Concerto In B Flat For Cembalo And Strings
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Author | : Kenyon C. Rosenberg |
Publisher | : Scarecrow Press |
Total Pages | : 278 |
Release | : 1987 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780810820418 |
No descriptive material is available for this title.
Author | : American Society of Composers, Authors and Publishers |
Publisher | : New York : R. R. Bowker Company |
Total Pages | : 540 |
Release | : 1977 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1224 |
Release | : 1961 |
Genre | : High fidelity sound systems |
ISBN | : |
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 1324 |
Release | : 1977 |
Genre | : Copyright |
ISBN | : |
Author | : Corliss Richard Arnold |
Publisher | : Scarecrow Press |
Total Pages | : 924 |
Release | : 1995-01-01 |
Genre | : Music |
ISBN | : 146167025X |
This third edition is a basic textbook on the development of pipe organ composition in geographically diverse schools. Its nineteen chapters include charts of organ composers and a historical background of contemporary events and figures for each organ composition school. Chapter bibliographies cover readings published in the seventies, eighties, and early nineties. A listing of Bach organ compositions with pagination of various editions is also included.
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author | : Kenyon C. Rosenberg |
Publisher | : Scarecrow Press |
Total Pages | : 398 |
Release | : 1990 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780810823228 |
Lists classical and operatic recordings that are specifically available in the new (and desirable) compact disc format. Individual titles are graded for their appropriateness to specific types and sizes of libraries. The main portion covers some 160 composers whose works are important in constituting a nuclear library collection of "serious" music. There are over 1,200 titles included and individually numbered (and fully cross-referenced) and graded. For numerous works, two or more performances are cited in order to provide the librarian with greater choices; monophonic works are specifically indicated. Many of the works are annotated. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : |
Publisher | : |
Total Pages | : 544 |
Release | : 1959 |
Genre | : Music |
ISBN | : |
International music studies.
Author | : Johann Wilhelm Hertel |
Publisher | : A-R Editions, Inc. |
Total Pages | : 130 |
Release | : 1988-01-01 |
Genre | : Music |
ISBN | : 0895792222 |
Author | : Malcolm MacDonald |
Publisher | : Oxford University Press |
Total Pages | : 401 |
Release | : 2008-09-26 |
Genre | : Music |
ISBN | : 0198038402 |
In this completely rewritten and updated edition of his long-indispensable study, Malcolm MacDonald takes advantage of 30 years of recent scholarship, new biographical information, and deeper understanding of Schoenberg's aims and significance to produce a superb guide to Schoenberg's life and work. MacDonald demonstrates the indissoluble links among Schoenberg's musical language (particularly the enigmatic and influential twelve-tone method), his personal character, and his creative ideas, as well as the deep connection between his genius as a teacher and as a revolutionary composer. Exploring newly considered influences on the composer's early life, MacDonald offers a fresh perspective on Schoenberg's creative process and the emotional content of his music. For example, as a previously unsuspected source of childhood trauma, the author points to the Vienna Ringtheater disaster of 1881, in which hundreds of people were burned to death, including Schoenberg's uncle and aunt-whose orphaned children were then adopted by Schoenberg's parents. MacDonald brings such experiences to bear on the music itself, examining virtually every work in the oeuvre to demonstrate its vitality and many-sidedness. A chronology of Schoenberg's life, a work-list, an updated bibliography, and a greatly expanded list of personal allusions and references round out the study, and enhance this new edition.