Collaborative Theatre
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| Author | : Ronald Harold Wainscott |
| Publisher | : Pearson |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Theater and society |
| ISBN | : 9780205118021 |
Theatre: Collaborative Acts stimulates creative thinking and discussions of artistic, social, and ethical questions through its interwoven themes of theatre as culture, collaboration, spatial art, and a fusion of the past and present. The central premise of Theatre: Collaborative Acts is that theatre is collaboration or co-labor, which exists on many levels. To participate in theatre, as either audience member or practitioner, means to be at once an individual and part of a larger whole. It allows us to escape, relax, and refocus. Through the study of theatre, students develop an informed perspective for a lifetime of theatre-going in appreciation to help them enjoy, analyse, understand, read, visualise, and get the most out of many different types of theatre experiences. The Fourth Edition continues to emphasise the diversity of purpose and effect of theatre, and the collaborative nature of the theatrical process.
| Author | : David Williams |
| Publisher | : Routledge |
| Total Pages | : 284 |
| Release | : 2005-08-16 |
| Genre | : Performing Arts |
| ISBN | : 1134884761 |
Over the past thirty years Ariane Mnouchkine's 'Théâtre du Soleil' has become one of the most celebrated companies in Europe, and Mnouchkine one of its best-known directors. Collaborative Theatre is the first in-depth sourcebook in English on 'Théâtre du Soleil', providing English readers with first-hand accounts of the development of its collectivist practices and ideals. Collaborative Theatre presents critical and historical essays by theatre scholars from around the world as well as the writings of and interviews with members of le Théâtre du Soleil, past and present. Projects discussed include: 1789, L'Age d'Or, Richard II, L'Indiade and Les Atriades.
| Author | : Tina Bicât |
| Publisher | : Crowood Press (UK) |
| Total Pages | : 162 |
| Release | : 2002 |
| Genre | : Performing Arts |
| ISBN | : |
This book is written for all companies, student and professional, who are interested in non-text-based theatre and shines a practical light on the passionate business of the devising process. It includes suggestions and advice on getting started and developing trust and communication within the devising company; how to research and use the results to stimulate ideas and discussion in the rehearsal period; encouraging, channelling, and developing ideas in the rehearsal room; discovering and incorporating the unexpected in rehearsal; backstage and design work, with sample checklists; raising money and organizing budgets; and how to stop talking, start playing, and develop the performance for an audience.
| Author | : Karen Malpede |
| Publisher | : Egret Acting Editions |
| Total Pages | : 0 |
| Release | : 2022-08-24 |
| Genre | : |
| ISBN | : 9781942281245 |
In a great leap of fellow-feeling, the separate griefs of three diverse characters converge - together with that of a blue roan horse.
| Author | : Sarah Sigal |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 240 |
| Release | : 2017-09-16 |
| Genre | : Performing Arts |
| ISBN | : 1137331704 |
This engaging text explores the role of the writer and the text in collaborative practice through the work of contemporary writers and companies working in Britain, offering students and aspiring writers and directors effective practical strategies for collaborative work.
| Author | : Rufus Bonds Jr. |
| Publisher | : Routledge |
| Total Pages | : 256 |
| Release | : 2021 |
| Genre | : Performing Arts |
| ISBN | : 9780367810252 |
"Production Collaboration in the Theatre reveals the ingredients of proven successful collaborations in academic and professional theatre training, where respect, trust, and inclusivity are encouraged and roles are defined with a clear and unified vision. Garnering research from conversations with over 100 theatre professionals on Broadway and in Regional and Educational Theatre, the authors provide multiple approaches to working together that are designed to help students and teachers of theatre discover and develop the collaborative tools that work best for them. Each chapter offers practical application with discussion prompts from real-life scenarios to practice and develop critical problem-solving skills necessary for theatre artists to navigate common collaboration challenges. Compelling topical case studies and insightful interviews invite readers to explore the principles of collaboration and inspire them to build joyful, equitable, and collaborative relationships in academic and professional settings. Production Collaboration for the Theatre offers theatre faculty and students a practical approach to developing interpersonal skills necessary for a lifetime career in collaborating in the theatre. An ideal resource for actors, directors, designers and production teams, this book provides theatre artists in training with an opportunity to develop their collaborative style that will guide and support the longevity of a successful career"--
| Author | : David Williams |
| Publisher | : Routledge |
| Total Pages | : 297 |
| Release | : 2005-08-16 |
| Genre | : Art |
| ISBN | : 113488477X |
Collaborative Theatre combines critical and historical essays by theatre scholars from around the world with the writings of and interviews with members of le Théâtre du Soleil, past and present.
| Author | : Telory D Arendell |
| Publisher | : Taylor & Francis |
| Total Pages | : 369 |
| Release | : 2022-10-19 |
| Genre | : Performing Arts |
| ISBN | : 1000739090 |
This book provides a fascinating and concise history of devised theatre practice. As both a founding member of Philadelphia’s Pig Iron Theater Company and a Professor, Telory Arendell begins this journey with a brief history of Joan Littlewood’s Theatre Workshop and Living Newspapers through Brecht’s Berliner Ensemble and Joe Chaikin’s Open Theatre to the racially inflected commentary of Luis Valdez’s Teatro Campesino and Ariane Mnouchkine’s collaboration with Théâtre de Soleil. This book explores the impact of devised theatre on social practice and analyzes Goat Island’s use of Pina Bausch’s gestural movement, Augusto Boal’s Theatre of the Oppressed in Giving Voice, Anna Deavere Smith’s devised envelope for Verbatim Theatre, The Tectonic Theatre Project’s moment work, Teya Sepinuck’s Theatre of Witness, Pig Iron’s use of Lecoq mime to build complex physical theatre scripts, and The Riot Group’s musical arrangement of collaborative devised text. Included are a foreword by Allen J. Kuharski and three devised plays by Theatre of Witness, Pig Iron, and The Riot Group. Replete with interviews from the initial Pig Iron collaborators on subjects of writing, directing, choreographing, teaching, and developing a pedagogical platform that supports devised theatre.
| Author | : Lorraine Mary York |
| Publisher | : University of Toronto Press |
| Total Pages | : 216 |
| Release | : 2002-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780802084651 |
York explores collaborative writing from women in Britain, the United States, Italy and France, illuminating the tensions in the collaborative process that grow out of important cultural, racial, and sexual differences between the authors.
| Author | : Aleksandar Dundjerović |
| Publisher | : McFarland |
| Total Pages | : 214 |
| Release | : 2017-11-21 |
| Genre | : Performing Arts |
| ISBN | : 1476671060 |
Brazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country's most prolific creative minds--Ze Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nos do Morro, Rudolfo Vasquez (Os Satyros), Antonio Araujo (Teatro Vertigem), Enrique Diaz (Cia do Atores) and Lia Rodrigues, to name a few--discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.
