Coloratura Arias For Soprano
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Author | : Martha Gerhart |
Publisher | : Hal Leonard Corporation |
Total Pages | : 345 |
Release | : 2002-08-01 |
Genre | : Music |
ISBN | : 1480319996 |
(Vocal Collection). An excellent volume of coloratura arias has been added to the G. Schirmer Opera Anthology series. With 30 arias in English, Italian, German, French and Russian, this is the largest collection of coloratura operatic excerpts ever published. Because of the nature of the material, tradition-based performance suggestions are liberally found throughout the volume. For instance, you will find standard vocal variations for the "Doll Song" from The Tales of Hoffmann included in the edition, along with the original vocal line. Like the other volumes in the ground-breaking series, there are historical and plot notes about each aria, new engravings, and new translations for study.
Author | : Robert L. Larsen |
Publisher | : Hal Leonard Corporation |
Total Pages | : 256 |
Release | : 2004-07-01 |
Genre | : Music |
ISBN | : 1480319961 |
(Vocal Collection). The G. Schirmer Opera Anthology series revolutionized opera aria study after its release in 1991. There are so many wonderful soprano arias that a second volume was warranted. The music is predominantly for lyric soprano. As in the original volumes, these are new, clean editions, with historical and plot information about each of the 32 arias included.
Author | : Hal Leonard Corp. |
Publisher | : Hal Leonard Corporation |
Total Pages | : 204 |
Release | : 1991-05-01 |
Genre | : Music |
ISBN | : 1480319937 |
(Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).
Author | : Ginger Dellenbaugh |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 169 |
Release | : 2021-10-21 |
Genre | : Music |
ISBN | : 1501379038 |
More than 40 years after her death, the legend of Maria Callas, βLa Divina Assoluta,β remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent β genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability β the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, this book envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.
Author | : Mark Ross Clark |
Publisher | : |
Total Pages | : 630 |
Release | : 2007 |
Genre | : Music |
ISBN | : |
An invaluable guide to some of the most demanding aria excerpts
Author | : Geoffrey S. Riggs |
Publisher | : McFarland |
Total Pages | : 276 |
Release | : 2003 |
Genre | : Music |
ISBN | : 9780786414017 |
It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice. This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. Chapters consider Luigi Cherubini's Medee, Gioacchino Rossini's Armida, Carl Maria von Weber's Oberon, Gaetano Donizetti's Anna Bolena, Vincenzo Bellini's Norma, Donizetti's Gemma di Vergy and Roberto Devereux, the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's Nabucco and Macbeth.
Author | : Karen Henson |
Publisher | : Cambridge University Press |
Total Pages | : 245 |
Release | : 2016-09-12 |
Genre | : Art |
ISBN | : 0521198062 |
Focuses on the operatic soprano as the diva and her relationships with technology from the 1820s to the digital age.
Author | : Matthew Epstein |
Publisher | : |
Total Pages | : 304 |
Release | : 2012-01-01 |
Genre | : Opera companies |
ISBN | : 9780977052400 |
Personal and Business Strategies for Making the Transition from Aspiring Artist to Prepared Professional
Author | : Richard Boldrey |
Publisher | : Pst Records |
Total Pages | : 572 |
Release | : 1994 |
Genre | : Music |
ISBN | : |
This text features works from 350 composers in 16 different languages and 30 voice categories - all sorted and cross-referenced. This one-of-a- kind reference allows you to search by: Roles, voice categories, aria titles, singers, composers, operas
Author | : Estelle Liebling |
Publisher | : G Schirmer, Incorporated |
Total Pages | : 112 |
Release | : 1986-11 |
Genre | : Music |
ISBN | : 9780793551903 |