Comparison Of Dambudzo Marecheras House Of Hunger And Charles Mungoshis Waiting For The Rain
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Author | : Katharina Helmer |
Publisher | : GRIN Verlag |
Total Pages | : 27 |
Release | : 2007-02-20 |
Genre | : Literary Criticism |
ISBN | : 3638612503 |
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Regensburg, language: English, abstract: The authors I want to concentrate on in this paper, Charles Mungoshi and Dambudzo Marechera, are both African writers who belong to the so called second generation of Zimbabwean writers which means that they were born between 1940 and 1959 and published in the 1960s and 70s.1They speak for the “lost generation”2which grew up after World War Second in a country reign by a white minority government and shattered by a guerrilla war against that government, and have somehow lost their identity. However although they were born in the same period of time in the same country and were influenced by the same political and cultural circumstances, on which I will put a closer focus later, their lives were very different. Mungoshi grew up in a rural area and stayed in Zimbabwe during the time of war, whereas Marechera was a township child who left Zimbabwe and lived in the exile in England during the time of the war. As a result, their writings, which were heavily influenced by their autobiographies, mirror these differences in their ways of life. In this paper I will first look at the historical background in which both authors grew up, at political, cultural, social and educational circumstances. Secondly I am going to depict what their lives looked like and which were the differences and Gemeinsamkeiten in their ways of life. After that I will analyse how those differences and also the Gemeinsamkeiten in their ways of life influenced their writing, made them develop their special own styles and are mirrored in the themes of their narratives. As an example I will have a closer look at two of their most important writings, which are Dambudzo Marechera’s short story collection “The House of Hunger”, published in 19 and Charles Mungoshi’s novel “Waiting for the rain”, published in19.., by analysing them concerning the form and the content, and also by searching for autobiographical traces in both works. In the end I will try to compare both writings and depict the most important differences and gemeinsamkeiten.
Author | : George P. Kahari |
Publisher | : |
Total Pages | : 450 |
Release | : 1990 |
Genre | : Shona fiction |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 394 |
Release | : 1984 |
Genre | : African literature |
ISBN | : |
Author | : Charles Mungoshi |
Publisher | : |
Total Pages | : 0 |
Release | : 1981 |
Genre | : Africa |
ISBN | : 9780949932020 |
The award-winning writer Charles Mungoshi is recognised in Africa, and internationally, as one of the continent's most powerful writers today. This early novel deals with the pain and dislocation of the clash of the old and new ways - the educated young man determined to go overseas, and the elders of the family believing his duty is to stay and head the family.
Author | : Julie Cairnie |
Publisher | : LIT Verlag Münster |
Total Pages | : 217 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 3643902158 |
This collection inspired by the life and work of the Zimbabwean cult writer Dambudzo Marechera demonstrates the growing influence of this author among writers, artists and scholars worldwide and invites the reassessment of his oeuvre and of categories of literary theory such as modernism and postcolonialism.
Author | : Trevor James |
Publisher | : |
Total Pages | : 216 |
Release | : 1986 |
Genre | : Commonwealth literature (English) |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 2426 |
Release | : 2006 |
Genre | : Languages, Modern |
ISBN | : |
Author | : Jelena O. Krstovic |
Publisher | : Gale Cengage |
Total Pages | : 488 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : |
Focuses on writers and works published since 1950. The majority of the authors surveyed are African American, but representative African and Caribbean authors are also included.
Author | : Yvonne Vera |
Publisher | : Macmillan + ORM |
Total Pages | : 153 |
Release | : 2000-09-12 |
Genre | : Fiction |
ISBN | : 1466806079 |
Butterfly Burning brings the brilliantly poetic voice of Zimbabwean writer Yvonne Vera to American readers for the first time. Set in Makokoba, a black township, in the late l940s, the novel is an intensely bittersweet love story. When Fumbatha, a construction worker, meets the much younger Phephelaphi, he"wants her like the land beneath his feet from which birth had severed him." He in turn fills her "with hope larger than memory." But Phephelaphi is not satisfied with their "one-room" love alone. The qualities that drew Fumbatha to her, her sense of independence and freedom, end up separating them. And the closely woven fabric of township life, where everyone knows everyone else, has a mesh too tight and too intricate to allow her to escape her circumstances on her own. Vera exploits language to peel away the skin of public and private lives. In Butterfly Burning she captures the ebullience and the bitterness of township life, as well as the strength and courage of her unforgettable heroine.
Author | : Maurice Taonezvi Vambe |
Publisher | : |
Total Pages | : 152 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : |
This study presents a break with previous literary criticism that has vilified orality, in an effort to understand the interface between orality and the black Zimbabwean novel. It traces the ways in which the African oral story-telling tradition has survived within the black Zimbabwean novel in English. The author critically analyses the works of eight leading Zimbabwean creative writers, revealing how they have used oral story-telling traditions in their literature. He argues that throughout the colonisation, liberation and post- independence periods, African orature was and remains a mode of expressing resistance to authoritarian ideas and cultural dominance, and a social vision.