A Selection of Work by Faculty at the College of the San Francisco Art Institute, 1967-68
Author | : San Francisco Art Institute |
Publisher | : |
Total Pages | : 14 |
Release | : 1968 |
Genre | : Art, American |
ISBN | : |
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Author | : San Francisco Art Institute |
Publisher | : |
Total Pages | : 14 |
Release | : 1968 |
Genre | : Art, American |
ISBN | : |
Author | : San Francisco Art Institute |
Publisher | : |
Total Pages | : 13 |
Release | : 1967* |
Genre | : Art, American |
ISBN | : |
Author | : San Francisco Art Institute |
Publisher | : |
Total Pages | : 22 |
Release | : 1974 |
Genre | : Art schools |
ISBN | : |
Author | : Curtis Rhodes |
Publisher | : |
Total Pages | : |
Release | : 2016-08-12 |
Genre | : |
ISBN | : 9781367360464 |
Black and white photographs taken by a photography student at The San Francisco Art Institute from 1966 to 1967. From the top of the tower to the depths of the boiler room, with models filling the courtyard to outings at Muir Beach, photography is fun!
Author | : Constance M. Lewallen |
Publisher | : Univ of California Press |
Total Pages | : 297 |
Release | : 2011-10 |
Genre | : Art |
ISBN | : 0520949870 |
State of Mind, the lavishly illustrated companion book to the exhibition of the same name, investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists. The essays reveal connections between the northern and southern California Conceptual art scenes and argue that Conceptualism’s experimental practices and an array of then-new media—performance, site-specific installations, film and video, mail art, and artists’ publications—continue to exert an enormous influence on the artists working today.
Author | : San Francisco Art Institute |
Publisher | : |
Total Pages | : 56 |
Release | : 1972 |
Genre | : Art |
ISBN | : |
Author | : Julian Cox |
Publisher | : Yale University Press |
Total Pages | : 289 |
Release | : 2016-01-01 |
Genre | : Photography |
ISBN | : 0300218834 |
The first comprehensive overview of an influential American photographer and filmmaker whose work is known for its intimacy and social engagement Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China's booming Shanxi Province, share Lyon's signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon's photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon's five-decade career. Alexander Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter assesses the artist's films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon's earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist's work.