Coleridges Assertion Of Religion
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| Author | : Jeffrey W. Barbeau |
| Publisher | : Peeters Publishers |
| Total Pages | : 340 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : |
Alternately titled the "Assertion of Religion," "the great work," "Logosophia," magnum opus, and the Opus Maximum, Samuel Taylor Coleridge's philosophical assertion of religion was often regarded as the work that would determine his permanent contribution to the history of ideas. Despite endless preparatory studies, however, Coleridge's plan to develop a unified system, drawing from philosophy, literature, theology, history, and the natural sciences, remained incomplete at his death. Coleridge's Assertion of Religion contains the first collection of original scholarship on the newly published Opus Maximum. While the language of the Opus Maximum is often complex and fragmentary, the essays in this volume open new avenues for future discussion of pivotal themes in Coleridge's writings, including careful analysis of Coleridge's conception of God and the Trinity, the human will, his relationship to Neoplatonism, and his unique defense of the human self through the connection between a mother and a child. The volume thereby contributes to the ongoing assessment of Coleridge's contribution to nineteenth-century Romanticism and his place in the history of ideas.
| Author | : Jeffrey W. Barbeau |
| Publisher | : Springer |
| Total Pages | : 241 |
| Release | : 2007-12-25 |
| Genre | : Literary Criticism |
| ISBN | : 0230610269 |
Barbeau reconstructs the system of religion that Coleridge develops in Confessions of an Inquiring Spirit (1840). Coleridge's late system links four sources of divinity the Bible, the traditions of the church, the interior work of the Spirit, and the inspired preacher to Christ, the Word. In thousands of marginalia and private notebook entries, Coleridge challenges traditional views of the formation and inspiration of the Bible, clarifies the role of the church in biblical interpretation, and elucidates the relationship between the objective and subjective sources of revelation. In late writings that develop a robust system of religion, Coleridge conveys his commitment to biblical wisdom.
| Author | : James Vigus |
| Publisher | : MHRA |
| Total Pages | : 203 |
| Release | : 2009 |
| Genre | : Foreign Language Study |
| ISBN | : 1906540063 |
The ambivalent curiosity of the young poet Samuel Taylor Coleridge (1772-1834) towards Plato - 'but I love Plato - his dear gorgeous nonsense!' - soon developed into a philosophical project, and the mature Coleridge proclaimed himself a reviver of Plato's unwritten or esoteric 'systems'. James Vigus's study traces Coleridge's discovery of a Plato marginalised in the universities, and examines his use of German sources on the 'divine philosopher', and his Platonic interpretation of Kant's epistemology. It compares Coleridge's figurations of poetic inspiration with models in the Platonic dialogues, and investigates whether Coleridge's esoteric 'system' of philosophy ultimately fulfilled the Republics notorious banishment of poetry.
| Author | : Christopher Corbin |
| Publisher | : Routledge |
| Total Pages | : 384 |
| Release | : 2018-12-18 |
| Genre | : Literary Collections |
| ISBN | : 0429638337 |
It has long been accepted that when Samuel Taylor Coleridge rejected the Unitarianism of his youth and returned to the Church of England, he did so while accepting a general Christian orthodoxy. Christopher Corbin clarifies Coleridge’s religious identity and argues that while Coleridge’s Christian orthodoxy may have been sui generis, it was closely aligned with moderate Anglican Evangelicalism. Approaching religious identity as a kind of culture that includes distinct forms of language and networks of affiliation in addition to beliefs and practices, this book looks for the distinguishable movements present in Coleridge’s Britain to more precisely locate his religious identity than can be done by appeals to traditional denominational divisions. Coleridge’s search for unity led him to desire and synthesize the "warmth" of heart religion (symbolized as Methodism) with the "light" of rationalism (symbolized as Socinianism), and the evangelicalism in the Church of England, being the most chastened of the movement, offered a fitting place from which this union of warmth and light could emerge. His religious identity not only included many of the defining Anglican Evangelical beliefs, such as an emphasis on original sin and the New Birth, but he also shared common polemical opponents, appropriated evangelical literary genres, developed a spirituality centered on the common evangelical emphases of prayer and introspection, and joined Evangelicals in rejecting baptismal regeneration. When placed in a chronological context, Coleridge’s form of Christian orthodoxy developed in conversation with Anglican Evangelicals; moreover, this relationship with Anglican Evangelicalism likely helped facilitate his return to the Church of England. Corbin not only demonstrates the similarities between Coleridge’s relationship to a form of evangelicalism with which most people have little familiarity, but also offers greater insight into the complexities and tensions of religious identity in late eighteenth and early nineteenth century Britain as a whole.
| Author | : Douglas Hedley |
| Publisher | : Cambridge University Press |
| Total Pages | : 346 |
| Release | : 2000-06-22 |
| Genre | : Religion |
| ISBN | : 1139428187 |
Coleridge's relation to his German contemporaries constitutes the toughest problem in assessing his standing as a thinker. For the last half-century this relationship has been described, ultimately, as parasitic. As a result, Coleridge's contribution to religious thought has been seen primarily in terms of his poetic genius. This book revives and deepens the evaluation of Coleridge as a philosophical theologian in his own right. Coleridge had a critical and creative relation to, and kinship with, German Idealism. Moreover, the principal impulse behind his engagement with that philosophy is traced to the more immediate context of English Unitarian-Trinitarian controversy of the eighteenth and nineteenth centuries. The book re-establishes Coleridge as a philosopher of religion and as a vital source for contemporary theological reflection.
| Author | : David Jasper |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 209 |
| Release | : 1985-01-01 |
| Genre | : Religion |
| ISBN | : 0915138700 |
In the nineteenth century there was a definite divide between those who read Coleridge as a religious thinker and those who read him as a poet. Even now, readers and critics find it hard not to consider one aspect of his work to the exclusion of the other. Here David Jasper considers Coleridge as a poet, literary critic, theologian and philosopher, seeing him as occupying a representative place in European and English Romantic thought on poetry, religion and the role of the artist. His earliest writings are closely linked to his mature religious and critical thought, and his greatest poems, ‘Kubla Khan’, ‘The Rime of the Ancient Mariner’ and the ‘Dejection’ Ode, are a necessary prelude to the prose writings of the middle period of Coleridge’s life. Self-reflection upon the processes of creating poetry and art, particularly in the Biographia Literaria, is an important development in Coleridge’s sense of the relation of the finite to the infinite through the inspiration of the poet. Attention to the nature of inspiration, imagination and irony in creative writing leads directly to his later discussions of man’s need of a divine redeemer and the nature of divine revelation. In the later poetry, attention is given to the theme of self-reflection in which spiritual growth is part and parcel of poetic development, each balancing the other. The final part of the book considers Coleridge’s later prose, linking his reflections upon poetry with an epistemology, which he learnt principally from Kant and Fichtee in a discussion of revelation and radical evil. In conclusion, Coleridge’s religious position is summed up through the late, and still unpublished notebooks, and the fragmentary remains of the long-projected Opus Maximum. The last chapter links Coleridge with a more recent debate on the nature of inspiration, poetic and divine, which arises out of Austin Farrer’s Bampton Lectures The Glass of Vision.
| Author | : Thomas Owens |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2019 |
| Genre | : Literary Criticism |
| ISBN | : 0198840861 |
Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.
| Author | : Samuel Taylor Coleridge |
| Publisher | : |
| Total Pages | : 442 |
| Release | : 1873 |
| Genre | : |
| ISBN | : |
| Author | : Frederick Burwick |
| Publisher | : OUP Oxford |
| Total Pages | : 1473 |
| Release | : 2012-02-23 |
| Genre | : Literary Criticism |
| ISBN | : 0191651095 |
A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings. Thirty-seven chapters, bringing together the wisdome of experts from across the world, present an authoritative, in-depth, and up-to-date assessment of a major author of British Romanticism. The book is divided into sections on Biography, Prose Works, Poetic Works, Sources and Influences, and Reception. The Coleridge scholar today has ready access to a range of materials previously available only in library archives on both sides of the Atlantic. The Bollingen edition, of the Collected Works of Samuel Taylor Coleridge, forty years in production was completed in 2002. The Coleridge Notebooks (1957-2002) were also produced during this same period, five volumes of text with an additional five companion volumes of notes. The Clarendon Press of Oxford published the letters in six volumes (1956-1971). To take full advantage of the convenient access and new insight provided by these volumes, the Oxford Handbook examines the entire range and complexity of Coleridge's career. It analyzes the many aspects of Coleridge's literary, critical, philosophical, and theological pursuits, and it furnishes both students and advanced scholars with the proper tools for assimilating and illuminating Coleridge's rich and varied accomplishments, as well as offering an authoritative guide to the most up-to-date thinking about his achievements.
| Author | : George Thomas Kurian |
| Publisher | : Scarecrow Press |
| Total Pages | : 734 |
| Release | : 2010-04-16 |
| Genre | : Religion |
| ISBN | : 0810872838 |
The written word is one of the defining elements of Christian experience. As vigorous in the 1st century as it is in the 21st, Christian literature has had a significant function in history, and teachers and students need to be reminded of this powerful literary legacy. Covering 2,000 years, The Encyclopedia of Christian Literature is the first encyclopedia devoted to Christian writers and books. In addition to an overview of the Christian literature, this two-volume set also includes 40 essays on the principal genres of Christian literature and more than 400 bio-bibliographical essays describing the principal writers and their works. These essays examine the evolution of Christian thought as reflected in the literature of every age. The companion volume also features bibliographies, an index, a timeline of Christian Literature, and a list of the greatest Christian authors. The encyclopedia will appeal not only to scholars and Christian evangelicals, but students and teachers in seminaries and theological schools, as well as to the growing body of Christian readers and bibliophiles.
