematic on the surface but also intersect with other identifiers, such as race, religion, and geopolitical location.
Author | : Laura Sjoberg |
Publisher | : Zed Books Ltd. |
Total Pages | : 325 |
Release | : 2013-07-04 |
Genre | : Political Science |
ISBN | : 1848137370 |
A woman did that? The general reaction to women's political violence is still one of shock and incomprehension. Mothers, Monsters, Whores provides an empirical study of women's violence in global politics. The book looks at military women who engage in torture; the Chechen 'Black Widows'; Middle Eastern suicide bombers; and the women who directed and participated in genocides in Bosnia and Rwanda. Sjoberg & Gentry analyse the biological, psychological and sexualized stereotypes through which these women are conventionally depicted, arguing that these are rooted in assumptions about what is 'appropriate' female behaviour. What these stereotypes have in common is that they all perceive women as having no agency in any sphere of life, from everyday choices to global political events. This book is a major feminist re-evaluation of women's motivations and actions as perpetrators of political violence.
Author | : Frances E. Dolan |
Publisher | : Cornell University Press |
Total Pages | : 255 |
Release | : 2019-06-07 |
Genre | : Religion |
ISBN | : 1501734113 |
In the seventeenth century, the largely Protestant nation of England was preoccupied with its Catholic subjects. They inspired more prolific and harsher criticism and more elaborate attempts at legal regulation than did any other minority group. To understand this phenomenon, Frances E. Dolan probes the verbal and visual representations of Catholics and Catholicism and the uses to which these were put during three crises in Protestant'Catholic relations: the gunpowder plot (1605), Queen Henrietta Maria's open advocacy of Catholicism in the 1630s and 1640s, and the popish and meal tub plots (1678—1680). She uses each crisis as a jumping-off point, an opportunity for speculation, as did contemporary writers. Drawing on political, religious, and legal writings and offering fresh readings of literary texts such as Macbeth and Antony and Cleopatra, Dolan shows how often Catholics and Catholicism were linked to disorderly women. Dolan maintains that since Catholics were members of many English families and communities and prominent at court, the threat they offered was precisely that they could not be readily isolated and assigned to a category—both laws and polemic struggled to identify Catholics, but never succeeded in establishing a clear line between Catholics and everyone else. In seventeenth-century England, Dolan says, the threat of Catholicism lay in the tension between the foreign and the familiar, the different and the same.
Author | : W. B. Baker |
Publisher | : Xlibris Corporation |
Total Pages | : 341 |
Release | : 2007-09-25 |
Genre | : Fiction |
ISBN | : 1465317821 |
Centuries of warfare had barely encroached upon Glamorgans boundaries and any who dared its conquest met with bold resistance. Warriors lurking in the mountains of Wales invited all unwary trespassers to come and taste of death. Such was the case in 1316, when Edward II attempted to resurrect a United Kingdom after the execution of William Wallace. As Edward and his Nobles would all too soon discover, the rage that English garrisons uncovered across the valleys of Wales would prove to rival any fury of the Scots. A Magnificent Re-emergence of English Literature For the 21st Century W. B. Baker has done more through his writing to promote Wales around the world than anyone in recent memory. Stunning imagery and the ability to convey the warmth of Welsh culture combine with historical accuracy to bring Wales its finest champion since Dylan Thomas. BBC Hall of Fame Southwest Wales The British People at Their Finest and Most Magnificent Shamelessly brutal in his examination of the human heart, W. B. Baker presents Britain a stunning masterpiece of fiction. The Ravenous is Bakers tour de force; the author using his considerable command of the English language to weave a majestic tale of valour and faith. Tottenham Court Road London, England A disturbing indictment of human frailty ... An even more glorius assertion of mans innate nobility Couched inconspicuously within this modern epic of Wales lie affirmations of the true majesty of humankind Within this moving tale, valiant men and women emerge from the mire of war to exemplify the inextinguishable courage of this nation we call home. Pwllypant Caerphilly, Wales REVIEWS FROM AROUND THE WORLD David McAlister in Kansas City, Missouri I feel that Dr. Baker is not only a very gifted author, he is also one of the most interesting and compassionate individuals it has been my good fortune to call friend. Mitchell in New York, New York Great to see people talking about this author! I agree - The Ravenous - is probably Bakers strongest work so far. In-depth historical research into Edward II and a compelling storyline. GREAT BATTLE SCENES and some of the best poetry Ive come across in years. Gillian in Edinburgh, Scotland WHSmith now offers THE RAVENOUS and several of his other books! I couldnt find them at several bookstores, but they are all available on the internet. REALLY Brilliant writing! A touching account (The Ravenous) of a father and daughter trying to come to deal with war and its effect on their lives. Extremely well researched. Some of the best British storytelling out there! Geoffrey Crawley from London, England An extremely competent writer who has combined engrossing historical fiction with, undoubtedly, the finest iambic pentametre verse England has seen in the last hundred years. In The Ravenous, Baker uses the character of the Welsh poet to give us compelling moral principles such as: My Lord, the simplest truth may miss mans groans When he, in conquest of mere piece of land, Forgets he fights above his fathers bones, And only briefly in the sun may stand. Despite the gains of life, his finite hand May only once caress the timeless stone, That stands forever, top the Dark Unknown. and For ju
Author | : Lorna Ryan |
Publisher | : Routledge |
Total Pages | : 236 |
Release | : 2018-12-20 |
Genre | : Social Science |
ISBN | : 0429835450 |
First published in 1997, this study aims to forge new connections between debates on prostitution, media processes and everyday life in its exploration of depictions of female prostitution in British and Irish broadsheet newspapers between 1987 and 1991. Lorna Ryan first examines a range of discourses on prostitution before proceeding to areas including signals of prostitution and images in the press. Encompassing both textual and visual analyses, Ryan demonstrates that these newspapers relied on appearance, place, time, motive and intent in categorising women as prostitutes.
Author | : Wilfred G. Burchett |
Publisher | : Penguin Group |
Total Pages | : 252 |
Release | : 1977 |
Genre | : History |
ISBN | : |
Author | : Bradford Keyes Mudge |
Publisher | : Oxford University Press, USA |
Total Pages | : 293 |
Release | : 2000 |
Genre | : English fiction |
ISBN | : 0195135059 |
Bradford Mudge's book looks at the origins of literary pornography in English, presenting a comprehensive overview of the complex issues surrounding pornography in the eighteenth century, as it appears in fiction, poetry, criticism, medical manuals, and illustrations. Mudge frames these battles in the context of contemporary feminine argument, while closely reading the moment in which the lines of battle were first drawn.
Author | : Scott Fitzsimmons |
Publisher | : Cambridge University Press |
Total Pages | : 343 |
Release | : 2013 |
Genre | : History |
ISBN | : 1107026911 |
Fitzsimmons argues that small mercenary groups must maintain a superior culture to successfully engage and defeat larger and better-equipped opponents.
Author | : Hasan Majed |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 195 |
Release | : 2015-09-18 |
Genre | : Literary Criticism |
ISBN | : 1443883212 |
Islamic postcolonialism is a theoretical perspective that combines two components which have up until now existed in a state of tension. As a secular theory, postcolonialism has notably failed to account for Muslim priorities; it has, for instance, had severe problems critiquing the anti-Islam polemics of The Satanic Verses, as is evidenced by Edward Said’s support for Rushdie, in spite of his criticism of the stereotypical representation of Islam and Muslims in the West. Islamic postcolonialism applies the anti-colonial resistant methodology of postcolonialism from a Muslim perspective, exploring the continuance of colonial discourse in part of the contemporary western writing about Islam and Muslims. This book explores how Islam is depicted and Muslim identities are constructed in four representative works of contemporary British fiction: Hanif Kureishi’s The Black Album (1995), Monica Ali’s Brick Lane (2003), Fadia Faqir’s My Name is Salma (2007), and Leila Aboulela’s Minaret (2005). Salman Rushdie’s The Satanic Verses (1988) is also discussed in terms of its crucial role in fostering what some Muslims might consider polemical and stereotypical positions in writing about Islam.