Commercial Illustration
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| Author | : Laura Osorno |
| Publisher | : Design Media Publishing (Uk) Limited |
| Total Pages | : 0 |
| Release | : 2014-03 |
| Genre | : Design |
| ISBN | : 9789881545138 |
If one day, you pick it up in a bookshop, you will be immediately invited into an unusual visual journey to really appreciate the illustration design. This book has collected a number of masterpieces of commercial illustration around the world, illustrating to us that how designers apply the illustration in the commodities. So many classical projects will perfectly present the designers endless creativity!
| Author | : Greg Houston |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 209 |
| Release | : 2016-03-15 |
| Genre | : Business & Economics |
| ISBN | : 1580934471 |
A straight-to-the-point “everything-you-need-to-know” guide to the world of professional illustration for aspiring artists and recent art-school graduates—not only the technical essentials (the difference between narrative versus conceptual illustration, diagramming a composition, mastering negative space, and the impact of different mediums from watercolor to digital to textiles), but industry insights, real-world insider advice, and honest personal development tips from an experienced teacher (“if you say your style is ‘manga’ or ‘anime’ then you have no style”). From a Newsweek cover depicting the Bush family as characters on Game of Thrones; to the Sistine Chapel (the complete illustrated bible)—visual storytelling through illustration has been an important mode of communication in every culture since ancient times. Unlike a fine artist, an illustrator creates images that serve a specific purpose, and successful illustrators need much more than just talent. Drawing on a decade of teaching, including at Maryland Institute College of Art and as cofounder of the new Baltimore Academy of Illustration, along with over three decades of professional experience as an illustrator for clients like Marvel Comics, Relapse Records, and The Village Voice—Greg Houston places aspiring artists and recent graduates squarely in the current marketplace, and inspires them to pursue work in the large and lucrative field of professional illustration in a way that will be personally and professionally rewarding for years to come. Illustration that Works demonstrates exactly why illustration is so important to the way we see and communicate today, and how it can be done effectively in an infinite number of styles. Includes: Thought-provoking assignments - Illustrate an op-ed that’s either pro or against religion in the public sphere - Create 3 posters for an HBO documentary series on sex (that can still be displayed anywhere) - Illustrate a pair of identical twins whose lives have veered apart dramatically 400 examples of artwork - Assignments completed by talented students - Pieces from 50 classic and contemporary master illustrators including Brian Sanders, Marshall Arisman, Roberto Parada, Steve Brodner, Paul Rogers, and Greg Spalenka - Houston’s own pieces, both finished and failed
| Author | : John Roman |
| Publisher | : Simon and Schuster |
| Total Pages | : 313 |
| Release | : 2014-08-01 |
| Genre | : Design |
| ISBN | : 1440340218 |
This overview of the numerous markets that currently exist for illustrators reveals a vast and wide-ranging pool of potential freelance opportunities. This reference catalogs many lesser-known, supplementary markets beyond the traditional, more-populated avenues for illustration assignments. Features fifty specialized markets in which artists and illustrators can potentially prosper.
| Author | : Edward Winkleman |
| Publisher | : Simon and Schuster |
| Total Pages | : 238 |
| Release | : 2018-11-13 |
| Genre | : Art |
| ISBN | : 1621536572 |
“A comprehensive guide.” —Artspace. “Whether you are new to the business or a seasoned gallerist, it is always wise to remember the essentials.” —Leigh Conner, director, Conner Contemporary Art Aspiring and new art gallery owners can find everything they need to plan and operate a successful art gallery with How to Start and Run a Commercial Art Gallery. This new edition has been updated to mark the changes in market and technology over the past decade. Edward Winkleman and Patton Hindle draw on their years of experience to explain step by step how to start your new venture. From finding the ideal locale and renovating the space to writing business plans and securing start-up capital, this helpful guide has it all. Chapters detail how to: Manage cash flow Grow your new business Hire and manage staff Attract and retain artists and clients Represent your artists Promote your gallery and artists online Select the right art fair And more How to Start and Run a Commercial Art Gallery, Second Edition, also includes sample forms, helpful tips from veteran collectors and dealers, a large section on art fairs, and a directory of art dealer associations.
| Author | : |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 1927 |
| Genre | : Commercial art |
| ISBN | : |
| Author | : Steven Heller |
| Publisher | : Simon and Schuster |
| Total Pages | : 272 |
| Release | : 2004-10-01 |
| Genre | : Art |
| ISBN | : 1581159455 |
his guide to the ins and outs of today's dynamic illustration business tells budding illustrators everything that their teacher didn't know or their art director didn't tell them. Using an entertaining, running narrative format to look at key concerns every illustrator must face today, this book covers finding one's unique style and establishing a balance between art and commerce; tackling issues of authorship and promotion; and more. In-depth perspectives are offered by illustrators, art directors, and art buyers from various industries and professional levels on such issues as quality, price negotiation, and illustrator-client relationships.
| Author | : Angus Hyland |
| Publisher | : Watson-Guptill Publications |
| Total Pages | : 156 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
Illustration has become chic again, gaining new popularity in editorial design, fashion, and advertising.Pen and Mousefeatures the work of today’s top image-makers, whose craft is considered somewhere between graphic design and fine art and whose tools are increasingly those of the digital medium. This stunning book showcases hundreds of spectacular, groundbreaking illustrations by more than 40 international artists whose work reflects a remarkably diverse range of styles. In this unique guide, leading graphic artist Angus Hyland discusses the fascinating effect technology has on today’s commercial artists—from artists working primarily by hand to those producing purely digital artwork, as well as artists who produce an alluring hybrid of digital with traditional media. Engaging text reveals each artist’s personal thoughts on the current state of illustration, what inspires them and their art, and their own relationship with cutting-edge electronic versus classic hand-drawn techniques. Features unique illustrations from such leading artists as: • John Maeda • Paul Davis • Green Lady (Gary Benzel and Todd St. John) • Graham Rounthwaite • Roderick Mills • Faiyaz Jafri • Kate Gibb • Marion Deuchars • Kristian Russel • Anthony Burrill • Jeff Fisher • Ian Wright • Tommy Penton • Shonagh Rae • Miles Donovan • Chris Kasch • Jasper Goodall • Timmy Kucinda • Mike Mills • Eike König • Ralf Hiemisch • Marco Fiedler
| Author | : |
| Publisher | : |
| Total Pages | : 68 |
| Release | : 1928 |
| Genre | : Commercial art |
| ISBN | : |
| Author | : Pratt Institute. Art School |
| Publisher | : |
| Total Pages | : 74 |
| Release | : 1928 |
| Genre | : |
| ISBN | : |
| Author | : Alan Male |
| Publisher | : John Wiley & Sons |
| Total Pages | : 692 |
| Release | : 2019-03-27 |
| Genre | : Art |
| ISBN | : 1119185556 |
A contemporary synthesis of the philosophical, theoretical and practical methodologies of illustration and its future development Illustration is contextualized visual communication; its purpose is to serve society by influencing the many aspects of its cultural infrastructure; it dispenses knowledge and education, it commentates and delivers journalistic opinion, it persuades, advertises and promotes, it entertains and provides for all forms of narrative fiction. A Companion to Illustration explores the definition of illustration through cognition and research and its impact on culture. It explores illustration’s boundaries and its archetypal distinction, the inflected forms of its parameters, its professional, contextual, educational and creative applications. This unique reference volume offers insights into the expanding global intellectual conversation on illustration through a compendium of readings by an international roster of scholars, academics and practitioners of illustration and visual communication. Encompassing a wide range of thematic dialogues, the Companion offers twenty-five chapters of original theses, examining the character and making of imagery, illustration education and research, and contemporary and post-contemporary context and practice. Topics including conceptual strategies for the contemporary illustrator, the epistemic potential of active imagination in science, developing creativity in a polymathic environment, and the presentation of new insights on the intellectual and practical methodologies of illustration. Evaluates innovative theoretical and contextual teaching and learning strategies Considers the influence of illustration through cognition, research and cultural hypotheses Discusses the illustrator as author, intellectual and multi-disciplinarian Explores state-of-the-art research and contemporary trends in illustration Examines the philosophical, theoretical and practical framework of the discipline A Companion to Illustration is a valuable resource for students, scholars and professionals in disciplines including illustration, graphic and visual arts, visual communications, cultural and media and advertising studies, and art history.
