Just Good Teaching

Just Good Teaching
Author: Laura Sindberg
Publisher: R&L Education
Total Pages: 123
Release: 2012
Genre: Education
ISBN: 1610483391

Student learning in school music ensembles is often focused on technical skill development. Give your students broader experience involving multiple music learnings, technical proficiency, cognition, and personal meaning. The Comprehensive Musicianship through Performance (CMP) model will help you plan instruction for school ensembles that promotes a holistic form of music learning and will allow you to use your creativity, passion, and vision. With model teaching plans and questions for discussion, this book can give you richer, more meaningful challenges and help you provide your students with deeper musical experiences. Sindberg combines the theoretical foundations of CMP with practical applications in a book that's useful for practicing teacher-conductors, scholars, and teacher educators alike.

Shaping Sound Musicians

Shaping Sound Musicians
Author: Patricia Ann O'Toole
Publisher: Boydell & Brewer Ltd
Total Pages: 432
Release: 2003
Genre: Music
ISBN: 9781579992118

Publisher description: This text helps lead both students and teachers to a deeper understanding of the music they encounter. This teaching model, developed by the Wisconsin Comprehensive Musicianship Project (CMP), invites music educators, both vetran and novice, to create meaningful, comprehensive lesson plans with the help of five basic points: Analysis, Outcomes, Strategies, Assessment, and Music selection. These points lead to a greater understanding of the music performed while helping teachers provide accountability through creative assessment strategies, program concerts that teach musical and historical concepts, encourage cross-curricular application of music education, and meet National Standards.

Comprehensive Musicianship Through Performance (CMP) in the Lived Experience of Students

Comprehensive Musicianship Through Performance (CMP) in the Lived Experience of Students
Author: Laura K. Sindberg
Publisher:
Total Pages: 764
Release: 2006
Genre: Instrumental music
ISBN:

The purpose of this study was to examine teacher knowledge in classrooms where teachers use the Comprehensive Musicianship through Performance (CMP) Model, and examine the ways in which CMP facilitates student learning in the ensemble setting. Students who participate in school music programs typically spend countless hours in various ensembles, particularly band, choir, and orchestra. Mastery of technical proficiency remains the primary goal of these ensembles. Historical initiatives, such as comprehensive musicianship, sought to engage students in other musicianly roles. CMP, developed in Wisconsin in 1977, is a planned process to guide instruction in cognitive, affective, and skill development for students in performing ensembles. The Model consists of five planning points: analysis, assessment, music selection, outcomes, and strategies. This study examined how teachers who use CMP plan for student understanding in band.

Comprehensive Musicianship Through Performance

Comprehensive Musicianship Through Performance
Author: Timothy M. Pietrofere
Publisher:
Total Pages: 0
Release: 2023
Genre: Bands (Music)
ISBN:

The concept of comprehensive musicianship has been discussed since the mid-sixties referring to the interdisciplinary study of music. Many directors focus solely on teaching performing skills such as rhythm and musical notation, limiting the student’s exposure to a well-rounded musical teaching experience. Comprehensive musicianship has shown an increase in student’s musical knowledge in history and enhanced musical theory skills, aural skills, performance skills and improvisation. Although there is significant research on high school bands and their implementation of comprehensive musicianship, there is limited research pertaining to the Comprehensive Musicianship through Performance (CMP) and the middle school band. This qualitative study will aim to define and understand the musical strategy of CMP and its methodology concerning to middle school bands utilizing data-driven best practices, unit planning, and lesson planning through bibliographic research within the discipline. Following the review of related literature, a series of Comprehensive Musicianship through Performance lesson plans and unit plans will be developed exhibiting CMP learning techniques within the middle school band ensemble. This study presents ideas based on CMP concepts used in music education: Analysis, Outcomes, Strategies, Assessment, and Music Selection. To structure the bibliographic research findings within the parameters of the performing ensemble, this study begins with an overview of the CMP concepts. The conclusion of this study will provide strategies and sample lessons that illustrate current research in data-driven best practices. The study presents examples of student enrichment exercises with the application of CMP formatted lesson and unit plans within the middle and secondary performing ensemble.

Blueprint for Band

Blueprint for Band
Author: Robert Joseph Garofalo
Publisher: Hal Leonard Corporation
Total Pages: 136
Release: 1983
Genre: Music
ISBN: 9780962430879

(Meredith Music Resource). An easy-to-follow, detailed curriculum that uses band performance as a means for teaching comprehensive musicianship. Blueprint runs a full scale of music history, theory and special projects, while serving as a step-by-step guide to band organization, rehearsal procedures and special units on musicianship.

From the Stage to the Studio

From the Stage to the Studio
Author: Cornelia Watkins
Publisher: Oxford University Press
Total Pages: 337
Release: 2023-02-09
Genre: Education
ISBN: 0197578667

An expanded, updated, and improved second edition of an essential book for aspiring teacher-musicians. Whether serving on the faculty at a university, maintaining a class of private students, or fulfilling an invitation as guest artist in a master class series, virtually all musicians will teach during their careers. From the Stage to the Studio speaks directly to the performing musician, highlighting the significant advantages of becoming distinguished both as a performer and a pedagogue. Drawing on over sixty years of combined experience, authors Cornelia Watkins and Laurie Scott provide the guidance and information necessary for any musician to translate their individual approach into productive and rewarding teacher-student interactions. Premised on the synergistic relationship between teaching and performing, this book provides a structure for clarifying the essential elements of musical artistry, and connects them to such tangible situations as setting up a studio, teaching a master class, interviewing for a job, judging competitions, and recruiting students. From the Stage to the Studio serves as an essential resource for university studio faculty, music pedagogy teachers, college music majors, and professionals looking to add effective teaching to their artistic repertoire. This second edition provides readers useful tools for understanding current and ever-changing neurological and behavioral studies of music practice. This edition also features best practice recommendations for online teaching in both individual and ensemble settings, as well as new sections featuring financial advice for independent musicians and self-employed studio teachers. Beyond this, the authors have added practical tips on essential writing and language skills for teaching, planning, self-promotion, job applications, and advocacy. They have also revised the book's discussion of additional training and certification requirements for teaching positions, and provided updated information on professional music teaching associations. Bringing it all together is the second edition's larger format, ideal for including readers' written responses, plus a new user-friendly, worksheet-style grid for cross-referencing sequenced instruction with a variety of learning approaches.