Computational Aesthetics
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Author | : Yasuhiro Suzuki |
Publisher | : Springer |
Total Pages | : 93 |
Release | : 2018-09-26 |
Genre | : Technology & Engineering |
ISBN | : 4431568441 |
The essence of natural computing is aesthetics; for example, in cooking, one of the most common forms of natural computation, the decision to add salt, and how much, is based on the aesthetics of taste. Because touch perception is instinctively related to a sense of beauty, the aesthetics of tactile sense are considered as algorithms by using the Tactile Score, which encodes tactile sensation. This book will appeal not only to researchers of natural computing or aesthetics, but also those working in ergonomic design, haptic-Kansei engineering, philosophy, design and art.
Author | : Yasuhiro Suzuki |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : Aesthetics |
ISBN | : 9784431568438 |
The essence of natural computing is aesthetics; for example, in cooking, one of the most common forms of natural computation, the decision to add salt, and how much, is based on the aesthetics of taste. Because touch perception is instinctively related to a sense of beauty, the aesthetics of tactile sense are considered as algorithms by using the Tactile Score, which encodes tactile sensation. This book will appeal not only to researchers of natural computing or aesthetics, but also those working in ergonomic design, haptic-Kansei engineering, philosophy, design and art.
Author | : D. Berry |
Publisher | : Springer |
Total Pages | : 484 |
Release | : 2015-05-26 |
Genre | : Art |
ISBN | : 1137437200 |
Postdigital Aesthetics is a contribution to questions raised by our newly computational everyday lives and the aesthetics which reflect both the postdigital nature of this age, but also critical perspectives of a post-internet world.
Author | : John Maeda |
Publisher | : |
Total Pages | : 239 |
Release | : 2004 |
Genre | : Computers |
ISBN | : 9780500285176 |
The creator of the designer website, maeda@media, explores the computer as an artistic medium, recounting how his students and he have rendered some of the most digitally sophisticated pieces of design in modern history, in a compilation that showcases some of the ACG's key achievements in the fields of digital typography, interaction design, education, and more. Original.
Author | : Luciana Parisi |
Publisher | : MIT Press |
Total Pages | : 391 |
Release | : 2022-11-01 |
Genre | : Social Science |
ISBN | : 0262546655 |
A proposal that algorithms are not simply instructions to be performed but thinking entities that construct digital spatio-temporalities. In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human cognition and control. These include modes of infinity, contingency, and indeterminacy, as well as incomputable quantities underlying the iterative process of algorithmic processing. The main philosophical source for the project is Alfred North Whitehead, whose process philosophy is specifically designed to provide a vocabulary for “modes of thought” exhibiting various degrees of autonomy from human agency even as they are mobilized by it. Because algorithmic processing lies at the heart of the design practices now reshaping our world—from the physical spaces of our built environment to the networked spaces of digital culture—the nature of algorithmic thought is a topic of pressing importance that reraises questions of control and, ultimately, power. Contagious Architecture revisits cybernetic theories of control and information theory's notion of the incomputable in light of this rethinking of the role of algorithmic thought. Informed by recent debates in political and cultural theory around the changing landscape of power, it links the nature of abstraction to a new theory of power adequate to the complexities of the digital world.
Author | : Douglas William Cunningham |
Publisher | : |
Total Pages | : 190 |
Release | : 2007 |
Genre | : Aesthetics |
ISBN | : |
Author | : Juan J. Romero |
Publisher | : Springer Science & Business Media |
Total Pages | : 465 |
Release | : 2008 |
Genre | : Art |
ISBN | : 3540728767 |
Art is the Queen of all sciences communicating knowledge to all the generations of the world. Leonardo da Vinci Artistic behavior is one of the most valued qualities of the human mind. Although artistic manifestations vary from culture to culture, dedication to artistic tasks is common to all. In other words, artistic behavior is a universal trait of the human species. The current, Western de?nition of art is relatively new. However, a d- ication to artistic endeavors — such as the embellishment of tools, body - namentation, or gathering of unusual, arguably aesthetic, objects — can be traced back to the origins of humanity. That is, art is ever-present in human history and prehistory. Artandsciencesharealongandenduringrelationship.Thebest-known- ample of the explorationof this relationship is probably the work of Leonardo da Vinci. Somewhere in the 19th century art and science grew apart, but the cross-transfer of concepts between the two domains continued to exist. Currently, albeit the need for specialization, there is a growing interest in the exploration of the connections between art and science. Focusingoncomputerscience,itisinterestingtonoticethatearlypioneers of this discipline such as Ada Byron and Alan Turing showed an interest in using computational devices for art-making purposes. Oddly, in spite of this early interest and the ubiquity of art, it has received relatively little attention fromthe computersciencecommunityingeneral,and,moresurprisingly,from the arti?cial intelligence community.
Author | : M. Beatrice Fazi |
Publisher | : Rowman & Littlefield |
Total Pages | : 249 |
Release | : 2018-11-15 |
Genre | : Philosophy |
ISBN | : 1786606097 |
In Contingent Computation, M. Beatrice Fazi offers a new theoretical perspective through which we can engage philosophically with computing. The book proves that aesthetics is a viable mode of investigating contemporary computational systems. It does so by advancing an original conception of computational aesthetics that does not just concern art made by or with computers, but rather the modes of being and becoming of computational processes. Contingent Computation mobilises the philosophies of Gilles Deleuze and Alfred North Whitehead in order to address aesthetics as an ontological study of the generative potential of reality. Through a novel philosophical reading of Gödel’s incompleteness theorems and of Turing’s notion of incomputability, Fazi finds this potential at the formal heart of computational systems, and argues that computation is a process of determining indeterminacy. This indeterminacy, which is central to computational systems, does not contradict their functionality. Instead, it drives their very operation, albeit in a manner that might not always fit with the instrumental, representational and cognitivist purposes that we have assigned to computing.
Author | : Paul A. Fishwick |
Publisher | : MIT Press |
Total Pages | : 477 |
Release | : 2006 |
Genre | : Aesthetics |
ISBN | : 0262562375 |
The application of the theory and practice of art to computer science: how aesthetics and art can play a role in computing disciplines.
Author | : Mattia Martone |
Publisher | : PXR Italy |
Total Pages | : 100 |
Release | : 2020-08-09 |
Genre | : Psychology |
ISBN | : |
Computational Neuroaesthetics is the new discipline that integrates neuromarketing, psychology and computer science to develop digital contents aligned to users' psychological characteristics, such as personality traits. Computational Neuroaesthetics is the term coined by Mattia Martone, co-founder of PXR Italy Research Center, to legitimize the birth of this innovative discipline. The book presents a structure divided into two macro-sections. The first one describes the concept of contents' aesthetics in today's digital society, characterized by the phenomena of personalization and big data, and outlines the origins of Computational Neuroaesthetics. The second macro-section illustrates the psychological approaches to contents' aesthetics. The text represents the origin of a discipline destined to enrich the world of digital marketing (and not only this field) because it provides the basis for the development of disruptive products and services.