Copiar el edén

Copiar el edén
Author: María Berríos
Publisher:
Total Pages: 662
Release: 2006
Genre: Art, Chilean
ISBN:

Analyzes the evolution of contemporary art in Chile from 1973 to 2007. This edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, Mar̕a Berr̕os, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana V̀lads (description provided by vendor).

Matali Crasset

Matali Crasset
Author: Emmanuelle Lallement
Publisher: daab
Total Pages: 184
Release: 2007
Genre: Architecture
ISBN:

This volume of the series about young but already very successful architects and designers introduces to the projects of the french designer Matali Crasset. The book not only shows the assembled work of Matali Crasset but also what she understands under "work ensemble".

The Nineteenth Century in the Prado

The Nineteenth Century in the Prado
Author: Museo del Prado
Publisher: T.F. Editores, S.L.C.
Total Pages: 458
Release: 2008
Genre: Art
ISBN:

This is effectively a historical journey through the works of the great 19th century Spanish masters from Goya through to Sorolla.

Museum Activism

Museum Activism
Author: Robert R. Janes
Publisher: Routledge
Total Pages: 406
Release: 2019-01-10
Genre: Art
ISBN: 1351251023

Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice. At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum’s relationship to activism. Including contributions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice. Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges. This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will be a source of inspiration to museum practitioners and museum leaders around the globe.

Museo del Romanticismo

Museo del Romanticismo
Author: Begoña Torres González
Publisher: Ministerio de Cultura Secretaria General Tecnica Subdireccio
Total Pages: 556
Release: 2011
Genre: Art
ISBN: