Collected Black Womens Poetry Volume 1
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Author | : Joan R. Sherman |
Publisher | : Oxford University Press |
Total Pages | : 482 |
Release | : 1988-07-28 |
Genre | : Literary Collections |
ISBN | : 9780195052534 |
These four volumes collect the poetic works of eleven African-American women writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert-- Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just fter the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the subjects that they address as for those that they ignore, these selections offer a unique smapling of poetic voices that, until now, have gone largely unheard.
Author | : Joan R. Sherman |
Publisher | : Oxford University Press |
Total Pages | : 386 |
Release | : 1988-07-28 |
Genre | : Literary Collections |
ISBN | : 9780195052565 |
These four volumes collect the works of eleven poets writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert--Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just after the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining eight poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that, until now, have gone largely unheard.
Author | : Joan R. Sherman |
Publisher | : Oxford University Press |
Total Pages | : 464 |
Release | : 1988-07-28 |
Genre | : Literary Criticism |
ISBN | : 9780195052541 |
These four volumes collect the works of eleven poets writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert--Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just after the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining eight poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that, until now, have gone largely unheard.
Author | : Joan R. Sherman |
Publisher | : Oxford University Press |
Total Pages | : 390 |
Release | : 1988-07-28 |
Genre | : Literary Collections |
ISBN | : 9780195052558 |
These volumes present the works of eleven poets writing in the 19th and early 20th centuries. Volume 1 contains work by Mary E. Tucker Lambert and the notorious Adah Isaacs Menken. The other three volumes contain works by nine other poets. Surprisingly, only one of them (Lizelia Moorer) protests at the treatment of her race during this period of social upheaval and injustice. The other poets treat the traditional themes - love, nature, death, Christian idealism and morality, family - in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that until now have gone largely unheard.
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1988 |
Genre | : |
ISBN | : 9780195052671 |
Author | : Nick Armbrister |
Publisher | : Lulu.com |
Total Pages | : 428 |
Release | : 2013-12-08 |
Genre | : Poetry |
ISBN | : 1291663088 |
THE COMPLETE NICK ARMBRISTER POETRY COLLECTION Volume 1 covers it all, Nick Armbrister's work from early 1996 right through to late 2013. An epic career of poems on many topics and views. Much of his work has been published in the 'small press' poetry scene over the years and in his previous books. Also included here is new unpublished work. This book will appeal to anyone who wants to read Nick Armbrister's multi emotional work and to new readers who want to read something different and unique.
Author | : Joan R. Sherman |
Publisher | : OUP USA |
Total Pages | : 0 |
Release | : 1988-07-28 |
Genre | : Literary Criticism |
ISBN | : 9780195052565 |
These volumes present the works of eleven poets writing in the 19th and early 20th centuries. Volume 1 contains work by Mary E. Tucker Lambert and the notorious Adah Isaacs Menken. The other three volumes contain works by nine other poets. Surprisingly, only one of them (Lizelia Moorer) protests at the treatment of her race during this period of social upheaval and injustice. The other poets treat the traditional themes - love, nature, death, Christian idealism and morality, family - in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that until now have gone largely unheard.
Author | : Alice Moore Dunbar-Nelson |
Publisher | : Oxford University Press, USA |
Total Pages | : 472 |
Release | : 1988 |
Genre | : Literary Collections |
ISBN | : 9780195052503 |
"The Works of Alice Dunbar-Nelson offers a unique glimpse at the diverse roots of black women's writing in America. Ranging from autobiographical short stories to poetry, novellas, and journalism, Dunbar-Nelson's powerful work is marked by themes of opposition, difference, and the crossing of racial bounderies that made her work potentially too dangerous for her contemporary readers, but dominate much of writing today"--From publisher's description.
Author | : William L. Andrews |
Publisher | : Oxford University Press, USA |
Total Pages | : 520 |
Release | : 1991 |
Genre | : Biography & Autobiography |
ISBN | : 9780195062045 |
Bevat: 'Biography of an American bondman, by his daughter' - Boston: R.F. Wallcut, 1856 en 'Life and Public Services of Martin R. Delancy' - Boston: Lee and Shepard, 1883.
Author | : Eric Gardner |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 269 |
Release | : 2010-06-17 |
Genre | : Literary Criticism |
ISBN | : 1604732849 |
In January of 1861, on the eve of both the Civil War and the rebirth of the African Methodist Episcopal Church's Christian Recorder, John Mifflin Brown wrote to the paper praising its editor Elisha Weaver: "It takes our Western boys to lead off. I am proud of your paper." Weaver's story, though, like many of the contributions of early black literature outside of the urban Northeast, has almost vanished. Unexpected Places: Relocating Nineteenth-Century African American Literature recovers the work of early African American authors and editors such as Weaver who have been left off maps drawn by historians and literary critics. Individual chapters restore to consideration black literary locations in antebellum St. Louis, antebellum Indiana, Reconstruction-era San Francisco, and several sites tied to the Philadelphia-based Recorder during and after the Civil War. In conversation with both archival sources and contemporary scholarship, Unexpected Places calls for a large-scale rethinking of the nineteenth-century African American literary landscape. In addition to revisiting such better-known writers as William Wells Brown, Maria Stewart, and Hannah Crafts, Unexpected Places offers the first critical considerations of important figures including William Jay Greenly, Jennie Carter, Polly Wash, and Lizzie Hart. The book's discussion of physical locations leads naturally to careful study of how region is tied to genre, authorship, publication circumstances, the black press, domestic and nascent black nationalist ideologies, and black mobility in the nineteenth century.