Color Vision And Technology
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Color Vision and Colorimetry
| Author | : Daniel Malacara |
| Publisher | : SPIE-International Society for Optical Engineering |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Color |
| ISBN | : 9780819483973 |
"SPIE vol. no.: PM204."--P. [4] of cover.
Billmeyer and Saltzman's Principles of Color Technology
| Author | : Roy S. Berns |
| Publisher | : John Wiley & Sons |
| Total Pages | : 272 |
| Release | : 2019-04-09 |
| Genre | : Science |
| ISBN | : 1119367220 |
This book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. It combines the clarity and ease of earlier editions with significant updates about the advancement in color theory and technology. Provides guidance for how to use color measurement instrumentation, make a visual assessment, set a visual tolerance, and select a formulation Supplements material with numerical examples, graphs, and illustrations that clarify and explain complex subjects Expands coverage of topics including spatial vision, solid-state lighting, cameras and spectrophotometers, and translucent materials
Colour Imaging
| Author | : Lindsay MacDonald |
| Publisher | : John Wiley & Sons |
| Total Pages | : 458 |
| Release | : 1999 |
| Genre | : Computers |
| ISBN | : |
Colour Imaging Vision and Technology Edited by Lindsay W. MacDonald and M. Ronnier Luo University of Derby, UK With every new computer now equipped with CD-ROM and high quality colour display and sound capabilities, multimedia imaging has become part of mainstream computing. Pressure is on developers to produce applications that make use of these facilities. This book examines the key enabling technologies for such applications including digital colour imaging, spanning the capture, processing, encoding, transmission and reproduction of realistic colour images. * Extensive coverage of the multimedia materials and Web pages * Improving quality of presentation * Covers a wide range of areas including colour imaging and multimedia user interface * Colour illustrations Colour Imaging will appeal to a wide-ranging audience and is primarily aimed at colour engineers, colour researchers and developers. It is also a valuable reference guide for undergraduates, MSc level students in colour imaging, new media developers and manufacturers of imaging equipment. Visit Our Web Page! http://www.wiley.com/
Color Vision
| Author | : Karl R. Gegenfurtner |
| Publisher | : Cambridge University Press |
| Total Pages | : 492 |
| Release | : 2001-05-28 |
| Genre | : Medical |
| ISBN | : 9780521004398 |
Color Vision, first published in 2000, defines the state of knowledge about all aspects of human and primate color vision.
Encyclopedia of Color Science and Technology
| Author | : |
| Publisher | : Springer |
| Total Pages | : 0 |
| Release | : 2016-05-08 |
| Genre | : Technology & Engineering |
| ISBN | : 9781441980700 |
The Encyclopedia of Color Science and Technology provides an authoritative single source for understanding and applying the concepts of color to all fields of science and technology, including artistic and historical aspects of color. Many topics are discussed in this timely reference, including an introduction to the science of color, and entries on the physics, chemistry and perception of color. Color is described as it relates to optical phenomena of color and continues on through colorants and materials used to modulate color and also to human vision of color. The measurement of color is provided as is colorimetry, color spaces, color difference metrics, color appearance models, color order systems and cognitive color. Other topics discussed include industrial color, color imaging, capturing color, displaying color and printing color. Descriptions of color encodings, color management, processing color and applications relating to color synthesis for computer graphics are included in this work. The Encyclopedia also delves into color as it applies to other domains such as art and design – ie – color design, color harmony, color palettes, color and accessibility, researching color deficiency, and color and data visualization. There is also information on color in art conservation, color and architecture, color and educations, color and culture, and an overview of the history of color and comments on the future of color. This unique work will extend the influence of color to a much wider audience than has been possible to date.
Color for Science, Art and Technology
| Author | : Kurt Nassau |
| Publisher | : Elsevier |
| Total Pages | : 511 |
| Release | : 1997-12-18 |
| Genre | : Computers |
| ISBN | : 0080529372 |
The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because:• the measurement of color still has unresolved complexities (Chapter 2)• many of the fine details of color vision remain unknown (Chapter 3)• every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5)• the philosophical approach to color has not yet crystallized (Chapter 7)• new pigments and dyes continue to be discovered (Chapters 10 and 11)• the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2).Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.
Color Appearance Models
| Author | : Mark D. Fairchild |
| Publisher | : John Wiley & Sons |
| Total Pages | : 485 |
| Release | : 2013-06-07 |
| Genre | : Technology & Engineering |
| ISBN | : 1118653106 |
The essential resource for readers needing to understand visual perception and for those trying to produce, reproduce and measure color appearance in various applications such as imaging, entertainment, materials, design, architecture and lighting. This book builds upon the success of previous editions, and will continue to serve the needs of those professionals working in the field to solve practical problems or looking for background for on-going research projects. It would also act as a good course text for senior undergraduates and postgraduates studying color science. The 3rd Edition of Color Appearance Models contains numerous new and expanded sections providing an updated review of color appearance and includes many of the most widely used models to date, ensuring its continued success as the comprehensive resource on color appearance models. Key features: Presents the fundamental concepts and phenomena of color appearance (what objects look like in typical viewing situations) and practical techniques to measure, model and predict those appearances. Includes the clear explanation of fundamental concepts that makes the implementation of mathematical models very easy to understand. Explains many different types of models, and offers a clear context for the models, their use, and future directions in the field.
Color Space and Its Divisions
| Author | : Rolf G. Kuehni |
| Publisher | : John Wiley & Sons |
| Total Pages | : 440 |
| Release | : 2003-04-28 |
| Genre | : Technology & Engineering |
| ISBN | : 0471461466 |
It has been postulated that humans can differentiate between millions of gradations in color. Not surprisingly, no completely adequate, detailed catalog of colors has yet been devised, however the quest to understand, record, and depict color is as old as the quest to understand the fundamentals of the physical world and the nature of human consciousness. Rolf Kuehni’s Color Space and Its Divisions: Color Order from Antiquity to the Present represents an ambitious and unprecedented history of man’s inquiry into color order, focusing on the practical applications of the most contemporary developments in the field. Kuehni devotes much of his study to geometric, three-dimensional arrangements of color experiences, a type of system developed only in the mid-nineteenth century. Color spaces are of particular interest for color quality-control purposes in the manufacturing and graphics industries. The author analyzes three major color order systems in detail: Munsell, OSA-UCS, and NCS. He presents historical and current information on color space developments in color vision, psychology, psychophysics, and color technology. Chapter topics include: A historical account of color order systems Fundamentals of psychophysics and the relationship between stimuli and experience Results of perceptual scaling of colors according to attributes History of the development of mathematical color space and difference formulas Analysis of the agreements and discrepancies in psychophysical data describing color differences An experimental plan for the reliable, replicated perceptual data necessary to make progress in the field Experts in academia and industry, neuroscientists, designers, art historians, and anyone interested in the nature of color will find Color Space and Its Divisions to be the authoritative reference in its field.
Handbook of Color Psychology
| Author | : Andrew J. Elliot |
| Publisher | : Cambridge University Press |
| Total Pages | : 1737 |
| Release | : 2015-12-17 |
| Genre | : Psychology |
| ISBN | : 1316395332 |
We perceive color everywhere and on everything that we encounter in daily life. Color science has progressed to the point where a great deal is known about the mechanics, evolution, and development of color vision, but less is known about the relation between color vision and psychology. However, color psychology is now a burgeoning, exciting area and this Handbook provides comprehensive coverage of emerging theory and research. Top scholars in the field provide rigorous overviews of work on color categorization, color symbolism and association, color preference, reciprocal relations between color perception and psychological functioning, and variations and deficiencies in color perception. The Handbook of Color Psychology seeks to facilitate cross-fertilization among researchers, both within and across disciplines and areas of research, and is an essential resource for anyone interested in color psychology in both theoretical and applied areas of study.
