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| Author | : Douglas Purdon |
| Publisher | : Northlight |
| Total Pages | : 0 |
| Release | : 1998 |
| Genre | : Color in art |
| ISBN | : 9780891348313 |
"Learn how to achieve luminous oil and alkyd paintings using toned grounds and color pooling."--Cover.
| Author | : Susan Harrison-Tustain |
| Publisher | : Susan Harrison-Tustain |
| Total Pages | : 190 |
| Release | : 2021-03-01 |
| Genre | : Art |
| ISBN | : 0473672979 |
With more than 180 pages of full color images, invaluable teaching, insights, hints and tips on her painting methods and techniques, Susan hopes her Ebook will be your friend and ‘mentor’ book that will be beside you as you travel and explore throughout your watercolor journey. It is a book for all artists from beginners to professionals and is a painting inspiration book as well as a problem solver book and watercolor rescue book. It is full of the ‘light-bulb’ moments that often proved to be turning points in Susan’s painting success! What she shares in this book will open your eyes and creative mind to so many possibilities!
| Author | : James Elkins |
| Publisher | : Psychology Press |
| Total Pages | : 284 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780415921138 |
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
| Author | : Arie Wallert |
| Publisher | : Getty Publications |
| Total Pages | : 241 |
| Release | : 1995-08-24 |
| Genre | : Art |
| ISBN | : 0892363223 |
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
| Author | : Linda Cateura |
| Publisher | : Watson-Guptill |
| Total Pages | : 150 |
| Release | : 1995-09-01 |
| Genre | : Art |
| ISBN | : 9780823032792 |
Some of the most popular art instruction books ever written have been based on student notes culled over the years from actual workshop sessions, with all their power and immediacy - and with practical, on-to-one contact between student and teacher. This is such a book. For more than two years, Linda Cateura has pursued teacher / artist David A. Leffel, notebook in hand, as he critiqued the work of students. Linda Cateura's succinct notes capture his insights, philosophy, painting hints, and general comments. Leffel's classic, painterly, twentieth-century old master style, much in the manner of Rembrandt or Chardin, affords ample illustration of the ideas expressed - through his many paintings, details, demonstrations, and diagrams, almost all in color. No matter what your level of ability, there is something here to apply to your own work, ideas that will cause you to rething your own ways of painting, hints to save you effort, or solutions to persistent painting problems.
| Author | : Vernon Kerr |
| Publisher | : Walter Foster Publishing |
| Total Pages | : 46 |
| Release | : 2019-05-07 |
| Genre | : Art |
| ISBN | : 1633227758 |
Featuring the artwork of Vernon Kerr, Painting: Land & Sea includes a variety of easy-to-follow, step-by-step projects that are approachable for the beginning artist, including dynamic landscapes and seascapes with sweeping vistas. Nature provides an endless variety of appealing subjects to inspire the artist. And with the versatile mediums of oil and acrylic, you can both layer transparent glazes and apply thick, luscious strokes of color for a wide range of interesting effects. In Painting: Land & Sea, artist Vernon Kerr shows you his step-by-step process for painting seascapes and landscapes in oil and acrylic, from simple sketches to the most elaborate renderings. In addition, he demonstrates how to capture the beauty of nature in all its seasons and at different times of the day, as well as the importance of making small color studies and learning the various cloud formations. You’ll also discover tips for using color effectively, with additional helpful information on composition, perspective, texture, and contrast. And along the way, you’ll learn special techniques for creating dramatic skies, luminous waves, and lush landscapes. From rendering light and shadow to creating realism through depth and texture, aspiring artists will discover the basics of oil and acrylic painting through engaging, inspirational lessons and useful artist tips. Beginning artists will find helpful information about selecting the right paintbrushes, supports, and paints to get started in acrylic painting. Additionally, artists will discover useful tips for using basic and special acrylic painting techniques to render textures, suggest dimension, and create effects. Designed for beginners, the How to Draw & Paint series offers an easy-to-follow guide that introduces artists to basic tools and materials and includes simple step-by-step lessons for a variety of projects suitable for the aspiring artist. With comprehensive instruction, plenty of artist tips and tricks, and beautiful artwork to inspire, Painting: Land & Sea is the perfect resource for any aspiring acrylic painter.
| Author | : Gregg Kreutz |
| Publisher | : Watson-Guptill |
| Total Pages | : 148 |
| Release | : 1997-04-01 |
| Genre | : Art |
| ISBN | : 9780823040971 |
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
| Author | : Nita Leland |
| Publisher | : North Light Books |
| Total Pages | : 152 |
| Release | : 1998-09-15 |
| Genre | : Art |
| ISBN | : |
How to use and control color in your painting
| Author | : Philip Steadman |
| Publisher | : |
| Total Pages | : 238 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780192803023 |
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
