Colombia Challenge: Elements of Operational Art and the Three Wars

Colombia Challenge: Elements of Operational Art and the Three Wars
Author:
Publisher:
Total Pages: 0
Release: 2001
Genre:
ISBN:

In unconventional conflict, or what has come to be known as "military operations other than war, (MOOTW), it is essential that planners first understand the complex nature of any such situation. This is the first critical step in operational planning, for if the nature of the conflict is misinterpreted, faulty planning cascades and the consequences can be disastrous. There are many traditional tools used for planning of military operations, but are those same tools applicable to MOOTW? Situations like the current counter-drug operations in Colombia fall into the realm of MOOTW, which by its nature presents challenges to traditional operational planning. But Colombia is also dealing with an insurgency bent on overthrowing the government, and illegal paramilitarles operating against the insurgents. Current U.S. policy with respect to Colombia is centered on counter drug operations and prohibits U.S. military personnel from becoming involved in the counterinsurgency effort. Despite the fact this is national policy, it is fundamentally flawed, and the planner cannot focus on counter drug operations and not take into account the insurgents and paramilitaries. This paper attempts to apply operational art in the traditional sense to the complex situation in Colombia, taking into account the drug traffickers, the insurgents and the paramilitaries and examines the complex challenges facing the operational planner in building a plan for Colombia.

Historical Perspectives of the Operational Art

Historical Perspectives of the Operational Art
Author: Michael D. Krause
Publisher: Government Printing Office
Total Pages: 520
Release: 2006-05
Genre: History
ISBN: 9780160725647

NOTE: NO FURTHER DISCOUNT FOR THIS PRINT PRODUCT--OVERSTOCK SALE -- Significantly reduced list price while supplies last Historical Perspectives of the Operational Art, a companion volume to Clayton R. Newell's and Michael D. Krause's On Operational Art, captures the doctrinal debate over the evolving concept of operational art-the critical link between strategy and tactics-in the face of the new complexities of warfare and the demands of irregular operations in the twenty-first century. Consisting of fifteen original essays selected and edited by Michael D. Krause in collaboration with R. Cody Phillips, the well-organized anthology presents the collective view of distinguished military historians and scholars that operational art must be adjusted to accommodate the changing circumstances happening around the world, especially when dealing with broad coalitions and alliances in regional environments and at an international level. Related products: The Rise of iWar: Identity, Information, and the Individualization of Modern Warfare can be found here: https://bookstore.gpo.gov/products/sku/008-000-01198-2 Yemen: A Different Political Paradigm in Context can be found here: https://bookstore.gpo.gov/products/sku/008-070-00865-3 A Masterpiece of Counterguerrilla Warfare: BG J. Franklin Bell in the Philippines 1901-1902 is avaialble here: https://bookstore.gpo.gov/products/sku/008-000-01000-5 Operational Culture for the Warfighter: Principles and Applications is available here: https://bookstore.gpo.gov/products/sku/008-000-01061-7

Operational Design

Operational Design
Author: Jeffrey M. Reilly
Publisher:
Total Pages: 134
Release: 2012
Genre: Military art and science
ISBN:

Colombia's Three Wars

Colombia's Three Wars
Author: Gabriel Marcella
Publisher: DIANE Publishing
Total Pages: 52
Release: 1999
Genre: Colombia
ISBN:

Colombia is the most troubled country in the Western Hemisphere. Drug criminals, guerrillas, and paramilitary groups are feeding a spiral of violence that makes "colombianization" a metaphor for a failing state. The authors address the strategic dimensions of the crisis. It argues that Colombia's future deeply affects regional security and U.S. interests. The country's afflictions are spilling over its borders, threatening Venezuela, Panama, Ecuador, Brazil, Peru, Mexico, and the Caribbean. At the same time, Colombia is the origin of most of the cocaine and heroin entering the United States. The fear is that, if the situation continues to worsen, the country may become balkanized, with large areas under the de facto control of guerrilla and paramilitary regimes based, in large part, on narco-economies. U.S. policy is now at a critical juncture. A decision has been made to become more engaged in the war against narcotrafficking. Yet, the question remains: Can counternarcotics be separated from counterinsurgency? The authors believe that it cannot--that everything is related to everything else--and that unless the Colombian and U.S. governments address the problem through the creation of a coherent, holistic strategy, the situation will become much worse. In the latter half of their report, they discuss both the military and nonmilitary components of such a strategy. Among other things, they contend that restrictions on U.S. police training and counterinsurgency assistance should be removed or revised in order to enable the Colombian security forces to halt the momentum of the insurgents and paramilitaries and give them incentives to negotiate seriously. They also argue that a respect for human rights is of strategic importance.

The Operational Art

The Operational Art
Author: B. J. C. McKercher
Publisher: Praeger
Total Pages: 0
Release: 1996-09-24
Genre: History
ISBN: 027595305X

This work considers the modern antecedants and evolution of the operational art in military thought and practice in both peace and wartime. This theme is developed over time and across military cultures. A comparative framework allows the treatment of the overall theme by examining the concept of the operational art in the context of different nationalities, different military organizations, and different societies. This study situates the current operational art in its historical context.

Operational Art in Operations Other Than War

Operational Art in Operations Other Than War
Author: Richard M. Cabrey
Publisher:
Total Pages: 0
Release: 1998
Genre: Operational art (Military science)
ISBN:

Since the end of the Cold War the United States Army has found itself conducting more and more operations that fall under the category of "Military Operations Other Than War (MOOTW). Additionally, our National Security Strategy states that these operations will become the most frequent challenge for the armed forces. As these operations usually entail diverse tactical actions directed towards achieving strategic objectives, the operational commander is forced to conduct this linkage with joint and multinational forces. The operational commander may also be forced to operate within less than desirable command structures often dictated by the United Nations or other multinational agencies. The focus of this study is on the potential challenges the operational or joint force commander might face when directing military actions in MOOTW. The U.S. involvement and contemporary definitions of MOOTW establishes the background for the case study of the UNOSOM II mission in Somalia. A discussion of the evolution and concept of operational art provides the framework to analyze the UNSOM II operation with respect to the eight elements of operational art identified by Dr. James Schneider. Finally, the study concludes that the U.S. military demonstrated operational art with some shortfalls. In the areas of command and control, unity of command, and operational vision, decisions made at the strategic level often impact negatively on the operational commander's ability to link the tactical actions to strategic objectives. Additionally, although Dr. Schneider defines his theory of operational art within the context of total war, his theory can be functionally applied to MOOTW as well.

The Evolution of Operational Art

The Evolution of Operational Art
Author: John Andreas Olsen
Publisher: Oxford University Press
Total Pages: 288
Release: 2011
Genre: History
ISBN: 0199599483

Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.

Operational Art in Operations Other Than War

Operational Art in Operations Other Than War
Author: Richard M. Cabrey
Publisher:
Total Pages: 48
Release: 1998
Genre: Operational art (Military science)
ISBN:

Since the end of the Cold War the United States Army has found itself conducting more and more operations that fall under the category of "Military Operations Other Than War (MOOTW). Additionally, our National Security Strategy states that these operations will become the most frequent challenge for the armed forces. As these operations usually entail diverse tactical actions directed towards achieving strategic objectives, the operational commander is forced to conduct this linkage with joint and multinational forces. The operational commander may also be forced to operate within less than desirable command structures often dictated by the United Nations or other multinational agencies. The focus of this study is on the potential challenges the operational or joint force commander might face when directing military actions in MOOTW. The U.S. involvement and contemporary definitions of MOOTW establishes the background for the case study of the UNOSOM II mission in Somalia. A discussion of the evolution and concept of operational art provides the framework to analyze the UNSOM II operation with respect to the eight elements of operational art identified by Dr. James Schneider. Finally, the study concludes that the U.S. military demonstrated operational art with some shortfalls. In the areas of command and control, unity of command, and operational vision, decisions made at the strategic level often impact negatively on the operational commander's ability to link the tactical actions to strategic objectives. Additionally, although Dr. Schneider defines his theory of operational art within the context of total war, his theory can be functionally applied to MOOTW as well.

A Campaign Of Ropes:

A Campaign Of Ropes:
Author: Major J. Kevin Hendrick
Publisher: Pickle Partners Publishing
Total Pages: 76
Release: 2015-11-06
Genre: History
ISBN: 1782899960

The purpose of this paper was to study the practice of military art at the operational level of war. The story of Wellington’s ultimate success against Napoleon’s Marshals was selected as a case study as it seemed rich in the application of mental agility to achieve an asymmetrical military advantage in a theater of war. As military theory recognizes two general types of military art, classical strategy and operational art, the research question was constructed to determine if Wellington practiced pure classic strategy, or an early/transitional form of operational art. In order to provide a basis of analysis, the essential elements of both classic strategy and operational art are next defined. The history of classic strategy is outlined, then the theory of Clausewitz and Jomini used to define its four basic elements. The practice of operational art is then traced, from its inception by U.S. Grant during the American Civil War, to Soviet operational theory developed in the 1920’s. The theory of Dr. James Schneider, a primary interpreter of both Grant and the Soviets, provides the eight essential elements of operational art. To round out the section on military art, U.S. operational doctrine is outlined and discussed. Like most military officers, Wellington was a creature of his own experience, therefore a chapter is dedicated to the lessons he learned as a young officer in India. The following chapter is dedicated to a study of the Peninsular War. As the research question deals with both the operational and strategic levels of war, Wellington’s tactics are neglected in favor of his campaign concepts and execution.