Concerto No 3 In B Minor For Cello And Piano Op 51
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Author | : Georg Goltermann |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-26 |
Genre | : History |
ISBN | : 9781015552043 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Georg Goltermann |
Publisher | : |
Total Pages | : 54 |
Release | : 1915 |
Genre | : Concertos (Cello and piano) |
ISBN | : |
Author | : Georg Goltermann |
Publisher | : |
Total Pages | : 28 |
Release | : |
Genre | : |
ISBN | : |
Author | : Georg Goltermann |
Publisher | : Scholar's Choice |
Total Pages | : 48 |
Release | : 2015-02-12 |
Genre | : |
ISBN | : 9781295983483 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Georg Goltermann |
Publisher | : Nabu Press |
Total Pages | : 48 |
Release | : 2014-02-27 |
Genre | : |
ISBN | : 9781293761793 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author | : James Hepokoski |
Publisher | : Oxford University Press |
Total Pages | : 692 |
Release | : 2011-02-11 |
Genre | : Music |
ISBN | : 0199890234 |
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author | : |
Publisher | : |
Total Pages | : 484 |
Release | : 1921 |
Genre | : Bowed stringed instruments |
ISBN | : |
Author | : Miranda Wilson |
Publisher | : Rowman & Littlefield |
Total Pages | : 155 |
Release | : 2015-05-27 |
Genre | : Music |
ISBN | : 1442246782 |
What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists—college-bound high school students, undergraduate and graduate students, educators, and professional performers—and teaches them how to be their own best teachers.
Author | : Jeremy Yudkin |
Publisher | : Boydell & Brewer |
Total Pages | : 573 |
Release | : 2020 |
Genre | : Music |
ISBN | : 1580469930 |
Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.
Author | : James Hepokoski |
Publisher | : Oxford University Press, USA |
Total Pages | : 353 |
Release | : 2020-12-15 |
Genre | : Music |
ISBN | : 0197536816 |
This book is a highly accessible and up-to-date introduction to the key ideas of Sonata Theory, one of the most influential methods for analyzing the sonata form. Teaching the method primarily by example, it features close readings of masterpieces by Haydn, Mozart, Beethoven, Schubert, and Brahms.