Concerto in D minor (F. XII, 42)
| Author | : Antonio Vivaldi |
| Publisher | : |
| Total Pages | : 32 |
| Release | : 1970 |
| Genre | : Concertos (Bassoon, flute, violin, continuo) |
| ISBN | : |
Concerto In D Minor F Xii 42
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Concerto in D minor
| Author | : Johann Joachim Quantz |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 1972 |
| Genre | : Concertos (Flute with string orchestra) |
| ISBN | : |
Robert Schumann and the Piano Concerto
| Author | : Claudia Macdonald |
| Publisher | : Taylor & Francis |
| Total Pages | : 381 |
| Release | : 2023-05-09 |
| Genre | : Music |
| ISBN | : 1000944875 |
Robert Schumann was a unique personality in 19th century music: a celebrated music critic and champion of new composers as well as a talented performer and composer himself, he did much to modernize the literature and performance style for the piano. This book covers the key period of c. 1815-55, exploring how the generation that came after Beethoven was central in reshaping and refining the conception of the concerto style, and particularly the piano concerto. It relates Schumann's own compositional development to his musical environment, recreating the exciting milieu in which Schumann and his contemporaries lived and worked. Written in scholarly, but non-technical language, Robert Schumann and theDevelopment of the Piano Concerto will appeal to college and conservatory teachers and students, as well as music connoisseurs. Also includes 60 musical examples.
Library of Congress Catalog
| Author | : Library of Congress |
| Publisher | : |
| Total Pages | : 520 |
| Release | : 1973 |
| Genre | : Audio-visual materials |
| ISBN | : |
A cumulative list of works represented by Library of Congress printed cards.
The Music of J. S. Bach
| Author | : David Schulenberg |
| Publisher | : U of Nebraska Press |
| Total Pages | : 242 |
| Release | : 1999-01-01 |
| Genre | : Music |
| ISBN | : 9780803210516 |
This volume contains contributions by nine scholars on two broad themes: the analysis of Johann Sebastian Bach?s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The contributors are a diverse group, active in the fields of performance, organology, music theory, and music history. Several work in more than one of these areas, making them particularly well prepared to write on the interdisciplinary themes of the volume. ΓΈ Part 1 includes Alfred Mann?s introduction to Bach?s orchestral music as well as essays by Gregory G. Butler and Jeanne Swack on the Brandenburg Concertos. Part 2 offers ground-breaking articles by John Koster and Mary Oleskiewicz on the harpsichords and flutes of Bach?s day as well as essays by David Schulenberg and William Renwick on keyboard performance practice and the study of fugue in Bach?s circle. Paul Walker explores the relationships between rhetoric and fugue, and John Butt reviews some recent trends in Bach performance.
Intimate Voices: Shostakovich to the avant-garde. Dmitri Shostakovich : the string quartets
| Author | : David Clampitt |
| Publisher | : University Rochester Press |
| Total Pages | : 368 |
| Release | : 2009 |
| Genre | : Literary Collections |
| ISBN | : 1580463223 |
Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.
An Encyclopedia of the Violin
| Author | : Alberto Bachmann |
| Publisher | : Courier Corporation |
| Total Pages | : 498 |
| Release | : 2013-07-24 |
| Genre | : Music |
| ISBN | : 0486318249 |
First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.
Mendelssohn, Time and Memory
| Author | : Benedict Taylor |
| Publisher | : Cambridge University Press |
| Total Pages | : 315 |
| Release | : 2011-10-27 |
| Genre | : Music |
| ISBN | : 1139501364 |
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.
