Comic Romance
Download Comic Romance full books in PDF, epub, and Kindle. Read online free Comic Romance ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Anders Nilsen |
Publisher | : Drawn & Quarterly |
Total Pages | : 98 |
Release | : 2020-10-20 |
Genre | : Comics & Graphic Novels |
ISBN | : 177046185X |
A STORY OF LOVE AND LOSS INSCRIBED IN PHOTOGRAPHS, POSTCARDS, LETTERS, AND BEDSIDE SKETCHES In this collection of letters, drawings, and photos, Anders Nilsen chronicles a six-year relationship and the illness that brought it to an end. Don’t Go Where I Can’t Follow is an eloquent appreciation of the time the author shared with his fiancée, Cheryl Weaver. The story is told using artifacts of the couple’s life together, including early love notes, simple and poetic postcards, tales of their travels in written and comics form, journal entries, and drawings done in the hospital in her final days. It concludes with a beautifully rendered account of Weaver’s memorial that Glen David Gold, writing in the Los Angeles Times, called “16 panels of beauty and grace.” Don’t Go Where I Can’t Follow is a deeply personal romance, and a universal reminder of our mortality and the significance of the relationships we build. Originally published as a limited edition in 2006, this collection includes a new afterword written by Nilsen.
Author | : Paul Scarron |
Publisher | : |
Total Pages | : 354 |
Release | : 1775 |
Genre | : |
ISBN | : |
Author | : Ogden Whitney |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2019-10-01 |
Genre | : Comics & Graphic Novels |
ISBN | : 1681373440 |
By turns amusing and disturbing, this collection of 1960s romance comic strips provides a provocative window into male-female power dynamics as conceived by one of mid-century America's foremost comic book artists. Ogden Whitney was one of the unsung masters of American comics. He is perhaps best remembered for co-creating the satirical superhero Herbie Popnecker, also known as the Fat Fury, but his romance comics of the late 1950s and 1960s may be even more unique. In Whitney’s hands, the standard formula of meet-cute, minor complications, and final blissful kiss becomes something very different: an unsettling vision of midcentury American romance as a devastating power struggle, a form of intimate psychological warfare dressed up in pearls and flannel suits. From suburban lawns and offices to rocket labs and factories, his men and women scheme and clash, dominate and escape. It is darkly hilarious, truly terrifying—and yes, occasionally even a bit romantic.
Author | : Michelle Nolan |
Publisher | : McFarland |
Total Pages | : 247 |
Release | : 2008-04-09 |
Genre | : Literary Criticism |
ISBN | : 0786435194 |
For the better part of three decades romance comics were an American institution. Nearly 6,000 romance comics were published between 1947 and 1977, and there was a time when one of every five comics sold in the U.S. was a romance comic. This is the first book devoted entirely to the rarely studied world of romance comics. The text includes information on several types of romance comics and their creators, plus the history, numbers, and publishing frequency of dozens of romance titles. The author examines several significant periods in the development of the romance genre, including the origins of Archie Comics and other teen romance publications, the romance comic "boom and bust" of the 1950s, and the genre's sudden disappearance when fantasy and superhero comics began to dominate mainstream comics in the late 1970s.
Author | : Paul Scarron |
Publisher | : |
Total Pages | : 352 |
Release | : 1775 |
Genre | : |
ISBN | : |
Author | : Jack Kirby |
Publisher | : Fantagraphics Books |
Total Pages | : 208 |
Release | : 2012-01-30 |
Genre | : Comics & Graphic Novels |
ISBN | : 1606995022 |
In the late 1940s, Joe Simon and Jack Kirby ― creators of Captain America ― set the comics world on fire with the creation of a new genre that resulted in some of the best-selling American comic books of all time: the romance comics. The stories they created were exciting, innovative, and beautifully drawn, and remain a high point in both artists’ careers, even as Kirby went on to become the unrivaled King of Comics and co-creator (along with Stan Lee) of many of the most iconic characters in American history.
Author | : M. Keith Booker |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 807 |
Release | : 2010-05-11 |
Genre | : Social Science |
ISBN | : 0313357471 |
The most comprehensive reference ever compiled about the rich and enduring genre of comic books and graphic novels, from their emergence in the 1930s to their late-century breakout into the mainstream. At a time when graphic novels have expanded beyond their fan cults to become mainstream bestsellers and sources for Hollywood entertainment, Encyclopedia of Comic Books and Graphic Novels serves as an exhaustive exploration of the genre's history, its landmark creators and creations, and its profound influence on American life and culture. Encyclopedia of Comic Books and Graphic Novels focuses on English-language comics—plus a small selection of influential Japanese and European works available in English—with special emphasis on the new graphic novel format that emerged in the 1970s. Entries cover influential comic artists and writers such as Will Eisner, Alan Moore, and Grant Morrison, major genres and themes, and specific characters, comic book imprints, and landmark titles, including the pulp noir 100 Bullets, the post-apocalyptic Y: The Last Man, the revisionist superhero drama, Identity Crisis, and more. Key franchises such as Superman and Batman are the center of a constellation of related entries that include graphic novels and other imprints featuring the same characters or material.
Author | : Randy Duncan |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 947 |
Release | : 2013-01-29 |
Genre | : Social Science |
ISBN | : 0313399247 |
This book explores how the heroes and villains of popular comic books—and the creators of these icons of our culture—reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. These imaginary characters permeate our culture—even Americans who have never read a comic book grasp what the most well-known examples represent. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s; and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance.
Author | : Bradford W. Wright |
Publisher | : JHU Press |
Total Pages | : 364 |
Release | : 2003-10-17 |
Genre | : Art |
ISBN | : 9780801874505 |
A history of comic books from the 1930s to 9/11.
Author | : Celestino Deleyto |
Publisher | : Manchester University Press |
Total Pages | : 202 |
Release | : 2019-01-04 |
Genre | : Performing Arts |
ISBN | : 1526141833 |
The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience – intimate matters – through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre.