Community in Twentieth-Century Fiction

Community in Twentieth-Century Fiction
Author: P. Salvan
Publisher: Springer
Total Pages: 290
Release: 2016-01-19
Genre: Literary Criticism
ISBN: 1137282843

This book focuses on the imaginary construction and deconstruction of human communities in modern and contemporary fiction. Drawing on recent theoretical debate on the notion of community (Nancy, Blanchot, Badiou, Esposito), this collection examines narratives by Joyce, Mansfield, Davies, Naipaul, DeLillo, Atwood and others.

Language, Gender, and Community in Late Twentieth-Century Fiction

Language, Gender, and Community in Late Twentieth-Century Fiction
Author: M. Hurst
Publisher: Springer
Total Pages: 400
Release: 2011-04-11
Genre: Literary Criticism
ISBN: 0230118267

Drawing on critical frameworks, this study establishes the centrality of language, gender, and community in the quest for identity in contemporary American fiction. Close readings of novels by Alice Walker, Ernest Gaines, Ann Beattie, John Updike, Chang-rae Lee, and Rudolfo Anaya, among others, show how individuals find their American identities.

Secrecy and Community in 21st-Century Fiction

Secrecy and Community in 21st-Century Fiction
Author: María J. López
Publisher: Bloomsbury Publishing USA
Total Pages: 248
Release: 2021-01-14
Genre: Literary Criticism
ISBN: 150136555X

Secrecy and Community in 21st-Century Fiction examines the relation between secrecy and community in a diverse and international range of contemporary fictional works in English. In its concern with what is called 'communities of secrecy', it is fundamentally indebted to the thought of Jacques Derrida, Jean-Luc Nancy and Maurice Blanchot, who have pointed to the fallacies and dangers of identitarian and exclusionary communities, arguing for forms of being-in-common characterized by non-belonging, singularity and otherness. Also drawing on the work of J. Hillis Miller, Derek Attridge, Nicholas Royle, Matei Calinescu, Frank Kermode and George Simmel, among others, this volume analyses the centrality of secrets in the construction of literary form, narrative sequence and meaning, together with their foundational role in our private and interpersonal lives and the public and political realms. In doing so, it engages with the Derridean ethico-political value of secrecy and Derrida's conception of literature as the exemplary site for the operation of the unconditional secret.

Embodiment and the Cosmic Perspective in Twentieth-Century Fiction

Embodiment and the Cosmic Perspective in Twentieth-Century Fiction
Author: Marco Caracciolo
Publisher: Routledge
Total Pages: 230
Release: 2020-05-13
Genre: Literary Criticism
ISBN: 1000088855

In dialogue with groundbreaking technologies and scientific models, twentieth century fiction presents readers with a vast mosaic of perspectives on the cosmos. The literary imagination of the world beyond the human scale, however, faces a fundamental difficulty: if, as researchers in both cognitive science and narrative theory argue, fiction is a practice geared toward the human embodied mind, how can it cope with scientific theories and concepts— the Big Bang, quantum physics, evolutionary biology, and so on—that resist our common-sense intuitions and appear discontinuous, in spatial as well as temporal terms, with our bodies? This book sets out to answer this question by showing how the embodiment of mind continues to matter even as writers— and readers—are pushed out of their terrestrial comfort zone. Offering thoughtful commentary on work by both mainstream literary authors and science fiction writers (from Primo Levi to Jeanette Winterson, from Olaf Stapledon to Pamela Zoline), Embodiment and the Cosmic Perspective in Twentieth-Century Fiction explores the multiple ways in which narrative can radically defamiliarize our bodily experience and bridge the gap with cosmic realities. This investigation affords an opportunity to reflect on the role of literature as it engages with science and charts its epistemological and ethical ramifications.

New Perspectives on Community and the Modernist Subject

New Perspectives on Community and the Modernist Subject
Author: María J. López
Publisher: Routledge
Total Pages: 417
Release: 2017-11-02
Genre: Literary Criticism
ISBN: 1351251848

New Perspectives on Community and the Modernist Subject: Finite, Singular, Exposed offers new approaches to the modernist subject and its relation to community. With a non-exclusive focus on narrative, the essays included provide innovative and theoretically informed readings of canonical modernist authors, including: James, Conrad, Joyce, Woolf, Lawrence, Mansfield, Stein, Barnes and Faulkner (instead of Eliot), as well as of non-canonical and late modernists Stapledon, Rhys, Beckett, Isherwood, and Baldwin (instead of Marsden). This volume examines the context of new dialectico-metaphysical approaches to subjectivity and individuality and of recent philosophical debate on community encouraged by critics such as Alain Badiou, Jean-Luc Nancy, Maurice Blanchot, Giorgio Agamben, Roberto Esposito and Jacques Derrida, among others, of which a fresh re-definition of the modernist subject and community remains to be made, one that is likely to enrich the field of "new Modernist studies". This volume will fill this gap, presenting a re-definition of the subject by complementing community-oriented approaches to modernist fiction through a dialectical counterweight that underlines a conception of the modernist subject as finite, singular and exposed, and its relation to inorganic and inoperative communities.

The Encyclopedia of Twentieth-Century Fiction, 3 Volume Set

The Encyclopedia of Twentieth-Century Fiction, 3 Volume Set
Author: Brian W. Shaffer
Publisher: John Wiley & Sons
Total Pages: 1581
Release: 2011-01-18
Genre: Literary Criticism
ISBN: 1405192445

This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile

Twentieth-century Fiction by Irish Women

Twentieth-century Fiction by Irish Women
Author: Heather Ingman
Publisher: Ashgate Publishing, Ltd.
Total Pages: 214
Release: 2007
Genre: Literary Criticism
ISBN: 9780754635383

Heather Ingman's study argues that reading twentieth-century Irish women's fiction in the light of Kristeva's theories of nationhood places Irish women at the heart of writing about the nation and demonstrates that the political dimension of their fiction has often been underestimated. Her book is an important contribution to the study of gender in Irish writing that changes the way we view Irish women's writing.

Modernist Fiction, Cosmopolitanism and the Politics of Community

Modernist Fiction, Cosmopolitanism and the Politics of Community
Author: Jessica Berman
Publisher: Cambridge University Press
Total Pages: 254
Release: 2001-08-13
Genre: Literary Criticism
ISBN: 1139430777

In Modernist Fiction, Cosmopolitanism and the Politics of Community, first published in 2001, Jessica Berman argues that the fiction of Henry James, Marcel Proust, Virginia Woolf and Gertrude Stein engages directly with early twentieth-century transformations of community and cosmopolitanism. Although these modernist writers develop radically different models for social organization, their writings return again and again to issues of commonality, shared voice, and exchange of experience, particularly in relation to dominant discourses of gender and nationality. The writings of James, Proust, Woolf and Stein, she argues, not only inscribe early twentieth-century anxieties about race, ethnicity, nationality and gender, but confront them with demands for modern, cosmopolitan versions of community. This study seeks to revise theories of community and cosmopolitanism in light of their construction in narrative, and in particular it seeks to reveal the ways that modernist fiction can provide meaningful alternative models of community.

Modernist Communities across Cultures and Media

Modernist Communities across Cultures and Media
Author: Caroline Pollentier
Publisher: University Press of Florida
Total Pages: 301
Release: 2019-02-01
Genre: Literary Criticism
ISBN: 0813052475

Marked by a rejection of traditional affiliations such as nation, family, and religion, modernism is often thought to privilege the individual over the community. The contributors to this volume question this assumption, uncovering the communal impulses of the modernist period across genres, cultures, and media. Contributors show how modernist artists and intellectuals reconfigured relations between the individual and the collective. They examine Dada art practices that involve games and play; shared reactions to the post–World War I rhetoric of Woodrow Wilson; the reception of James Joyce’s Ulysses in Harlem Renaissance circles; the publishing platform of the Bengali literary review Parichay; popular radio shows and news broadcasts; and the universal aspects of film-viewing. They also explore radical reimaginings of community as seen in the collective cohabiting envisioned by Virginia Woolf, the utopian experiment of Black Mountain College, and the communal autobiographies of Gertrude Stein. The essays demonstrate that these pluralist ecosystems based on participation were open to paradox, dissent, and multiple perspectives. Through a transnational and transmedial lens, this volume argues that the modernist period was a breakthrough in a rethinking of community that continues in the postmodern era. Contributors: Hélène Aji | Jessica Berman | Jeremy Braddock | Supriya Chaudhuri | Debra Rae Cohen | Melba Cuddy-Keane | Claire Davison | Irene Gammel