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| Author | : Eleanor V. Stubley |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 380 |
| Release | : 2008-02-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 0773575049 |
The first full length study of how McGill's Faculty of Music helped to shape contemporary Canadian music.
| Author | : Alan Taylor |
| Publisher | : Routledge |
| Total Pages | : 112 |
| Release | : 2021-02-03 |
| Genre | : Music |
| ISBN | : 1000374769 |
Aimed at lay, student, and academic readers alike, this book concerns the imagination and, specifically, imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind. An alternative view of the imaginative process is then presented, that ideas spring from a subconscious dialogue activated by engagement in the world around. Ideas are therefore never just of our own making. This view is supported by evidence from many studies and corresponds with descriptions by artists of their experience of imagining. The third subject is how imaginations can be shared when musicians work with other artists, and the way the constraints imposed by trying to share subconscious imagining result in clearly distinct forms of joint working. The final chapter covers the use of the musical imagination in making meanings from music. The evidence is that music does not communicate meanings directly, and so composers or performers cannot be looked to as authorities on its meaning. Instead, music is commonly heard as analogous to human experience, and listeners who perceive such analogies may then imagine their own meanings from the music.
| Author | : Paul Helmer |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 404 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 0773535810 |
"Based on years of detailed and extensive interviews with some seventy people, and supplemented by a wide range of archival material, Growing with Canada reveals how these men and women came to Canada and the roles they played in developing musical culture here, weaving the larger story of post-war Canadian music performance, production, and education around their testimony. Paul Helmer shows that émigrés were at the centre of the developing musical milieu, particularly in Toronto and Montreal. They were able to overcome the dominating British presence in post-secondary music education and vastly expanded the role music played in universities. They also pioneered the performance and production of opera in Canada. From British Columbia to Newfoundland, they served as educators, teachers, and administrators as well as outstanding performers, conductors, composers, music historians, radio and television producers, and benefactors."--Pub. desc.
| Author | : Brian Cherney |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 418 |
| Release | : 2018-03-31 |
| Genre | : Biography & Autobiography |
| ISBN | : 0889209227 |
John Weinzweig (1913–2006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto’s music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own – in letters, interviews, talks, and writings – plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors’ portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa. Included at the end of the book are a [http://www.wlupress.wlu.ca/General/beckwith-cherney-list-of-works-discography.pdf List of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds] both available here as pdfs. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994. Read the [http://www.wlupress.wlu.ca/General/beckwith-cherney-cd-notes.pdf Notes and Texts for the CD.]
| Author | : Friedemann Sallis |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 471 |
| Release | : 2012-08-06 |
| Genre | : Music |
| ISBN | : 1554582962 |
This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919–2012), György Kurtág (1926–), and Sándor Veress (1907–92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place. In the first section, “Place and Displacement,” contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue. Essays in the second section, “Perspectives on Reception, Analysis, and Interpretation,” look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be “naturally” embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production—he is one of the twentieth century’s most prolific composers of vocal music—involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists’ divergent cultural perspectives impinge on the interpretation of this work. The final section, “The Presence of the Past and Memory in Contemporary Music,” examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship.
| Author | : Pamela A. Patton |
| Publisher | : Penn State Press |
| Total Pages | : 483 |
| Release | : 2023-03-23 |
| Genre | : Art |
| ISBN | : 0271093005 |
This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
| Author | : Georgina Born |
| Publisher | : UCL Press |
| Total Pages | : 544 |
| Release | : 2022-09-12 |
| Genre | : Social Science |
| ISBN | : 1800082436 |
Anthropology has neglected the study of music and this needs to be redressed. This book sets out to show how and why. It does so by bringing music to the subfield of digital anthropology, arguing that digital anthropology has much to gain by expanding its horizons to music – becoming more interdisciplinary by reference to digital/media studies, music and sound studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the ‘digital’ assume clamouring audibility – while acting as a testing ground for innovations in the digital-cultural industries. The book contains ten chapters, eight of which present comprehensive original ethnographies. The chapters between them addresses popular, folk and art musics in the global South and North, including Kenya, Argentina, India, Canada and the UK/Europe, with each chapter providing a different regional or digital focus. The book is unique in bringing ethnographic research on popular, folk and art musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. Praise for Music and Digital Media ‘This exciting volume forges new ground in the study of local conditions, institutions, and sounds of digital music in the Global South and North. The book’s planetary scope and its commitment to the “messiness” of ethnographic sites and concepts amplifies emergent configurations and meanings of music, the digital, and the aesthetic.’ Marina Peterson, University of Texas, Austin 'The global drama of music's digitisation elicits extreme responses – from catastrophe to piratical opportunism – but between them lie more nuanced perspectives. This timely, absolutely necessary collection applies anthropological understanding to a deliriously immersive field, bringing welcome clarity to complex processes whose impact is felt far beyond what we call music.' David Toop, London College of Communication ‘Spanning continents and academic disciplines, the rich ethnographies contained in Music and Digital Media makes it obligatory reading for anyone wishing to understand the complex, contradictory, and momentous effects that digitization is having on musical cultures.’ Eric Drott, University of Texas, Austin ‘This superb collection, with an authoritative overview as its introduction, represents the state of the art in studies of the digitalisation of music. It is also a testament to what anthropology at its reflexive best can offer the rest of the social sciences and humanities.’ David Hesmondhalgh, University of Leeds ‘Music and Digital Media is a groundbreaking update to our understandings of sound, media, digitization, and music. Truly transdisciplinary and transnational in scope, it innovates methodologically through new models for collaboration, multi-sited ethnography, and comparative work. It also offers an important defense of—and advancement of—theories of mediation.’ Jonathan Sterne, McGill University 'Music and Digital Media is a nuanced exploration of the burgeoning digital music scene across both the global North and the global South. Ethnographically rich and theoretically sophisticated, this collection will become the new standard for this field.' Anna Tsing, co-editor of Feral Atlas: The More-than-Human Anthropocene
| Author | : Ron Kasprisin |
| Publisher | : Taylor & Francis |
| Total Pages | : 249 |
| Release | : 2011-06-09 |
| Genre | : Architecture |
| ISBN | : 1136845615 |
Ron Kasprisin's skills as both an artist and Professor of Urban Design and Planning are combined to guide students in how to use illustrations and graphics to elevate their projects beyond the everyday. Sketches and plans from basic design elements, to complex projects, show the methods and skills students can use in forging their own design paths. A must for all those on planning and urban design courses, both in the design studio and out.
| Author | : Keith William Kinder |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : |
| Release | : 2022-01-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0228009707 |
Morley Calvert’s Suite from the Monteregian Hills is cherished by brass players worldwide and performed hundreds of times annually, making Calvert perhaps the most performed Canadian composer outside the country. Yet little is known about Calvert beyond that piece. And Harmony Abound is a thoughtful and in-depth study of a remarkably accomplished composer, conductor, and educator. Calvert made his living teaching music, but he was no ordinary high school music teacher. He was deeply committed to composing and completed some ninety works for brass ensembles, concert bands, choirs, and orchestras, while engaged in music making in the communities in which he lived. Keith Kinder traces Calvert’s life story from his birth in Brantford, Ontario, in 1928 through his youth and career in Montreal, his musical involvement with the Salvation Army, his success with the famous Central Collegiate band of Barrie, Ontario, his retirement years, and his unexpected passing in Hamilton, Ontario, in 1991. Uncovering Calvert’s oeuvre by analyzing representative arrangements, Kinder also documents the complete catalogue of Calvert’s works, bringing to light many unpublished compositions that would otherwise be lost to performers. And Harmony Abound is a compelling picture of Morley Calvert’s contribution to musical composition, education, and the cultural fabric, preserving a vital strand of the Canadian musical tapestry.
| Author | : Maryan W. Ainsworth |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 132 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 1588390101 |
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
