Comedies And Satires
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Author | : Jonathan Gray |
Publisher | : NYU Press |
Total Pages | : 298 |
Release | : 2009-04 |
Genre | : Humor |
ISBN | : 0814731996 |
This work examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programmes, from 'The Daily Show' to 'South Park'.
Author | : Matt Fotis |
Publisher | : Routledge |
Total Pages | : 258 |
Release | : 2020-03-31 |
Genre | : Art |
ISBN | : 0429807295 |
Satire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. Numerous sketch comedy portrayals of presidents that have seeped into the American consciousness – Chevy Chase’s Gerald Ford, Dana Carvey’s George H.W. Bush, and Will Ferrell’s George W. Bush all worked to shape the actual politician’s public persona. The book analyzes these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote racism, misogyny, and homophobia in America. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country.
Author | : Dieter Declercq |
Publisher | : Emerald Publishing Limited |
Total Pages | : 124 |
Release | : 2021-01-13 |
Genre | : Humor |
ISBN | : 9781839096679 |
Satire, Comedy, and Mental Health examines how satire helps to sustain good mental health in a troubled socio-political world. Through an interdisciplinary dialogue and a close analysis of satire in various media, the book argues that satire helps us cope in a sick world through its ambiguous combination of critique and entertainment.
Author | : James E. Caron |
Publisher | : Penn State Press |
Total Pages | : 357 |
Release | : 2021-04-19 |
Genre | : Humor |
ISBN | : 0271090332 |
Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere. With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
Author | : Chris Kelly |
Publisher | : |
Total Pages | : 160 |
Release | : 2016-10-25 |
Genre | : |
ISBN | : 9780995258907 |
From the creators of CBC radio's This is That; Pat Kelly, Chris Kelly and Peter Oldring.From CBC Radio's most beloved satirical comedy team comes This is That: Travel Guide to Canada, a hilariously outrageous parody of the travel guide genre and what it means to visit Canada. Searching for a weekend away with the kids? This is That: Travel Guide to Canada will teach you how to navigate the twelve petting zoos of Etobicoke and how to avoid pickpockets in Kamloops. Planning your summer holiday? Keep in mind that the city of Brandon, Manitoba, is closed for annual maintenance between July 12 and August 19 and that tipping your server in Swift Current is offensive. Presented in the familiar casing of a traditional travel guidebook, � la Lonely Planet or Rough Guide, This is That: Travel Guide to Canada takes readers on a farcical - and unbelievable - journey from coast to coast to coast to coast to coast. This faux guide also includes essential travel tips, such as useful Canadian phrases to locate the bathroom, best places to portage, and most spectacular malls above sea level.
Author | : Fabian Alfie |
Publisher | : Rowman & Littlefield |
Total Pages | : 231 |
Release | : 2020-05-19 |
Genre | : Literary Criticism |
ISBN | : 1793621721 |
This collection of essays is the first comprehensive study on Dante and satire within his entire corpus that has been published. Its title evokes the moment when Virgil leads Dante through Limbo, the uppermost portion of Hell. There, they are joined by four classical poets, and Virgil describes one of them as “Horace the satirist” (“Orazio satiro,” 4:89). By applying the expression to Dante himself, this volume seeks to explore the satirical elements in his works. Although Dante is not typically described as a satirist, anyone familiar with his works will recognize the strong satirical element in his many writings. Ultimately, this study shows that Dante engages in satire in order to attain the primary literary tool at his disposal for his prophetic objectives: the castigation of vice.
Author | : Wes D. Gehring |
Publisher | : Praeger |
Total Pages | : 230 |
Release | : 1996-07-30 |
Genre | : Language Arts & Disciplines |
ISBN | : |
From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be shocked by it. Movies discussed include: Slaughterhouse Five, Catch-2, Clockwork Orange, Harold and Maude, Heathers, and Natural Born Killers.
Author | : Edgar Allan Poe |
Publisher | : Penguin Classics |
Total Pages | : 255 |
Release | : 1987 |
Genre | : Fiction |
ISBN | : 9780140390551 |
Author | : Geoff King |
Publisher | : Wallflower Press |
Total Pages | : 244 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : 9781903364352 |
Comedy is one of the most popular forms in film. But what exactly is film comedy and what might be the basis of its widespread appeal? This book takes a multi-perspective approach to answering these questions.
Author | : Caty Borum Chattoo |
Publisher | : University of California Press |
Total Pages | : 295 |
Release | : 2020-03-24 |
Genre | : Social Science |
ISBN | : 0520299779 |
Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges. Comedians who say something serious about the world while they make us laugh are capable of mobilizing the masses, focusing a critical lens on injustices, and injecting hope and optimism into seemingly hopeless problems. By combining communication and social justice frameworks with contemporary comedy examples, authors Caty Borum Chattoo and Lauren Feldman show us how comedy can help to serve as a vehicle of change. Through rich case studies, audience research, and interviews with comedians and social justice leaders and strategists, A Comedian and an Activist Walk Into a Bar: The Serious Role of Comedy in Social Justice explains how comedy – both in the entertainment marketplace and as cultural strategy – can engage audiences with issues such as global poverty, climate change, immigration, and sexual assault, and how activists work with comedy to reach and empower publics in the networked, participatory digital media age.