Coleridge Notebooks V3 Notes
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| Author | : Kathleen Coburn |
| Publisher | : Routledge |
| Total Pages | : 997 |
| Release | : 2019-09-25 |
| Genre | : Literary Criticism |
| ISBN | : 1000736431 |
First published in 2002. Volume 3 of the Notes on the Notebooks of Samuel Taylor Coleridge, spanning from 1804 to 1819. The volume is in two parts, text and notes. During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social and psychological matters, plans for and fragments of works and many other items of great interest. Shortly after World War II, Kathleen Coburn, formerly of Victoria College in Toronto, rediscovered this great collection of unpublished manuscripts. With the support of the Coleridge estate, she embarked on a career of editing and publishing these volumes and was awarded with many honours for her work, including: a Leverhulme Award (1948), a Guggenheim Fellowship (1953), a Fellowship in the Royal Society of Canada (1958), the Order of Canada (1974) and an honorary doctorate from her own university. Originally projected as a five volume set (each volume consisting of a book of text and a book of notes).
| Author | : Philip Aherne |
| Publisher | : Springer |
| Total Pages | : 316 |
| Release | : 2018-09-08 |
| Genre | : Literary Criticism |
| ISBN | : 3319958585 |
This book examines the development of Samuel Taylor Coleridge’s intellectual legacy in Britain and America from 1834 to 1934 by focusing on his late role as the Sage of Highgate and his programme of educating young minds who were destined for the higher professions (particularly preaching and teaching). Chapters assess his pedagogy and his late publications, his posthumous reputation, and his influence on aesthetics, theology, philosophy, politics and social reform. The book discusses a wide range of British and American intellectuals, including Thomas and Matthew Arnold, F. D. Maurice, John Stuart Mill, Henry Sidgwick, Shadworth Hodgson, T. H. Green, James Marsh, Ralph Waldo Emerson, Horace Bushnell, William James and John Dewey. It demonstrates how Coleridgean ideas were developed and distorted into something he would never have recognized as his own and emphasizes his significance as a catalyst who played a vital role in shaping the intellectual vocation of the long nineteenth century.
| Author | : |
| Publisher | : |
| Total Pages | : 120 |
| Release | : 1985 |
| Genre | : Bibliography |
| ISBN | : |
| Author | : Richard Haven |
| Publisher | : Univ of Massachusetts Press |
| Total Pages | : 240 |
| Release | : 1969 |
| Genre | : Literary Criticism |
| ISBN | : |
The pattern which I see in Coleridge's work is one which appears in his prose as well as in his poetry, and a substantial part of this book is devoted to a consideration of the development and character of some of his speculative ideas. I have not, however, included any comprehensive discussion of Coleridge's published prose works per se, and the reader will find that, while I have drawn on the published prose in various ways, I have relied much more heavily on notebooks, marginalia, and letters. - Preface.
| Author | : Rosemary Ashton |
| Publisher | : |
| Total Pages | : 270 |
| Release | : 1994 |
| Genre | : History |
| ISBN | : |
The four writers concerned in this book are Coleridge, Carlyle, George Eliot and George Henry Lewes. The book explores the history of the impact in Britain of German classical literature and thought (Kant, Lessing, Schiller and pre-eminently Goethe) on these four writers as well as other major figures like Scott, Wordsworth, De Qunicey and Matthew Arnold.
| Author | : Richard Allen Cave |
| Publisher | : Colin Smythe |
| Total Pages | : 142 |
| Release | : 1986 |
| Genre | : Performing Arts |
| ISBN | : |
This symposium was first delivered as a series of lectures in Rome arranged under the auspices of the Keats-Shelley Memorial Association and the British Council. The aim was very much to interpret the drama created by the English Romantic poets from the perspective of the modern theatrical tradition. The four essays included here investigate the relationship between the Romantics and the theatre of their own time, assess the considerable body of dramatic works composed by Byron and Shelley, and explore the history of plays by Wordsworth, Coleridge, Shelley and Byron in performance on the British stage. All argue that, though the Romantic poets were out of sympathy with the theatre of their day, they wrote forms of drama that to a considerable degree anticipate the theatre of the present century.
| Author | : Thomas G. Sauer |
| Publisher | : Bouvier Verlag |
| Total Pages | : 244 |
| Release | : 1981 |
| Genre | : Drama |
| ISBN | : |
| Author | : Peter John Croft |
| Publisher | : London : Mansell |
| Total Pages | : 966 |
| Release | : 1980 |
| Genre | : English literature |
| ISBN | : |
| Author | : Tom Mayberry |
| Publisher | : Sutton Publishing |
| Total Pages | : 224 |
| Release | : 2000 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780750925075 |
This fascinating text explores these crucial years, when both men wrote some of the most enduring poetry in the English language, culminating in 1797-8 with poems such as The Rime of the Ancient Mariner and Tintern Abbey. Originally published by Sutton Publishing in 1992, this re-issue will be a welcome addition to lovers of poetry, literature, and England.
| Author | : Samuel Taylor Coleridge |
| Publisher | : |
| Total Pages | : 998 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 9780415290944 |
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
