Military Comedy Films

Military Comedy Films
Author: Hal Erickson
Publisher: McFarland
Total Pages: 425
Release: 2012-08-02
Genre: Performing Arts
ISBN: 0786492678

Beginning with Charlie Chaplin's Shoulder Arms, released in America near the end of World War I, the military comedy film has been one of Hollywood's most durable genres. This generously illustrated history examines over 225 Army, Navy and Marine-related comedies produced between 1918 and 2009, including the abundance of laughspinners released during World War II in the wake of Abbott and Costello's phenomenally successful Buck Privates (1941), and the many lighthearted service films of the immediate postwar era, among them Mister Roberts (1955) and No Time for Sergeants (1958). Also included are discussions of such subgenres as silent films (The General), military-academy farces (Brother Rat), women in uniform (Private Benjamin), misfits making good (Stripes), anti-war comedies (MASH), and fact-based films (The Men Who Stare at Goats). A closing filmography is included in this richly detailed volume.

Military Comedy Films

Military Comedy Films
Author: Hal Erickson
Publisher: McFarland
Total Pages: 425
Release: 2012-08-21
Genre: Performing Arts
ISBN: 0786462906

Beginning with Charlie Chaplin's Shoulder Arms, released in America near the end of World War I, the military comedy film has been one of Hollywood's most durable genres. This generously illustrated history examines over 225 Army, Navy and Marine-related comedies produced between 1918 and 2009, including the abundance of laughspinners released during World War II in the wake of Abbott and Costello's phenomenally successful Buck Privates (1941), and the many lighthearted service films of the immediate postwar era, among them Mister Roberts (1955) and No Time for Sergeants (1958). Also included are discussions of such subgenres as silent films (The General), military-academy farces (Brother Rat), women in uniform (Private Benjamin), misfits making good (Stripes), anti-war comedies (MASH), and fact-based films (The Men Who Stare at Goats). A closing filmography is included in this richly detailed volume.

The Comedy Film Nerds Guide to Movies

The Comedy Film Nerds Guide to Movies
Author: Graham Elwood
Publisher: Morgan James Publishing
Total Pages: 272
Release: 2012-06-01
Genre: Performing Arts
ISBN: 1614482217

"The Comedy Film Nerds Guide to Movies" brings what has been missing from movie discussion for too long: A healthy dose of humor. This is the first time ever two filmmakers who are also comedians give their views on film. It will bring movie discussion to a younger audience in a way they can relate to it without all the stodgy film school discussion. This is a movie book for film and comedy fans, by filmmakers and comedians. In the way that Jon Stewart and Bill Mahr have brought comedy to politics, Chris and Graham will do this for film.

Comedy Films

Comedy Films
Author: John Montgomery
Publisher:
Total Pages: 372
Release: 1954
Genre: Comedy films
ISBN:

Classical Hollywood Comedy

Classical Hollywood Comedy
Author: Kristine Brunovska Karnick
Publisher: Routledge
Total Pages: 440
Release: 2013-02-01
Genre: Social Science
ISBN: 1135213232

Applies the recent `return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.

Film Comedy

Film Comedy
Author: Geoff King
Publisher: Wallflower Press
Total Pages: 244
Release: 2002
Genre: Performing Arts
ISBN: 9781903364352

Comedy is one of the most popular forms in film. But what exactly is film comedy and what might be the basis of its widespread appeal? This book takes a multi-perspective approach to answering these questions.

Comedy Films 1894–1954

Comedy Films 1894–1954
Author: John Montgomery
Publisher: Routledge
Total Pages: 260
Release: 2022-04-26
Genre: Social Science
ISBN: 1000579190

Originally published in 1954, this was the first factual history of comedy films and the men and women who had since 1894 kept us laughing in the cinema. It traces the beginning of comic motion pictures and the pioneer work of Paul, Gaumont, Hepworth, Pathe and Zecca. Then comes the picture palace craze and the success of the early Italian and French comedies and trick films. The work of Al Christie and Mack Sennett in America, and the rise of American films, is fully described, as knockabout gives way to slapstick, and salaries and box-office receipts soar. Now come Chaplin, Harold Lloyd and all the other bright figures of the Roaring Twenties, with favourites like Buster Keaton and Will Rogers to the fore. The development of sound and its effect on the comedians is explained, and the story comes up to date through the thirties and forties to 1954. Some of the hundreds of names to whom tribute is paid include Mabel Normand, Larry Semon, Roscoe Arbuckle, Monty Banks, Max Linder, Harry Langdon, Will Hay, the Marx Brothers, Bob Hope, Fernandel and Alec Guinness. These are only a few of the many whose careers are traced. The book is illustrated by a number of carefully selected photographs, many of which are unique. This edition, first published in 1968 has been revised but the period it covers remains the same, 1894-1954, sixty years of film humour.

American Film Comedy

American Film Comedy
Author: Scott Siegel
Publisher: Prentice Hall
Total Pages: 342
Release: 1994
Genre: Performing Arts
ISBN:

An A to Z guide to film comedies. Illus.

Writing the Comedy Film

Writing the Comedy Film
Author: Stuart Voytilla
Publisher:
Total Pages: 0
Release: 2003
Genre: Comedy films
ISBN: 9780941188418

This book takes readers into the world of comedy and helps them discover what makes people laugh. With easy-to-use guidelines, the book reveals the successful mechanics and characteristics of various comic story forms.

Screwball Comedy and Film Noir

Screwball Comedy and Film Noir
Author: Thomas C. Renzi
Publisher: McFarland
Total Pages: 233
Release: 2012-01-27
Genre: Performing Arts
ISBN: 0786488603

This is a comprehensive comparative analysis of the screwball comedy and film noir genres--two popular Hollywood staples that emerged around the same time. Despite their contrast in tone and theme, "Screwball" and "Noir" have many narrative elements in common. The author defines the two genres, discusses their historical development and inter-related conventions, and offers detailed comparative analyses of a number of films, among them The Lady Eve and His Girl Friday (screwballs), and Gilda and Sunset Blvd. (noirs).