Comics And Conflict
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Author | : Cord A Scott |
Publisher | : Naval Institute Press |
Total Pages | : 214 |
Release | : 2014-09-15 |
Genre | : History |
ISBN | : 1612514782 |
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat—from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country’s most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.
Author | : Cord A. Scott |
Publisher | : |
Total Pages | : 0 |
Release | : 2023-02-15 |
Genre | : |
ISBN | : 9781682476550 |
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat--from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country's most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.
Author | : Mariko Tamaki |
Publisher | : Archie Comic Publications |
Total Pages | : 34 |
Release | : 2020-01-15 |
Genre | : Comics & Graphic Novels |
ISBN | : 1645762068 |
There’s a new girl in Riverdale and she’s turning everyone’s heads—and NOT everyone is happy about that! Who is Katy Keene and why is she so Insta-famous and beloved in Riverdale? And, moreover, why is she quickly becoming Archie’s biggest competition? Find out in this brand new story arc from the creative team of writers Mariko Tamaki and Kevin Panetta and artist Laura Braga—just in time for the brand new CW series Katy Keene!
Author | : Archie Goodwin |
Publisher | : |
Total Pages | : 207 |
Release | : 2010 |
Genre | : Comics & Graphic Novels |
ISBN | : 9781606993668 |
A volume of reproductions from the influential war-comics magazine offers insight into the periodical's controversial publication of anti-war tales, in a collection that includes the classic short, "Landscape," in which a jaded Vietnamese rice farmer becomes a victim of circumstance. Reprint.
Author | : Scott Tipton |
Publisher | : IDW Publishing |
Total Pages | : 148 |
Release | : 2019-10-30 |
Genre | : Comics & Graphic Novels |
ISBN | : 1684068037 |
The captains of the Original Series, The Next Generation, Voyager, and Deep Space Nine meet for the first time in a contest of unwilling champions! When a dispute between godlike beings threatens the galaxy, it will take all of Starfleet's best captains to stop them. Join James T. Kirk, Jean-Luc Picard, Kathryn Janeway, and Benjamin Sisko as they go head-to-head in a competition that will determine the fate of the Earth and beyond. Will they be able to emerge victorious, or will they be torn apart by THE Q CONFLICT?
Author | : Tatiana Prorokova |
Publisher | : Rutgers University Press |
Total Pages | : 247 |
Release | : 2018-07-06 |
Genre | : Literary Criticism |
ISBN | : 081359099X |
First runner-up for the 2019 Ray and Pat Browne Award for the Best Edited Collection in Popular and American Culture Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.
Author | : Trischa Goodnow |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 284 |
Release | : 2017-01-20 |
Genre | : Literary Criticism |
ISBN | : 1496810317 |
Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.
Author | : Harriet E. H. Earle |
Publisher | : |
Total Pages | : 0 |
Release | : 2019-10-14 |
Genre | : Comic books, strips, etc |
ISBN | : 9781496825636 |
A study of the distinctive manner in which comics portray trauma and war
Author | : Tom Scioli |
Publisher | : Ten Speed Graphic |
Total Pages | : 210 |
Release | : 2020-07-14 |
Genre | : Comics & Graphic Novels |
ISBN | : 1984856901 |
Told in vivid graphic novel form by a groundbreaking Eisner-nominated comics creator, the long-overdue biography of the legend who co-created Captain America, Iron Man, Black Panther, the Fantastic Four, the X-Men, and many more superhero favorites. “A fast-paced celebration of an underheralded legend within the comic-book industry.”—Kirkus Reviews NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL This sweeping, full-color comic book biography tells the complete life story of Jack Kirby, co-creator of some of the most enduring superheroes and villains of the twentieth century for Marvel Comics, DC Comics, and more. Critically acclaimed graphic novelist Tom Scioli breathes visual life into Kirby's life story--from his days growing up in New York during the Great Depression and discovering a love for science fiction and cartoons to his time on the frontlines in the European theatre of World War II where he experienced the type of action and adventure he'd later imbue his comic pages with, and on to his world-changing collaborations at Marvel with Stan Lee, where the pair redefined comics as a part of pop culture. Just as every great superhero needs a villain to overcome, Kirby's story also includes his struggles to receive the recognition and compensation that he believed his work deserved. Scioli captures his moves from Marvel to DC and back again, showing how Kirby himself and later his family fought to preserve his artistic legacy. Drawn from an unparalleled imagination and a life as exciting as his comic book tales, Kirby's super-creations have influenced subsequent generations of creatives in the comics field and beyond. Now, readers can experience the life and times of a comics titan through the medium that made him famous.
Author | : Scott Tipton |
Publisher | : IDW Publishing |
Total Pages | : 34 |
Release | : 2019-04-17 |
Genre | : Comics & Graphic Novels |
ISBN | : |
As the clash of the godlike beings continues, the captains face off in a series of war games that become much more lethal when Q introduces a fifth competitor: a Doomsday Machine! The biggest Star Trek crossover ever continues here.