Colour And Language
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Author | : Brent Berlin |
Publisher | : Univ of California Press |
Total Pages | : 224 |
Release | : 1991 |
Genre | : Art |
ISBN | : 9780520076358 |
Explores the psychophysical and neurophysical determinants of cross-linguistic constraints on the shape of color lexicons.
Author | : Siegfried Wyler |
Publisher | : Gunter Narr Verlag |
Total Pages | : 210 |
Release | : 1992 |
Genre | : Color |
ISBN | : 9783823342199 |
Author | : Theo van Leeuwen |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Language and color |
ISBN | : 9780415495387 |
Moving on from the meanings of single colours, Theo van Leeuwen develops the theory that many different features shape the way we attach meaning to the colours we see in front of us, and the idea that colour schemes are more important than individual colours. The Language of Colour is the ideal textbook for students of Multimodality and Language and Communication within Applied Linguistics, communication studies, art and design and cultural studies.
Author | : Lindsay W. MacDonald |
Publisher | : John Benjamins Publishing Company |
Total Pages | : 492 |
Release | : 2018-11-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027263825 |
This volume presents authoritative and up-to-date research in colour studies by specialists across a wide range of academic disciplines, including vision science, psychology, psycholinguistics, linguistics, anthropology, onomastics, philosophy, archaeology and design. The chapters have been developed from papers and posters presented at the Progress in Colour Studies (PICS2016) conference held at University College London in September 2016. The book continues the series from the earlier PICS conferences, which have become renowned for their insights into colour in language and cognition. In the present book all chapters have been rigorously peer-reviewed and revised to ensure the highest standards throughout. The chapters are grouped into three sections: Colour Perception and Cognition; The Language of Colour; and The Diversity of Colour. Each section is preceded by a short introduction drawing together the themes of its chapters. There are over 120 colour illustrations.
Author | : Bleys, Joris |
Publisher | : Language Science Press |
Total Pages | : 241 |
Release | : 2015-11-05 |
Genre | : Color |
ISBN | : 394623416X |
This book presents a major leap forward in the understanding of colour by showing how richer descriptions of colour samples can be operationalized in agent-based models. Four different language strategies are explored: the basic colour strategy, the graded membership strategy, the category combination strategy and the basic modification strategy. These strategies are firmly rooted in empirical observations in natural languages, with a focus on compositionality at both the syntactic and semantic level. Through a series of in-depth experiments, this book discerns the impact of the environment, language and embodiment on the formation of basic colour systems. Finally, the experiments demonstrate how language users can invent their own language strategies of increasing complexity by combining primitive cognitive operators, and how these strategies can be aligned between language users through linguistic interactions.
Author | : Guy Deutscher |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Comparative linguistics |
ISBN | : 9780434016907 |
Generalisations about language and culture are at best amusing and meaningless, but is there anything sensible left to be said about the relation between language, culture and thought? *Does language reflect the culture of a society? *I
Author | : Jonathan Brindle |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 446 |
Release | : 2016-08-17 |
Genre | : |
ISBN | : 1443898155 |
This volume represents a unique collection of chapters on the way in which color is categorized and named in a number of languages. Although color research has been a topic of focus for researchers for decades, the contributions here show that many aspects of color language and categorization are as yet unexplored, and that current theories and methodologies which investigate color language are still evolving. Some core questions addressed here include: How is color conceptualized through language? What kind of linguistic tools do languages use to describe color? Which factors tend to bias color language? What methodologies could be used to understand human color categorization and language better? How do color vocabularies evolve? How does context impact the color cognition? The chapters collected here adopt different theoretical and methodological approaches in describing new empirical research on how the concept of color is represented in a variety of different languages. Researchers in linguistics, psychology, and cognitive science present a set of new explorations and challenges in the area of color language. The book promotes several methodological and disciplinary dimensions to color studies. The color category is given an in-depth and broad-based examination, so a reader interested in color conceptualization for itself will be able to form a solid vision of the subject.
Author | : John Gage |
Publisher | : Univ of California Press |
Total Pages | : 344 |
Release | : 1999 |
Genre | : Aesthetics |
ISBN | : 0520222253 |
An encyclopaedic work on color in Western art and culture from the Middle Ages to Post-Modernism.
Author | : Lourdes García Ureña |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 254 |
Release | : 2022-04-19 |
Genre | : Religion |
ISBN | : 3110767708 |
The Bible is one of the books that has aroused the most interest throughout history to the present day. However, there is one topic that has mostly been neglected and which today constitutes one of the most emblematic elements of the visual culture in which we live immersed: the language of colour. Colour is present in the biblical text from its beginning to its end, but it has hardly been studied, and we appear to have forgotten that the detailed study of the colour terms in the Bible is essential to understanding the use and symbolism that the language of colour has acquired in the literature that has forged European culture and art. The objective of the present study is to provide the modern reader with the meaning of colour terms of the lexical families related to the green tonality in order to determine whether they denote only color and, if so, what is the coloration expressed, or whether, together with the chromatic denotation, another reality inseparable from colour underlies/along with the chromatic denotation, there is another underlying reality that is inseparable from colour. We will study the symbolism that/which underpins some of these colour terms, and which European culture has inherited. This lexicographical study requires a methodology that allows us to approach colour not in accordance with our modern and abstract concept of colour, but with the concept of the ancient civilations. This is why the concept of colour that emerges from each of the versions of the Bible is studied and compared with that found in theoretical reflection in both Greek and Latin. Colour thus emerges as a concrete reality, visible on the surface of objects, reflecting in many cases, not an intrinsic quality, but their state. This concept has a reflection in the biblical languages, since the terms of colour always describe an entity (in this sense one can say that they are embodied) and include within them a wide chromatic spectrum, that is, they are mostly polysemic. Structuralism through the componential analysis, although providing interesting contributions, had at the same time serious shortcomings when it came to the study of colour. These were addressed through the theoretical framework provided by cognitive linguistics and some of its tools such as: cognitive domains, metonymy and metaphor. Our study, then, is one of the first to apply some of the contributions of cognitive linguistics to lexicography in general, and particularly with reference to the Hebrew, Greek and Latin versions of the Bible. A further novel contribution of this research is that the meaning is expressed through a definition and not through a list of possible colour terms as happens in dictionaries or in studies referring to colour in antiquity. The definition allows us to delve deeper and discover new nuances that enrich the understanding of colour in the three great civilizations involved in our study: Israel, Greece and Rome.
Author | : Derek H. Brown |
Publisher | : Routledge |
Total Pages | : 500 |
Release | : 2020-09-27 |
Genre | : Philosophy |
ISBN | : 1351048511 |
From David Hume’s famous puzzle about "the missing shade of blue," to current research into the science of colour, the topic of colour is an incredibly fertile region of study and debate, cutting across philosophy of mind, epistemology, metaphysics, and aesthetics, as well as psychology. Debates about the nature of our experience of colour and the nature of colour itself are central to contemporary discussion and argument in philosophy of mind and psychology, and philosophy of perception. This outstanding Handbook contains 29 specially commissioned contributions by leading philosophers and examines the most important aspects of philosophy of colour. It is organized into six parts: The Importance of Colour to Philosophy The Science and Spaces of Colour Colour Phenomena Colour Ontology Colour Experience and Epistemology Language, Categories, and Thought. The Routledge Handbook of Philosophy of Colour is essential reading for students and researchers in philosophy of mind and psychology, epistemology, metaphysics, and aesthetics, as well as for those interested in conceptual issues in the psychology of colour.