Library Catalog of the Metropolitan Museum of Art, New York
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1038 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
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Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1038 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1038 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : New York Public Library. Art and Architecture Division |
Publisher | : |
Total Pages | : 740 |
Release | : 1975 |
Genre | : Architecture |
ISBN | : |
Author | : William Stanley Rubin |
Publisher | : |
Total Pages | : 252 |
Release | : 1968 |
Genre | : Art, Modern |
ISBN | : |
Author | : Pierre Bonnard |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 274 |
Release | : 1989 |
Genre | : Grabados en color franceses |
ISBN | : 0810931001 |
Tentoonstellingscatalogus. Met bibliografie en register.
Author | : Steven A. Nash |
Publisher | : Thames & Hudson |
Total Pages | : 0 |
Release | : 2003-03 |
Genre | : |
ISBN | : 9781577173311 |
This absorbing book draws upon new research and works that, in some cases were held out of public view in Picasso's own collection, to explore the critically important--but still under-studied--period of his life from the Spanish Civil War through World War II and the Nazi occupation of France. This span of years is marked by some of the most intensely personal and expressive work of his career. The subjects he painted changed dramatically in direct response first to the horrors of war and then the dangers and privations of life in occupied Paris, where, though branded a degenerate artist by the Nazis, he chose to remain until the Liberation.
Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Posters |
ISBN | : 9781577150978 |
"Pablo Picasso is the artistic giant of the twentieth century, and perhaps only Leonardo da Vinci rivals his fame throughout the history of art. In working life that spanned nearly eighty years, Picasso painted some of the archetypal images of modern art, including Les Demoiselles d'Avignon and Guernica. But he did more that create individual works of originality and genius. Picasso invented, and inspired others to invent, a whole new vocabulary and way of thinking about art which have shaped the progress of modernism throughout the twentieth century. Picasso's fame is indisputable but rests largely on his oil paintings. A lesser-known but crucially important part of Picasso's oeuvre is his graphic work, in particular his poster designs. From the 1940s to the 1960s Picasso produced hundreds of designs for posters, many advertising exhibitions of his work. They are interesting and important not only for their striking simplicity and bold color, but also because they sum up many of the expressionist ideas he had developed from Guernica onword. Themes and images from his paintings and ceramics such as bulls and goats, faces and the dove of peace recur and give remarkable coherence to this body of work. Picasso Posters presents a comprehensive panorama of Picasso's poster art. An illustrated introduction tells the story of Picasso's long life and career, and sets his poster work in the context of the genre's history and of his paintings, drawings, and sculpture. Sixty of Picasso's finest posters are reproduced in large-scale color plates, making Picasso Posters a sumptuous., informative, and much-needed study of this little-known aspect of the master's work."--Publisher's description
Author | : Ogden N. Rood |
Publisher | : Alpha Edition |
Total Pages | : 338 |
Release | : 2019-12 |
Genre | : History |
ISBN | : 9789353926113 |
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.