Coleridge In Italy
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Author | : Edoardo Zuccato |
Publisher | : |
Total Pages | : 288 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : |
It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer
Author | : Donald Sultana |
Publisher | : Blackwell Publishers |
Total Pages | : 488 |
Release | : 1969 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Frederick Burwick |
Publisher | : Oxford University Press |
Total Pages | : 779 |
Release | : 2012-02-24 |
Genre | : Literary Criticism |
ISBN | : 0191651087 |
A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings. Thirty-seven chapters, bringing together the wisdome of experts from across the world, present an authoritative, in-depth, and up-to-date assessment of a major author of British Romanticism. The book is divided into sections on Biography, Prose Works, Poetic Works, Sources and Influences, and Reception. The Coleridge scholar today has ready access to a range of materials previously available only in library archives on both sides of the Atlantic. The Bollingen edition, of the Collected Works of Samuel Taylor Coleridge, forty years in production was completed in 2002. The Coleridge Notebooks (1957-2002) were also produced during this same period, five volumes of text with an additional five companion volumes of notes. The Clarendon Press of Oxford published the letters in six volumes (1956-1971). To take full advantage of the convenient access and new insight provided by these volumes, the Oxford Handbook examines the entire range and complexity of Coleridge's career. It analyzes the many aspects of Coleridge's literary, critical, philosophical, and theological pursuits, and it furnishes both students and advanced scholars with the proper tools for assimilating and illuminating Coleridge's rich and varied accomplishments, as well as offering an authoritative guide to the most up-to-date thinking about his achievements.
Author | : Joseph Cottle |
Publisher | : |
Total Pages | : 562 |
Release | : 1847 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Gurion Taussig |
Publisher | : University of Delaware Press |
Total Pages | : 388 |
Release | : 2002 |
Genre | : History |
ISBN | : 9780874137415 |
This book analyzes Coleridge's male friendships during the 1790s. It shows the poet's experience of relationship is structured by and contributes to contemporary debate about friendship. Examination of Coleridge's epistolary relations with Poole, Southey, Lamb, Lloyd, Thelwall, Wordsworth, and Godwin demonstrates that each friendship negotiates issues of relationship discussed throughout English culture of this period.
Author | : James Dykes Campbell |
Publisher | : |
Total Pages | : 346 |
Release | : 1894 |
Genre | : |
ISBN | : |
Author | : Leigh Hunt |
Publisher | : CUP Archive |
Total Pages | : 328 |
Release | : 1984 |
Genre | : Authors, English |
ISBN | : |
Author | : Peter Cheyne |
Publisher | : Oxford University Press |
Total Pages | : 519 |
Release | : 2020-01-09 |
Genre | : Literary Criticism |
ISBN | : 0192592734 |
'PHILOSOPHY, or the doctrine and discipline of ideas' as S. T. Coleridge understood it, is the theme of this book. It considers the most vital and mature vein of Coleridge's thought to be the contemplation of ideas objectively, as existing powers. A theory of ideas emerges in critical engagement with thinkers including Plato, Plotinus, Böhme, Kant, and Schelling. A commitment to the transcendence of reason, central to what he calls the spiritual platonic old England, distinguishes him from his German contemporaries. The book also engages with Coleridge's poetry, especially in a culminating chapter dedicated to the Limbo sequence. This book pursues a theory of contemplation that draws from Coleridge's theories of imagination and the Ideas of Reason in his published texts and extensively from his thoughts as they developed throughout unpublished works, fragments, letters, and notebooks. He posited a hierarchy of cognition from basic sense intuition to the apprehension of scientific, ethical, and theological ideas. The structure of the book follows this thesis, beginning with sense data, moving upwards into aesthetic experience, imagination, and reason, with final chapters on formal logic and poetry that constellate the contemplation of ideas. Coleridge's Contemplative Philosophy is not just a work of history of philosophy, it addresses a figure whose thinking is of continuing interest, arguing that contemplation of ideas and values has consequences for everyday morality and aesthetics, as well as metaphysics. The volume will be of interest to philosophers, intellectual historians, scholars of religion, and of literature.
Author | : Maureen McCue |
Publisher | : Routledge |
Total Pages | : 229 |
Release | : 2016-05-23 |
Genre | : Literary Criticism |
ISBN | : 1317171489 |
As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
Author | : C. P Brand |
Publisher | : Cambridge University Press |
Total Pages | : 313 |
Release | : 2011-06-09 |
Genre | : History |
ISBN | : 0521247292 |
A fashionable and well-informed interest in Italy was a feature of English intellectual life in the first half of the 19th century. Most cultured people could read Italian and knew something of Italian literature. Young ladies learned to sing in Italian, whilst young gentlemen completed their education with a tour in Italy. Painters went there to make copies from Raphael; architects to sketch the Graeco-Roman ruins. Men of letters in particular found themselves drawn to Italy and much Romantic literature reflects this interest; many works owe their origin to Italian literature. In this book, which was originally published in 1957, Dr Brand traces the growth and decline of the social fashion which made Italy the goal of so many cultured Englishmen. He examines in particular the extent and significance of Italy's fascination for the English romantic writers, and traces the effects of the fashion in music, painting, architecture and political affairs.