Collection Trademarks Symbolmarks Logotypes In Japan
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| Author | : Yasaburo Kuwayama |
| Publisher | : New York ; Toronto : Van Nostrand Reinhold |
| Total Pages | : 200 |
| Release | : 1973 |
| Genre | : Business & Economics |
| ISBN | : |
A comprehensive, profusely illustrated guide to more than 1,500 trademark from all over the world. The trademark designs in this volume are based on letter forms and arranged alphabetically. To make the book easy to use it has three indexes: 1. Index of names of companies represented. 2. Index of type of industry, business, product or service. 3. Index of designers.
| Author | : Yasaburō Kuwayama |
| Publisher | : Rockport Publishers |
| Total Pages | : 504 |
| Release | : 1987 |
| Genre | : Law |
| ISBN | : |
Includes 5,800 trademarks, service marks, symbols etc. by 1,300 designers from 38 countries.
| Author | : Ben Bos |
| Publisher | : |
| Total Pages | : 191 |
| Release | : 2000 |
| Genre | : Commercial art |
| ISBN | : 9789072007810 |
| Author | : Michael Evamy |
| Publisher | : Laurence King Publishing |
| Total Pages | : 830 |
| Release | : 2012-09-24 |
| Genre | : Design |
| ISBN | : 1780673949 |
Logotype is the definitive modern collection of logotypes, monograms and other text-based corporate marks. Featuring more than 1,300 international typographic identities, by around 250 design studios, this is an indispensable handbook for every design studio, providing a valuable resource to draw on in branding and corporate identity projects. Logotype is truly international, and features the world’s outstanding identity designers. Examples are drawn not just from Western Europe and North America but also Australia, South Africa, the Far East, Israel, Iran, South America and Eastern Europe. Contributing design firms include giants such as Pentagram, Vignelli Associates, Chermayeff & Geismar, Wolff Olins, Landor, Total Identity and Ken Miki & Associates as well as dozens of highly creative, emerging studios. Retaining the striking black-and-white aesthetic and structure of Logo (also by Michael Evamy) and Symbol, Logotype is an important and essential companion volume.
| Author | : Yasaburō Kuwayama |
| Publisher | : Books Nippan |
| Total Pages | : 238 |
| Release | : 1986 |
| Genre | : Design |
| ISBN | : |
| Author | : Kenya Hara |
| Publisher | : Lars Muller Publishers |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Design |
| ISBN | : 9783037784662 |
For Kenya Hara, design begins with comprehension of the unknown. In contrast to 'information,' 'exformation' describes how little we really know and thus becomes the starting point for any type of design. Based on a range of projects the book describes what 'exformation' can look like in design practice and how this conceptalters our classic understanding of information design. Following the path embarked on in Designing Design (2007) and its successor, White (2010), Ex-formation continues to explore the void, absence, and indeterminacy in contemporary design.
| Author | : |
| Publisher | : |
| Total Pages | : 878 |
| Release | : 1988-03 |
| Genre | : Antiquarian booksellers |
| ISBN | : |
| Author | : Olle Eksell |
| Publisher | : |
| Total Pages | : 108 |
| Release | : 1967 |
| Genre | : Commercial art |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 404 |
| Release | : 1990 |
| Genre | : Advertising |
| ISBN | : |
| Author | : Christopher Burke |
| Publisher | : |
| Total Pages | : |
| Release | : 2021 |
| Genre | : |
| ISBN | : 9789083052106 |
Dedicated to graphic designer Gerard Unger (1942-2018), this book presents a case study in the development of modern type design as it unfolds along with the rapid technological shifts that transformed typesetting and publishing over the past 50 years. While most of Unger's types are variations on the economical Dutch tradition, they are also permeated by his distinctive style, marked by tensive curves and dynamic rhythm. He drew inspiration from abstract art and delighted in the interplay of form and space in letterforms. The book includes a reproduction and translation of Unger's 1977 exhibition at the Stedelijk Museum, where he began to develop a theory of type design.
