Concertos for the pianoforte: Op.15, C major
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 96 |
Release | : 1901 |
Genre | : Concertos (Piano) |
ISBN | : |
Download Concerto No I V For The Piano No 1 Op 15 C Major full books in PDF, epub, and Kindle. Read online free Concerto No I V For The Piano No 1 Op 15 C Major ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 96 |
Release | : 1901 |
Genre | : Concertos (Piano) |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : Alfred Music |
Total Pages | : 60 |
Release | : |
Genre | : Music |
ISBN | : 9781457475825 |
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Author | : Ludwig van Beethoven |
Publisher | : Warner Bros. Publications |
Total Pages | : 0 |
Release | : 1985-03 |
Genre | : Piano music |
ISBN | : 9780769239514 |
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
Author | : Grosvenor W. Cooper |
Publisher | : University of Chicago Press |
Total Pages | : 232 |
Release | : 1963-04-15 |
Genre | : Music |
ISBN | : 9780226115221 |
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.
Author | : Philip Hart |
Publisher | : Northwestern University Press |
Total Pages | : 388 |
Release | : 1997-02-05 |
Genre | : Biography & Autobiography |
ISBN | : 0810133067 |
Thirty years after his death, Fritz Reiner's contribution--as a conductor, as a teacher (of Leonard Bernstein, among others), and as a musician--continues to be reassessed. Music scholar and long-time friend Philip Hart has written the definitive biography of this influential figure.
Author | : Robert Philip |
Publisher | : Yale University Press |
Total Pages | : 969 |
Release | : 2018-01-01 |
Genre | : Music |
ISBN | : 0300120699 |
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer's intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 2005-10-27 |
Genre | : Music |
ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author | : David Daniels |
Publisher | : Rowman & Littlefield |
Total Pages | : 1464 |
Release | : 2022-06-30 |
Genre | : Music |
ISBN | : 1442275219 |
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author | : Barry Cooper |
Publisher | : Oxford University Press |
Total Pages | : 465 |
Release | : 2008-10-08 |
Genre | : Music |
ISBN | : 019046349X |
The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative. Cooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: "I live entirely in my music," he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence--from fictitious anecdotes right down to the translations of individual German words--to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence. Offering a wealth of fresh conclusions and intertwining life and work in illuminating ways, Beethoven will establish itself as the reference on one of the world's greatest composers.
Author | : Stephan D. Lindeman |
Publisher | : Routledge |
Total Pages | : 666 |
Release | : 2006-11-06 |
Genre | : Music |
ISBN | : 1135922055 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.