Milton's Century

Milton's Century
Author: Michael R. Collings
Publisher: Wildside Press LLC
Total Pages: 610
Release: 2013-03-20
Genre: Literary Criticism
ISBN: 1479409944

No artist creates his works in a vacuum. Beyond the conscious influence of books read, artwork seen, minds probed (through conversation or exchange of letters), writers are in no small part products of everything that surrounds them--people, places, things, events. MILTON'S CENTURY is designed to place one particular genius--John Milton, arguably the finest poet the English nation (perhaps even Western civilization) has produced--in the context of his time. And what a remarkable time it was--a century of revolutions, of discoveries, of literary and artistic efflorescence, of religious turmoil and political turbulence, of plagues and fires and ultimate rebuilding...and of the first adumbrations of the Modern Age. MILTON'S CENTURY becomes vital and alive for twenty-first-century readers through the vast network of connections and interconnections that Professor Collings articulates. [Borgo Literary Guides, No. 15.]

The Communion of the Book

The Communion of the Book
Author: David Williams
Publisher: McGill-Queen's Press - MQUP
Total Pages: 482
Release: 2022-11-15
Genre: Literary Criticism
ISBN: 0228015863

The modern world was not created by the civilization of Renaissance Italy, the advent of the printing press, or the marriage restrictions imposed by the medieval church. Rather, it was widespread reading that brought about most of the cognitive, psychological, and social changes that we recognize as peculiarly modern. David Williams combines book and communications history with readings of major works by Petrarch, Bruni, Valla, Reuchlin, Erasmus, Foxe, and Milton to argue that expanding literacy in the Renaissance was the impetus for modern civilization, turning a culture of arid logic and religious ceremonialism into a world of individual readers who discovered a new form of communion in the act of reading. It was not the theologians Luther and Calvin who first taught readers to become what they read, but the biblical philologist Erasmus, who encountered the divine presence on every page of the gospels. From this sacramental form of reading came other modes of humanist reading, particularly in law, history, and classics, leading to the birth of the nation-state. As literacy rates rose, readers of all backgrounds gained and embodied the distinctly modern values of liberty, free speech, toleration, individualism, self-determination, and democratic institutions. Communion and community were linked, performed in novel ways through revolutionary forms of reading. In this conclusion to a quartet of books on media change, Williams makes a compelling case for readers and acts of reading as the true drivers of social, political, and cultural modernity – and for digital media as its looming nemesis.

Milton's Leveller God

Milton's Leveller God
Author: David Williams
Publisher: McGill-Queen's Press - MQUP
Total Pages:
Release: 2017-06-01
Genre: History
ISBN: 0773550364

Three and a half centuries after Paradise Lost and Paradise Regain’d were written, do Milton’s epic poems still resonate with contemporary concerns? In Milton’s Leveller God, David Williams advances a progressive and democratic interpretation of Milton’s epics to show they are more relevant than ever. Exploring two blind spots in the critical tradition – the failure to read Milton’s poetry as drama and to recognize his depictions of heaven’s political and social evolution – Williams reads Milton’s “great argument” as a rejection of social hierarchy and of patriarchal government that is more attuned to the radical political thought developed by the Levellers during the English Revolution. He traces echoes between Milton’s texts and thousands of pages of Leveller writings that advocated for popular rule, extended suffrage, and religious tolerance, arguing that Milton’s God is still the unacknowledged ground of popular sovereignty. Williams demonstrates that Milton’s Leveller sympathies, expressed in his early prose, conflicted with his official duties for Oliver Cromwell’s government in the 1650s, but his association with the journalist Marchamont Nedham later freed him to imagine an egalitarian republic. In a work that connects the great epic poet in new ways to the politics of his time and our own, Milton’s Leveller God shows how the political landscape of Milton’s work fundamentally unsettles ancient hierarchies of soul and body, man and woman, reason and will, and ruler and ruled.

The Female Sublime from Milton to Swinburne

The Female Sublime from Milton to Swinburne
Author: Catherine Maxwell
Publisher: Manchester University Press
Total Pages: 292
Release: 2001
Genre: Literary Criticism
ISBN: 9780719057526

This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition.The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry.

Right Hand, Left Hand

Right Hand, Left Hand
Author: I. C. McManus
Publisher: Harvard University Press
Total Pages: 436
Release: 2002
Genre: History
ISBN: 9780674016132

McManus considers evidence from anthropology, particle physics, the history of medicine, and the notebooks of Leonardo to answer questions like: Why are most people right-handed? Why does European writing go from left to right, while Arabic and Hebrew go from right to left? And how do we know that Jack the Ripper was left-handed?

Wordsworth, Coleridge, and 'the Language of the Heavens'

Wordsworth, Coleridge, and 'the Language of the Heavens'
Author: Thomas Owens
Publisher:
Total Pages: 224
Release: 2019
Genre: Literary Criticism
ISBN: 0198840861

Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.

Neo-Latin Poetry in the British Isles

Neo-Latin Poetry in the British Isles
Author:
Publisher: A&C Black
Total Pages: 287
Release: 2013-03-14
Genre: Poetry
ISBN: 1472503015

Investigation of the Latin poetry produced by British poets from the sixteenth century onwards affords an indispensible insight into a dominant strand in the intellectual, cultural and educational life of the British Isles during this period. At this time, the composition of Latin poetry was a regular feature of school curricula and a popular leisure-time activity of the educated elite. Such examination also sheds light on the poetic principles and practice of major British poets (such as Campion, Cowley, Herbert and Milton) who penned a large quantity of neo-Latin verse in addition to their better-known vernacular works.